Categories
Interviews Misc

Like Alice in Wonderland wearing a new pair of shoes

Is success coming
too fast, Minna?

All kind of
attention is good and it is nice. I enjoy it and it is good for my business,
but my goal has been to move forward very quickly. It is exactly what I wanted.
I did not want to start with a small thing, I wanted to start with a big thing
and move fast because also financially, it is my company and I founded it
myself

Is it hard to
take full responsibility of the company?

Yeah, because I
studied design, and I suddenly had to be “business woman”. I learnt a lot in
1.5 years. I am kind of very proud myself that I have managed to do as well as
I have, without any kind of selling or business experience before, so it’s just
matter of finding out, and asking questions, and learning through mistakes.
Luckily there have not been huge mistakes so far…

You have said
that you wanted to be a designer since you were 15. Were you the typical
teenager burning time and money at the clothing shops?

Yeah, I have
been traveling with my family on holidays since I was tiny, all over Europe, Japan,
Australia,
all kind of places, and I got used to be in all kind of shops and seeing all
kind of designs, things that we did not have in Finland. In the 90´s we still did
not have so many great shops here.
 

 

Getting experience in England

When you were 19
you moved to Leicester, England, to study Footwear Design
in Demontfort University. Why?

I wanted to go
somewhere else than staying in Finland,
I wanted to go and try out a new place and experience a new culture, and learn
the language perfectly. There were only 2 design schools in England, the other
one in London and the other one in Leicester, and when I was 19, London sounded
quite of quite scary…too big… and I just decided to go to Leicester, even when
I had never visited the place.

Tell me a bit
more about this prize you got: Young British Glove Designer?

Well, it is given
by the British Glove Association , the main glove thing in the U.K. there were
400 people taking part in that competition, so in that way it was quite a big
thing to win it.  I got the title of  Young British Glove Designer, even if
I am not British, which it was quite funny, and they had this way of doing it
in the center of London, in this mansion house , so they were quite “proper
English”, old men and old women with their hats and their gloves exclaiming “oh
yeah marvelous!”, “well done!”

After 6 years
abroad, why to settle again in Helsinki
and not somewhere else?

Well, it had been
easier to have started abroad, like in England, Italy or Spain, it is much bigger, you get
the producers there, and in England
you get the British Footwear Association that does support the designers. They
apply for big fairs where I cannot get in because I have a small company and I
am from Finland.
But I miss home. I miss my friends, after being out for such a long time it is
good to return. It is peaceful and calm here and there is a lot of space to do
new things. The environment allows new things and people here are very excited
about new things as well, so I thought that this would be a very good base to
create my own things in peace, and then travel a lot around the world.

 

{mosimage}{mosimage}

 
 

Girlie designs
and summer fantasies

What makes Minna
Parikka´s designs different from others?

They are very
girlie, girlie shoes with girlie details, very feminine, like high curvy heels,
lots of inspiration from the 30s, 40s, 50s, when the woman was true woman and
they dressed up head to toe perfectly, with fun and quality. I always try to
offer something that is amusing, wearable and still doesn’t go over the top.
The shoes have a lot of details but people can still imagine that they can wear
them. Color is very important, colors suitable for the season, I m not a big
fan of browns and blacks. The buyers always say like “Hum, lovely colors, but I
will take the browns and the blacks instead”

Do people take
care of their style in Finland?

In general people
still do not spend much money on clothes. But I think that Helsinki is great, you get all kind of styles
here, people like to be quite individual, and not everybody is from “the same
mall”.

Can you explain a
bit more about your new Spring/Summer collection?

It is a very candy
collection. It has candy colors, pastels, bright reds and it has very cake
shapes, hearts…very romantic. The collection is called holiday romance, so it s
everything that you could expect from a holiday romance to be like:
lighthearted and  fun and playful.

How many pairs of
shoes have u bought lately?

Nowadays I do not
have to buy shoes since I get them for myself. I got 50 pairs of shoes just for
this summer just for myself. For Finnish summer, 50 days, one for every day…
Maybe I have 150 pairs in total, I always go to fly market to sell my stuff
later, I don’t keep things, I do not have the space to keep things.

What are the
future plans for Minna Parikka?

Sell a lot and
design a new collection!!!

 

Categories
Antonio's blog Blogs

And with the spring…the 3rd issue of FREE!

I still have the feeling that many people don´t know about the existance of FREE! Well, for those who are missing the fun, now it is about to know about us. And with the new cover in our 3rd issue, I am sure that loving it or hating it, it is going to create some impact, because it is definitely a catchy illustration (…and a catchy cover story, although I must say that I think we have treated the topic of sex with a lot of respect, although as well with sense of humour).

By the way, if you see any day a dark haired guy refilling one of the stands-teline of FREE! Magazine with newspapers, salutate me. We are not all day long sitting in front of our computers, quite the opposite. We, the editors, do a bit of everything.

I was a couple of hours ago in Bar Loose, one of my favourite places in Helsinki. Not only for the rock music, that is good, but also because it gives me a good vibe, it reminds me to a typical rock bar in Spain, and there are not many bars in Finland that can remind me to my homeland bars. The clients there go often, so at the end everybody knows everybody, and hours seem to pass by without noticing it. Today there was a concert by a band called Ceesar, where one of the waiters play, and actually they were quite good, I enjoyed the concert pretty much.

Some of you must have realized that FREE! is moving around, trying to spread our name. This month, we  appear with and ad in Clubland leaflet, and we will have a stand-teline in the Sexhibition, for all those who apart from "sexy time", would feel like having something to read in English. We were also last month in Tampere Film Festival, delivering copies and making some promotion. It was nice to assist, the quality of the projections is very high, and apart from that, I personally got impressed with the energy of Jonas Mekas, the 84 years old Lithuanian director. The man conserves all his lucidity and a great joy of life. It was 11:30 at night and he could appear in a club ordering some drinks  and chatting with audience, instead of being sleeping at his hotel room. Frankly impressive!

And some recomendations before ending up today. Last films I saw recently and enjoyed pretty much: Little Miss Sunshine and Capote (Seymour Hoffman is great in whatever role he plays. And if you still have not read In Cold Blood, I don´t know what you are waiting for…). In music, pay attention to the new Finnish band The Jade, I was positively delighted with the discovery. And please, be FREE! with us! Send us your pictures or your questions without answers in Tell me Why section for the next paper edition, sign our guestbook, or just simply write a couple of lines to feedback@freemagazine.fi but always remember (remember the fifth of November, the gunpowder, treason and plot…)  that this magazine is overall planned for your joy.

Categories
Albums Music

Peer Günt – Guts and Glory

In spite of
the changes, Guts and Glory should not disappoint the fans. It’s the same old Peer
Günt. Indeed, this hard rocking machine is at full speed. “No guts, no glory…
Nobody is gonna stop me now” sings Nikki in the first song and the boogie
oriented trio goes non-stop down a road of aggressive riffs and great guitar solos.
One can imagine raising fists and headbanging when Demolition Child is played live

There is
only one gear for Peer Günt. They hardly slowdown in any of the eleven songs of
the 11 songs. They played with the same strong attitude of Motörhead or AC/DC,
although Guts and Glory might suffer
in the end of including one type of song. Nevertheless, the bluesy guitar
licks, the very good guitar solos and the smell of gasoline are there. Fans can
expect good times for the new era of Peer Günt. Nikki is in top and Pete and
Sakke pass the test with a very good grade.

Categories
Interviews Music

New York City’s rock radio saviour

Eddie Trunk is host of Friday Night Rocks with Eddie Trunk, a hard rock/metal radio show from New York City that can be heard across the U.S. and on the internet. He was kind enough to spend a few minutes with FREE! Magazine to discuss his show and the radio business.

Eddie Trunk

I know your favorite all time band is KISS. So how did you go from a kid in the late 70’s with KISS posters on your bedroom wall to having a nationally syndicated radio show?

It’s been a long road but I started out writing the music column of my high school paper. I was always just a big music fan and chased down everything I wanted to do in the business. Did College radio while in high school, worked at a music store, worked for a record label (Megaforce), management company and more. I always did radio though regardless of what else I had going, it was always what I loved most. In 1994 I got a break when I broke into the NYC market and that’s when I made it my main focus. Everything else fell into place because of the audience I served and how loyal they are. I specialized in something and did more then just play records, which is what set me apart. NYC and Boston are the two biggest markets the show is heard and I also do a national XM show [satellite radio] on Mondays on channel 41.

Now thanks to your show, you’re able to have personal and professional relationships with many of the same musicians you idolized as a kid. In fact, you are actually good friends with original Kiss guitarist Ace Frehley.

I had a hand in signing Ace to his solo deal in the 80’s and we have remained close friends ever since. Ace is working on new music now and I’m going to pay him a visit soon and see what he’s up to. I’ve been fortunate to have many of the legends of music become friends after doing this for 25 years. It’s really all about how you treat them and behave around them. The key is to make them feel comfortable and avoid being a super fan, then you can establish a true connection.

Kiss Live!

Your show is a mixture of music and live interviews. What can a listener who has never heard your show expect?

Not just music. Anyone can be a jukebox and play CDs, and with iPods people can get any songs they want. I bring all my experience, stories, interviews, contests and more. The show is a mix of music and talk about music, and you will never hear the “hit” song you’re sick of from the classic artists. You will also hear plenty of classic artists that don’t ever get played from the 70s and 80s mostly.

It seems that hard rock & metal is enjoying a bit of a resurgence these days. Do you think there’s still that stigma that’s associated with those “hair bands” from the 80s?

Yes, unfortunately I do. Outside of Bon Jovi there really have not been any artists from that era that have had big time success now. It’s sad because there is so much great music that is not given a shot or written off by the mainstream. I do my best to cater to that crowd with the little time I have each week.

It’s great that in a way, you’re building a community of fans around your radio show.

I’m nothing without my audience and their support. I do my best to connect with them as much as I can in as many ways as I can. It’s so cool to meet people that get the show every week somehow, someway. It’s what metal has always been built on, loyalty and passion for the music and people that love it.

As many people probably don’t realize, most DJs in the U.S. don’t get to choose the songs they play on the radio anymore. You’re very fortunate to still retain complete control over what you play. What do you think of the state of radio these days?

Radio is big business and big money owned by big companies. I am fortunate I have what I have. I only wish I had more hours/days in the week. There is a reason why radio in the mainstream is the way it is. The ownership feels that’s the way they can make the most money, and that’s what business is about. I get that. I think there are more people out there that want to hear the type of radio I do then many think, but I’m grateful for what I have. I’m also on XM satellite radio and have a live weekly show there, so that is another great outlet that is live nationwide and through Canada, uncensored with no commercials. Lot’s of fun and another way to reach people.

It seems that radio used to play a big role in breaking new bands. I can think of a lot of bands that became famous thanks to some lone DJ playing an unknown band’s song which led to that band getting national exposure. With most radio station playlists being dictated by some focus group, how does a new band get that lucky break anymore?

They have to be creative. The entire music business has changed, labels, everything. Thanks to Myspace, YouTube, etc, bands have other outlets to reach people and even sell music. Top 40 can still break an act in a major market, radio still has lot’s of power and influence, it’s just the approach to the business is very different now.

Since this magazine is for people living in Finland, what do you think of the current crop of Finnish rock bands that have enjoyed some international success recently?

I saw HIM a couple years ago in LA with Monster Magnet. Wanted to like it but it didn’t really click for me that night. I lean more to the classic stuff but I know there is a big scene emerging in the clubs here with the Euro metal. I think it’s great that people support new music, very important. I would play more of it if I had time.

You are a person who is passionate about the music and it shows. How does it feel to be able to make a living doing what you love?

I’m very lucky and do not take it for granted. I have a great following and connection with the audience and artists. There have been some truly magical things take place on my show over the past 25 years and I’m proud it’s become such a big destination for rock fans and bands.

Listen online to Eddie Trunk’s show at: www.eddietrunk.com

Categories
Interviews Music

Electro + Pop + Sweetness = Regina

What was
the evolution of Regina? How/where did the three of you meet and how/when did
the band form?

It all
started when we (Iisa & Mikko P.) did a couple of demo tracks in our living
room a few years ago. To our surprise, our music found friends really quickly –
with the help of the Internet – and soon we were asked to play live. We wanted
to try it even though we had no plans to become a real band. It was the
beginning of 2005 when Mikko R. and his drums joined us, and in March we played
the very first gig at Club Limousine in Helsinki.

 

Regina most
distinguishes itself from other bands with its vocals. Many bands choose to
sing in English in order to reach a wider audience (I assume), but you sing in
Finnish. As it turns out, this in no way hinders your appeal. So, was singing
in Finnish a conscious decision?

I love our
language and choosing Finnish was the only solution for me. It's nice to be
able to use a language as funny and beautiful as Finnish and it's even more fun
when people tell you that they enjoy the language – even though they don't
understand it. We have heard stories of people who have started to learn
Finnish with our music.

{mosimage}Your music
is best described as electro-pop, but there's clearly a different sound coming
through on your new album. Less electronic, more organic, lighter but with more
layering. Can you talk about the differences between the way you approached
your first and second albums?

The new
Regina is definitely more organic and lighter but still electronic. We simply
wanted to get a totally new approach to our music with this album. We put a lot
effort into it. The vocals were also something we wanted to concentrate on more
this time.

What other
bands have an influence on Regina's sound? Any bands you can't get enough of?

This is
always really hard… We love electronic and guitar pop: many amazing solo
artists like Prince, Björk, Stina Nordenstam, Joanna Newsom and Kate Bush;
bands like !!!, Final Fantasy and Hey Willpower; Finnish indie music such as
Cats On Fire and some Fonal's bands for example; 60s and 70s pop, etc. All the
music that we love and enjoy listening to probably has some kind of an
influence on our music; but for us it is quite hard to recognize.

Regina's
debut album (originally released in Finland in 2005) was released in Japan in
August 2006. Do you hope to continue reaching beyond Finland's borders with
your music? What's the next step for the band?

Our music
has some friends for example in Sweden and in Russia, probably in Japan and
some other countries too. And MySpace is spreading our music all over the world
and that's really nice. We would love to have some kind of audience in
different countries, so
that every now and then we could visit for example Stockholm or Berlin and play for the people that have
found us. But we have no serious plans about how to get big beyond Finland's
borders.

What are
your thoughts on Eurovision?

The whole
thing is pretty confusing. But fun at the same time! We enjoy watching the
weird performances. The music is the most confusing part of the show. Sometimes
you want to laugh, sometimes you feel like crying.

 

Regina’s new album, Oi miten suuria voimia!
was released on 21st
March. More info
at http://www.myspace.com/reginaxxx

Categories
Interviews Music

Pop out of joint

Rooted in
eastern Finland, Rubik found its current line-up in Helsinki at the turn of the
century, when vocalist Artturi Taira
and drummer Sampsa Väätäinen, joined
by guitarist Samuli Pöyhönen and Arvi Hasu on bass, rejected any master
plans and set out to make music with an attitude of open-minded
experimentation; merging shades of anything between and beyond indie rock and
ambient. ”Our sound has evolved quite naturally. We never rejected any idea
off-hand just because it didn’t fit some preconception of how Rubik should
sound”, Samuli Pöyhönen says.

{mosimage}With years
of gigging and an EP release under their belt, last summer Rubik sought the
solitude of a remote coastal villa to record their debut, Bad Conscience Patrol. The end result is an ambitious record that
takes pop melodies as a starting point, and ventures off in any direction it
damn well pleases. The songs take turns soaring and plunging, crawling under
your skin only to gestate and emerge in another burst of raw emotion. This
certainly merits the epithet of ”progressive”, but according to Samuli, Rubik's
cerebral reputation is mostly unintentional: ”we're not trying to be difficult
or strange. Fundamentally it's pop music, just a little disjointed.”

As for the
hype, the band pays no heed to it: ”we're not the ones creating it, so why
should we fret over it”, remarks Samuli. ”Of course we're excited over the
prospect of going abroad. We're working on it, but it all depends on whether
there's real interest in us”, he says with sober minded confidence. Indeed,
Rubik has good reason to be confident. After all, they've put out a debut album
that's quite likely to be one of this year’s hardest hitters.

Categories
Cover story Misc

The line of democracy

The red
line is a symbol of democracy. On the 15th and 16th of
March of 1907, every citizen in Finland aged 24 and over was able to go to the
nearest village to put a red line in the box of their choice on a ballot paper.
It was the first time universal suffrage was enacted in the parliamentary
elections and was also the first time in Europe that women were given an
unrestricted right to vote.

In 1909, writer Ilmari Kianto dramatized these events in his social
drama Punainen Viiva (The Red Line). The novel became one of
the main stories in Finnish culture. In 1978, Aulis Sallinen premiered an opera
of two acts based upon it and became a great success in Helsinki, Savonlinna,
Stockholm, Saint Petersbourg, London and New York. It remained as one of the
greatest contemporary Finnish operas marking a period of opera renaissance in Finland.
At the time of its premiere at the Metropolitan Opera House in New York, in
1983, critic Donal Henahan wrote for the New
York Times
: “
To
be quick about it, Aulis Sallinen's The
Red Line
is the best new opera I have heard in many a year.”{mosimage}

To celebrate the 100th anniversary of those first universal elections
and the Finnish Parliament, the Finnish National Opera just premiered a new
production of The Red Line, directed
by Pekka Milonoff and conducted by Mikko Franck.

As Kianto’s novel, the libretto of The
Red Line
tell about Topi, a poor crofter that lives with his wife Riika and
his children in the bleak north Finnish backwoods.
They are beset by a marauding bear
and oppressed by an indifferent society. An agitator whips up support for
social democracy by telling people that if they draw a red line on a ballot
paper, they will be free from oppressed misery. But it is a promise that will
not happen and the bear will return.

Director
Pekka Milonoff describes the story as having relevance even today: “Rapid
changes, globalization, decision-making moving ever further away from the
people: all these things erode our belief in an individual being able to make a
difference.” Aulis Sallinen too does not think the opera is outdated: “Free
elections, self-evident here, are anything but self-evident in many places in
the world today. One of the main themes of the opera is the manipulating of
human minds. There are several spheres of power involved, vying for control
over the souls of men.”

{mosimage}Touching music

Without
sounding derivative, the music of Punainen
Viiva
combines different styles. The orchestra during these performances
will be conducted by Mikko Franck. It will be his final production as general
music director of the Finnish National Opera after he recently resigned due to
differences of opinion within the management. Franck, who is only 27, was the
youngest conductor appointed to that position. As a matter of fact, he was not
even born when Sallinen premiered this opera for the very first time.

“The last
scene is very touching”, admits Franck about The Red Line. “When that last scene comes, one wonders how this
tough guy can conduct the orchestra without crying.

As in 1978,
the main role of Topi will be played by Jorma Hynninen. He is one of the
greatest baritone singers in Finland. During the 1980s and ‘90s he made guest
appearances at many of the world’s esteemed opera houses, including the
Metropolitan in New York. Hynninen admits that, “It feels good to be in the
same role as it brings lots of memories.” However, he sees this new production
like a different approach to the story: “Different directors have different
ways and Pekka includes more happy and relaxed moments.”

Categories
Cover story Misc

Cartes Flux vol 2

From 17th to 24th of April, Tapiola, Espoo.

{mosimage} 

 

Categories
Art Exhibitions

Sleeping beauty and other stories

There couldn’t be better words to describe
the pictures in the Sleeping Beauty
section of Jaana Partanen’s exhibition Arjen alkemiaa (Everyday Alchemy)
currently at the Finnish
Museum of Photography. A
bunch of old ladies framed in silver, against a silver background, are holding
glasses of wine or laundry baskets and leaning against a rollaattori– this very
Finnish ‘institution’ for old age – smiling and laughing or playing with a lot
of arms and a lot of hearts The silver backgrounds and frames turn the ladies
into goddesses of the third-age: but oh, so wonderfully ordinary. Looking at
these pictures you just can’t help thinking that beauty is not just a matter of
being young!

Sleeping beauty, the Real Princess and
Cinderella
is the title of the trilogy Partanen had been working on since
2001 and finished just before this exhibition: now it is being shown for the
first time.

{mosimage}If Sleeping Beauty deals with old
age, then the Real Princess investigates, in a touching and unconventional
way, the relationship between mothers and teenage daughters. In the photographs
taken underwater – and the accompanying video – the dance-like quality of the
movements of the mothers and daughters graphically describes the difficulties
mothers experience in letting their daughters go; and the conflicting attitudes
of the daughters: ready to state their independence and yet still in need of
their mothers’ hugs.

Fatherhood, family life and birth are
investigated in the section of the exhibition called Cinderella. Here the
focus also seems to be on fathers and the active role they are increasingly
taking in the family. In Partanen’s works, family life is made up of close relationships
and moments so precious – even if it is just washing dishes – that they deserve
gilded backgrounds.

The trilogy also includes three video works (Once Again, Crystal City
and Bubbles
) which deal with
issues of deconstruction and rebuilding. Visitors can make a contribution to
the issue: an installation, right at the entrance of the exhibition area,
allows them to move simple gilded forms, thus changing and reshaping them into
new landscapes.

Everyday
Alchemy
will be on display until the 5th of May. A
visit is highly recommended.

Jaana Partanen – Arjen alkemiaa (Everyday
Alchemy)

Finnish Museum of Photography – Cable Factory, Tallberginkatu 1 G Helsinki

Categories
Features Music

Young people rap for children’s rights

The
competition is open until 23rd of April and the lyrics of the entries may be
written from young people’s personal or global perspective in Finnish, English
or Swedish. The competition entries can
be solo or group acts. The candidates must be under 18 years old. In group acts, half of the
members can be from 18 to 23 years old. The songs may include samples and loops
that can be downloaded from the competition website.

{mosimage}The
jury includes well-known Finnish artists such as Paleface and Redrama among
others. The chairman of the jury,
DJ Mobster, encourages entrants to do what comes naturally and from the heart. “The most important thing
is to do what feels right.” The winners will have the chance to record their entry and the best lyrics in the
competition will be compiled in a book.

The
competition is modelled after the Tundu Dior musical project in Senegal. The 12-year-old Aminata,
who is in the Tundu Dior competition, wants to express through music her hopes
that there will be fewer
wars and that all children will be able to go to school, because
children are the future of the land.

More
information and instruction on how to enter at the competition website: www.turpaauki.fi

Categories
Features Music

Neighbours coming over for a good vibe

Luckily there is a guy named Tusovka. Loosely
translated from St. Petersburg
slang meaning "good vibe" and "a creative get-together of free
people", the Helsinki-based promoter has been active since 1998
introducing modern Russian music and popular culture to Finnish audiences, and
visa versa.

Tusovka’s biggest event is the annual Tusovkarock
Festival in Helsinki. This year, the eighth edition of the festival at Cultural
Arena Gloria takes place on March 30th and 31st. Kicking off will be St.
Petersburg-based Tva Samoleta (Two Planes), one of Russia's oldest and
best-known ska bands, and Boombox, a popular trio consisting of a vocalist,
guitarist and a DJ from Kiev (Ukraine), with their cosmopolitan blend of rock,
r ’n’ b, funk, soul and reggae. Also performing that night will be popular
ten-member strong Finnish dancehall/dub/reggae collective Puppa J &
Tasottavat.

{mosimage}On Saturday 31st Deti Picasso (Children of Picasso)
hits the stage. The group from Moscow plays psychedelic rock with expressive
vocals by Gaya Arutyunyan, in Russian and Armenian, combined with Moscow
club and Armenian folk influences. Monostereo from St. Petersburg will bring, in what they
themselves call, an energetic mix of post-rock, acid-jazz and hip-hop, combined
with deep and touching lyrics. Joining the party on Saturday will be Helsinki's
own, seven-member funk band Eternal Erection, widely considered to be one of
Finland's best live acts.

To top everything off, there's Russian animation and
fine food. So for a “hyvä meininki” Russian style, head to Tusovkarock!

 

Tusovkarock 2007

 

Friday 30.3: Boombox, Tva Samoleta and Puppa J &
Tasottavat

Saturday 31.3: Deti Picasso, Monostereo and Eternal
Erection

Cultural Arena Gloria, Pieni Roobertinkatu 12, Helsinki

Tickets: 9 e/day, 16 e/2 days

Categories
Blogs FREE! Blog

FREE! Porn

Our cover story
aims at giving a glimpse into the porn industry in Finland. Even when being a relatively
small market, there are several native stars with interesting opinions to be
heard. The small size of the market also makes it perfect for new genres and
trends in making porn films, such as amateur commercial short films.

The music market
in Finland
is also small, but Finnish bands are ready to jump overseas. Some days ago,
several bands traveled to Austin, Texas, to participate in the South by
Southwest festival – this must be one of the largest music festivals in the world.
Over one week, it unites hundred of bands of any style and origin. Eleven bands
from Finland played there: Callisto, Lodger, KTU, I Walk the Line, Rubik,
Astrid Swan, Lapko, Disco Emsemble, Irina Bjorklund & Peter Fox,
22-Pistepirkko and The Crash. This is a good example that Finnish rock music is
something other than Lordi. In this issue you will read about the band Rubik discussing
their debut album only a few days before leaving to the United States. Before
traveling to Texas, Kimmo Pohjonen (of KTU) also spoke to FREE! Magazine. He is
an interesting character who spans different genres with his accordion, from
folk to avant garde, when not scoring music for films.

Don’t stop there!
You will find many more fascinating topics on comics, exhibitions, opera,
historical figures, curiosities and cinema, plus the best tips for your FREE!
time.

Whether you decide
to relax and watch some porn or prepare your schedule for the massive number of
summer festivals, we are sure that spring will be an exciting warming up season
for you. Of course, full of FREE! experiences!

Categories
Albums Music

The 69 Eyes – Angels

Which is ironic,
because it is not the biker-gang outfits, tattoos, the black nail polish and
make-up, and the 80s B-movie vampire paraphernalia that will make you remember
this band. It is not the slightly pretentious lyrics about angels, devils and
the "world of rock'n'roll" that's in between them.  It is not even the music, that for the most
part wouldn't sound out of place on the stage of a dusty roadside bar in the
middle of Arizona. It's the vocals of frontman Jyrki 69 – the vocals
that evoke none other than Elvis Presley.

The combination
might sound weird at first. But in practice it works perfectly, as the
grandiose, Elvis-style singing brings just the right theatrical element to the
picture, and makes the goth-touched-rock of the band sound genuine – in every
possible sense of the word. It is energetic, captivating and self-assured, and
even touching (without being cheesy), where need be.

Angels,
released in the first week of March, is The 69
Eyes' ninth studio album. It features classical-heavy metal band Apocalyptica,
and, in general, eleven songs that would make Axl Rose green with envy
(expect further delay of Chinese Democracy).

Ladies and
gentlemen, the King has left the building. But he'll be back soon, with a crate
of beer and spirits.

Categories
Antonio's blog Blogs

February is gone… and my blog misses me

For those readers who expect that I have changed my mind and become a serious keeper of a blog in Internet…well…maybe they expect too much… By the way, are there readers there??? Eh come on guys, most of the articles in the website have not received a comment at all, and the same applies to the guestbook, with only few visits every week. If you consider that something is marvelous or just simply a shit, we will be glad that you dedicate a couple of sentences to let us know, but please write!!!
It is becoming very frustrating to have the feeling that we are alone here writing the newspaper for the reindeers…

In any case, I am going to try my best and keep the blog more updated than I have done these first couple of months, although it is not easy with this hectic life. During last weeks, we have assisted to some interesting events, and I did not want to let more time pass by before commenting them.

We were on the 20th of February watching Anna Karenina at the National Opera. I must say that I enjoyed it very much. Maybe my background has more to do with being in the middle of small clubs in rock concerts than assisting to ballet, but I must say that I really liked the performance. It was dynamic, full of plasticity, and the decoration was astonishing. That week was actually pretty much of not resting at all: On Wednesday, it was time to have an interview and assist to the later concert of The Yayhoos. You will be able to read more about them in the next issue of FREE! , but well, the concert ended up having quite a cold atmosphere due to the lack of spectators, the same that the weather outside that I am pretty sure made a lot of people stay at home instead of daring to come to Tavastia to enjoy the good music of the American band. In any case, there is nothing as good against the coldness as finishing the night with some good beers and a nice talk with the Tour Manager, who was by chance from Madrid, the same than me. “Pieni Mailmaa”, as the Finnish would say.

Two days later, it was the turn of watching Apulanta in Nosturi. I find actually the place a very cozy one for concerts, although the acoustic is not the most brilliant one, I must say. The guys from Heinola really came there to make business, and provided with another good show to the delighted audience. Many young people there, almost teenagers. And my FREE! Magazine red and yellow t shirt causing amazement and shocking the masses. Goddamn, if we wanted to cause an impression when making the T shirt, we really got it.

This is all for today from this absent minded editor who must be one of the worst in the world to promote his own magazine. In Apulanta concert, I did not bring a single copy of the magazine to the entrance of Nosturi, even when we had a three page cover story about the band… well, word to mouth must work for the moment. As again Finnish say: Elämä on!

Categories
Books Features

Letters from Finland

The 31 letters can be read like short stories.
Some tell of fatal incidents, like the "Faisan of Malmi" ending up as
a delicious French dish in the casserole of the writer's mother. Or about a
cheese sent from France, arriving weeks late, due to a public strike. In a
correct and pitiless attitude the postman delivers the stinking package, where
a cribbling "spite from Satan" is left, beside a rotten postcard
"with the best wishes from your parents".

 

The nature is really beautiful and muurahainen
sounds so erotic

In one letter Guicheteau prepares his friend
for the first visit to a mökki (wooden summerhouse) and provides instruction on
how to obtain the sympathy of the Finnish landlord: "You take a long hot
bath accompanied by a white wine or a bottle of Finlandia. Then, with a towel
around your hips, sit outside on the balcony. Take your photo album from
Finland and have it open at the most beautiful page. Look at the lakes and
forests. Listen to them. Be patient. Surrender to the wind and air. Let it seize
your body. Wait for this sublime moment, when you feel neither cold nor hot.
Finally, in a faithful voice, sigh out slowly: "Kyllä luonto on todella
kaunis". ("The nature is really beautiful")

There is a poetic description of the mökki: We
can smell the wood and moisture, see the old magazines from the seventies that
nobody reads, the mugs in different sizes and colours, the pot with the sugar
hardened during the winter, hear the conversation about trees to be cut, feel
the comfortable old clothes and the time passing by slowly.

The peculiar Finnish family names are
meditated: Koivujärvi ("Birch-Lake"), Haapapuro (Trembling-Stream),
Jokimaa (River-Earth) and Haukka (Falcon) – don t they remind you of names from
the North American Indians? And the sound of the language – how sensual in
"muurahainen" (ant), as moving slowly with your mouth over a naked
body. Or howling like a wolf in the forest with "kuu" (moon), dancing
a Brasilian music rhythm in "katokatokukatuli" (See, who comes!) and crashing
solidly in "minä rakastan sinua" (I love you).

 

Finns are strange

Of course the "typical" Finnish melancholy
is a subject. The experience of a  joyful
birthday party that turns into a burial atmosphere, when in late hours the saddest
tangos are played and people sink into silence, think deep thoughts, or even
start to cry. Is it moral hangover, heritage from their Slavic roots, or a need
for self-punishment?

Some themes and questions may arise especially
from the contrast of Protestant north and Catholic, Latin south. Hence the
straight way of northern talking whereb the author feels sometimes "like a
baroque artist overcharging his painting with angels or superfluous
details".

To the question of why the lights in a bar
flash in the end of the evening, comes the short answer "They close"
and not "because it is late and this is the way to…blah blah". No
explanation from a doorman of the disco, regarding why you can't get in. Only
"Therefore!"

One chapter is about the hopeless effort to
teach students the sense and art of lying. How can they honestly tell the
teacher that they have not done their homework? It's like offending a person.
Could they not excuse themselves by telling they have forgotten it at home or
were busy with an important exam?

Also, why are some people so rudely knocking
against you in the tram or supermarket without any "anteeksi"? Or why
do your neighbours hide behind their doors until you have disappeared into the
lift? And if by accident the common journey takes place – why don't they say a
word? How can Finns be so worried when you come some minutes late for an
appointment? And why do they meet in the windy corner under the Stockmann clock
and not in a cosy café enjoying the lecture of a newspaper?

Each of the questions appears in its own
chapter. Exaggerated and presented in a pointed manner the stories have also
their own dramatic turns that lead to a surprising end or conclusion.
Guicheteau's style is made of French delicatesse, of self-irony and might
sometimes sound slightly presumptuous. Therefore the citation of La Fontaine at
the beginning of the book: "No-one is prophet in his home country. Let's
search for our adventures elsewhere".

 

Finns are wonderful

Reading in some American guide: "Be aware
that since the Ostrogoths the human being has not seen a more rude and impolite
civilisation than the one of the Parisians", the author concludes that the
numerous pardons and demands in conditional form in French ("Excuse me, would
it be possible to order a coffee" instead of "Yksi kahvi" – one
coffee) cannot compete with the Finnish "kohteliaisuus (politeness)".
Because Finns act politely. And we can only admire their flexibility of switching
from their own language to a foreign one, opening the space to share
conversation.

"From love and iron" tells a story of
two iron finger-rings found in a fleamarket. They belonged to a couple at the time
of the Continuation War and replaced the golden wedding rings given away to
finance the fight for independence. Trying on the small rings, the writer feels
the blood beat in his cold fingers and imagines it as the hearts of the old
lovers made of iron courage and their love for their country.

"You see," Samuel, ends one letter,
"all this is Finland, a mobile ringing on a deserted island, a country
house without running water but with television, a campfire that is lighted
with methylated spirits".

Many foreigners come to live in Finland. They
grow into Finish culture. It can happen to be an astonishing experience.

 

Metamorphosis:

"The Finns have not only one traditional
vodka, they have two of them. They pretend that "kossu" and
Koskenkorva are the same thing. I disagree. The "kossu" is an alcohol
designed to make you drunk, to forget or to destroy yourself. But
"Koskenkorva" is something completely different. Usually I keep a
bottle of it in an iceholder in the fridge. It happens, on certain evenings in
the cold of the winter, in the warmth of my apartment, between calm and
solitude, that I allow myself a little glass of this brew. The effects, Samuel,
exceed capacity of human comprehension.

All alone on the scenery of the livingroom
table, the glass, filled to the rim, is executing a strange performance. Covered
with icy frost and foam as if it wants to recreate (I ignore the reason) the
clattering cold of winter in this cozy home. I approach with the reverence of a
noble, bowing and take the glass delicately with two fingers. Carefully, not to
spill a drop (because here is also the difference between the drinker of kossu and
the drinker of Koskenkorva), I slowly lead the elixir to my lips, which ignore
until now the torture they are going to receive.

In the moment where the glass is close to the
mouth and where the scent of alcohol rises to the nose, it is good to
concentrate, like a sprinter on the starting line.

One does not drink the Koskenkorva, you must
fling it into your body!

It is divine and terrible!

First the lips, then the mouth, the throat and
the chest are set to fire and blood, as an eagle drawing in his talons. The
belly then begins to glow like a forge. You have to retain your respiration to
get the fire down. It feels good like a hit of the axe, or something of this
kind and you can't be sure if you are the victim or the murderer.

Once the pain has disappeared I heave a sigh.

And here, Samuel, at this precise moment when
it steams out of me like a liberation, I am the most independent, the most
proud, and the most heroic of all the Finns."