Categories
Cinema DVD

Leather, bikes and flames

{sidebar id=23} Director Mark Steven Johnson was not very popular character for
comic fans after his weak adaptations of previous comics Elektra and
Daredevil
. It seems that he does not want to “disappoint” anyone with this
reputation completing with this Ghost Rider a trilogy of films to forget.
Not even a couple of Hollywood super stars as
Nicholas Cage as Johnny Blaze/Ghost Rider and Peter Fonda as the devil
himself are able to disguise the lack of quality all over the film.

The storyline is very weak, the film is as predictable as it can get, so
it turns to be horribly boring. The decoration look cheap and the special
effects look totally artificial. Dialogues make you laugh, but not exactly due
to their inventive and nobody believes even that Cage has that hyper-muscled
body for real. Peter Fonda looks plausible but the gang of demons that wander
with Blackheart would not scare a 5 year old child. I think that Wes Bentley
was looking even scarier when filming a plastic bag in American Beauty
than here…

Added to all this Eva Mendes’s and Brett Cullen’s lines
can make you feel like going to prepare some popcorns in the middle of the
action.

The question is: Was this adaptation needed? In recent years we have
assisted to the chained release of many movies whose inspiration is taken
directly from such a rich source as comics is. There have been products for all
kind of tastes, and not all the adaptations are bad (look at the excellent Spiderman
3
released not a long time ago). But maybe it is about time in Hollywood industry to think twice before wasting budget
in another bad film that will pass to story with no glory. Next time that
Steven Johnson’s name will be announced for a new adaptation, I am afraid that
more than one comic fans body will shake in pain. It is known that Cage
collaborated actively in the writing process of the film. From here, we can
just advice Nicholas to keep just in acting roles.

Categories
Cinema DVD

Eddie Murphy x 3

{sidebar id=21} The king of the
comedy is back, and stronger than ever! 2006 was an important year for Eddie
Murphy
with two new films released: Dreamgirls and the one in
spotlight here: Norbit.  

After making us laugh with his voice as the Donkey
of Shrek, the help of new technologies plays an important role again, (same
than happened in latest products as The Nutty Professor 1 and 2), to
transform Murphy into three totally opposite characters: The young, sweet, naïve
and sometimes slow minded Norbit, his ugly fat wife Rasputia and the Asian
owner of the orphanage where Norbit was raised, Mr Wong. A multi-role formula
that has worked pretty well for Murphy all over the years.  It comes to my mind in his extended filmography
the exhilarating title Coming to America where he played already four
different roles! Those were “Chocolate sexy” times!

And what can you expect from Norbit?
Well, the story is well known: A poor guy married to the wrong woman, and whose
old love from child times appears again to bring fresh air to his life. But in
this case, the cocktail has tones of…weight personified in Rasputia, Norbit’s
dominant and monstrous wife, who heads the clan of brothers that rule the city
with the muscle: the Latimores.

Murphy’s biggest virtue is that he knows how
to make fun of everything, starting from his own black race and continuing with
all kind of stereotypes. The movie does not bring anything new to the comedy
genre, but I must recognize that there were some exhilarating moments where I
could not stop laughing. As co-starts, a couple of big names in Hollywood: Cuba
Gooding Jr.
and Thandie Newton, but the ones who really take the
glory after Murphy are Norbit´s curious pimps friends Eddie Griffin and Katt
Williams
. Norbit is recommended for watching with the family or with
the girlfriend in a rainy evening.

Categories
Cinema DVD

A rifle in your life

{sidebar id=22} We saw snipers in
films like the new version of The Jackal (1997, and by the way, for
those lovers of the detail, the action of the movie was starting in Helsinki) or most
recently with Jarhead, a shout of alert against the paranoid mood that
accompanies the American soldiers while staying in Iraq.

I must
recognize that until now, Antoine Fuqua was a director that had never been
able to convince me. I always consider him too lucky to handle enormous budgets
for creating mediocre products. He is the man behind movies like Replacement
Killers
or Training Day, and although he always achieves some
exciting action sequences, their films have always lacked some “punch” to turn
them into real classics. But well, it seems that he has finally
achieved it with The Shooter, his most solid film so far.

The storyline
is good with excellent twists; the action is astonishing, the actors are credible
all the time and you feel hooked to the plot from the beginning to the end.
Probably the success is in great part due to the excellent cast: big names and
great recognized actors like Danny Glover, Elias Koteas and Rade Serbedzija
together with promising new blood like Rhona Mitra and Michael Peña.
The main role as the “difficult-to-kill” sniper goes for Mark Wahlberg,
who shows film after film great skills and good taste when choosing new works, not
only like a tough guy but also touching other genres like comedy (check the
excellent I love Huckabees). Does anybody still remember him in his young
years as the political non-correct white raper singer Marky Mark? The
times are changing…

I hope that Fuqua
can make honour to his status in Hollywood
in the future with more interesting works like this The Shooter. One of
the best action movies of the year.

Categories
Cinema DVD

Magic against Fascism

{sidebar id=19}
Reality and
fantasy world get mixed in the last work of director Guillermo del Toro: Pan´s
Labyrinth
, being the second of his films framed on times of post civil
war in Spain,
after his terror tale in an isolated orphanage in The Devil's Backbone
(2001).  

The film is
visually astonishing, with detailed and marvellous scenarios that catch totally
the attention of the spectator in the fantasy sequences, all seen through the
eyes of Ofelia (Ivana Baquero) who turns to be one of the youngest
revelations of Spanish cinema. But the narration has undoubtedly its best
moments when the very real characters step into screen. The cast of Spanish
well known actors is simply magnificent, with an excellent Álex Angulo
as the rebel rural doctor and one none less excellent and more mature Maribel
Verdú
, far from the usual erotic roles of years ago. All of them turning
around Ofelia's stepfather, Captain Vidal interpreted by Sergi Lopez in
a superb role  as a violent fascist who
has to face the guerrilla hidden in the mountains of north Spain 4 years after
the end of the Civil War. Lopez is almost better known in France than in Spain and after
this praising work, it is about time that his skills get more recognized
internationally.

The film is
a beautiful cry in favour of the liberty and the hope in own believes until the
end, surrounded by a fairytale atmosphere. But do not get mistaken, this is not
a film to offer to your children while eating popcorns in front of the TV set.
Violence is often and brutally present all over the film, and the final is not exactly
what you would call “happy made in Hollywood”.
All in all, Del Toro has achieved a very difficult task: fidelity with history in
a film where historical happenings are wrapped into a fabulous atmosphere,
achieving a product that can satisfy equally to fans of American and European
cinema. Brilliant!

Categories
Cinema DVD

The Last King of Scotland

{sidebar id=15}The first
feature film of Scottish director Kevin MacDonald focuses on the figure of Idi
Amin
, army officer and president of Uganda between 1971 and 1979. But rather
than being a biopic of the atrocities and actions of the dictator, the film shows
the relationship between Amin, played by Forest Whitaker, and the fictional
character of his personal physician, Nicholas Garrigan (James McAvoy). It is this
relationship what creates a consistent story and takes a glimpse at Amin’s
brutal regime.

The viewer
discovers the character of Idi Amin through Dr Garrigan’s eyes, whose vision of
his friend and leader drifts from sympathy to fear. And so the mood of the film
varies. Considering the subject matter, there is much comedy. The funny first
part of the movie precedes the uncomfortable course of events.

Much has
been talked about Whitaker’s performance, including an Academy Award. But
indeed, his performance is impressive. He steals the show, even though the
screenplay seems to appoint the physician as the main role in the film.
Whitaker recreates the complex psychology of Idi Amin and presents the leader’s
paranoia and egomania.

The Last
King of Scotland
lives up to the hype with a solid narrative and its focus on
people and its relations, putting aside easy clichés.

Categories
Cinema DVD

Friends in love

{mosimage}Based on Zoe Heller's book, one of
the most exciting female acting duels that you could imagine has arrived on DVD:
Barbara vs. Sheba,
or what is the same, Judi Dench vs. Cate Blanchett, both winners
of the Academy Award in previous years. Notes on a Scandal, directed by Richard Eyre,
introduce us into a normal English school scenario where two different
professors will become close friends, linked in their destinies in a fatal way:
The old and grumpy Barbara trying to guide the young and beauty Sheba.

 

 

{sidebar id=9}Cate Blanchett really looks astonishing in
the film (not a surprise for many since more than one fell in love with her
ambiguous Galadriel during Lord of the Rings, even rejecting Arwen’s
charms). The friendship relation will became vicious when Barbara discovers
that Sheba, who is married and with a daughter of 16 and a son with Down’s syndrome,
is having sex relations with a 15 years old pupil from her school. But more
than judging the morality of the actions by the professor, the plotline is
aimed at showing how dangerous can be to share secrets with the wrong friends. Both
actresses are superb in their roles, but I was expecting a bit more of “punch”
for the last third of the film.

The role of the young boy is pretty much
obliterated in many parts of the movie, and the shared scenes between Dench and
Blanchett turn to be a bit boring at the end. The best moments usually happen
when there is a third guest between the two main characters, as when Barbara is
sharing dinner with the family (mention apart for the great job of the betrayed
husband Bill Nighy), or in the erotic scenes with Blanchett and the
young Andrew Simpson (who made his debut here while having to assist to
his own normal lessons at school).

There was quite a polemic when the film was
about to be released about the sex scenes in the British media, but from my
point of view, that part has been treated with extreme delicacy. In any case,
if you want to find the “leitmotiv” that leads to the female characters in the
film, think more about loneliness and boredom than about lust.

 

Categories
At the cinema Cinema

D’OH!


{mosimage} The yellow
universe of The Simpsons finally hits the big screen. An environmental
disaster, provoked by the one and only Homer Simpson (with a bit of help from
his new close friend, Spider-Pig) threatens to cause Springfield’s apocalypse. The
much-anticipated big-screen adventure of the most dysfunctional family opens
worldwide today.

 

{sidebar id=1}T

he idea of
a Simpsons film was rumored for many years and it also took many years to
complete. The big day is here and as Homer exclaims at the beginning of the
film: “I can't believe we're paying for something we
get for free on TV!”

After
creating such universal pop icons, sure Matt Groening and the crew of writers
felt a lot of pressure to avoid disappointing the millions of fans. Watching
the film is easy to notice that they tried very hard, even too hard.

The movie,
especially in its first half, is a tour around Springfield and it contains most
of the best gags in the movie, including the naked skate ride by Bart,
including a moment of full frontal. Almost every character has some seconds on
screen. But many of them appear too briefly as the film focuses exclusively in the
Simpsons.

It seems
that the writer made a conscious effort to separate the feature film from the
series and usual locations, like Moe’s bar, the school or the nuclear plant,
are hardly seen. The animation has been improved with detailed backgrounds and
shiny computer effects.

There are
some good gags and well written dialogues, but the film ends up suffering from
the same flaws the series has suffered in the last seasons. Homer has become a silly
caricature of himself instead of the absurd genius that he used to be. There is
also a futile effort in keeping the series contemporary and transmitting political
message instead of being satirical and unconventional. But the main problem
with the film is a weak plot and the lack of remarkable jokes. One wonders how
come a large team of writers didn’t come up with a better story.

In spite of
all the defects The Simpsons is still entertaining, but it is just a bit
disappointing that it is nothing better than an extended episode, done when the
glory days of the series are gone. In a way, this film leaves the same feeling
as the latest Rolling Stones’ album: it’s not bad, but not great and, above
all, was it necessary?

A dubbed version in Finnish will be released in theaters across Finland. It is the first time that The Simpsons will speak Finnish.

Categories
Cinema DVD

Mr. Bean goes on holiday

{mosimage}
Run for your
lives, Mr. Bean is back! After the first film released in 1997, and having had uneven
fortune with his appearances in Johnny English (2003) and Keeping Mum
(2005), Rowan Atkinson is back with the character that has driven him into
fame during the last 2 decades with the second (and rumours say that maybe last
one) long feature film that narrates the adventures of Mr. Bean in his way to
holidays in the south of France.

 

 

{sidebar id=6}
B
ut of
course Mr. Bean, a man with the soul of a child, has the ability to turn every situation
into a small disaster. With his “French” language skills reduce to a simply
“gracias”, he will live once more the more amazing adventures in company of
Stepan (Max Baldry) a child that is accidentally separated by Bean from the
company of his father while heading to the Cannes festival.

Rowan Atkinson's
mastery for provoking laugh is undeniable, and he shows a total dominium of his
body, pushing the expressions of his face to paroxysm. The storyline is well
worked and looks plausible, but Bean’s reactions do not look as fresh as in his
beginnings. Fortunately, he is superbly supported by Willem Dafoe in the
role of an egocentric American director assisting to Cannes to release his last “masterpiece”, and
Emma de Caunes as a sweet young actress who will help Mr. Bean to get
rid of the problems he gets immersed into.

Maybe, to
“kill” Bean after this second movie is a wise decision from Atkinson, who
should try to reinvent himself in new roles, and although the film do not
suppose a breakthrough in the comedy genre, there are a couple of interesting
new features as the use of a video camera by Bean all along the film, as well
as good moments like the impressively beautiful 
last sequence when he walks to the beach stepping on trucks to reach the
other side of the road. Not being anything extraordinary, the film makes you
have a good time during the approximately hour and half when Bean almost
literally turns half France
into chaos.

Categories
At the cinema Cinema

Independence Day with robots

{mosimage}
For me and many of my close friends, Transformers
was much more than just another science fiction movie project.  We belong to a generation that grew up sitting
on the sofa since early hours in the morning, in front of the TV set, devouring
one animation series after another, totally flabbergasted by the huge amount of
new and exciting shows coming from America and Japan. And Transformers was
for most of us, the cherry on top of the cake. It was a happy time with no much
worries; our glass of milk in one hand, the biscuits in the other, and the eyes
was totally hypnotized in front of the screen, watching the battles of Autobots
and Deserticons.

For many of you, the story is well known.
Two robotic clans with amazing skills and powers, coming from a destroyed
planet, that find the Earth their second home. One of them is evil and wants to
destroy human beings: The Decepticons. The others are friendly with
humans: The Autobots. Both clans have charismatic leaders whose names
are an evocation of power: Optimus Prime, the red and blue truck, leader
of the Autobots that fights against Megatron, the sneaky and nasty boss of the
Deserticons.

Many were the fans of the original animation
series that was released in 1984 and the success was so huge that countless
series, comics and adaptations were made in following years. The product got
followers in Japan,
America
and Europe, becoming a worldwide phenomenon. I
have read many blogs where every Transformer´s character is deeply
analyzed to the last chapter and verse, and even some freaks fans had an
enormous pleasure in theorizing about twisted love relations between human
characters and robots.

And here we are in 2007, where finally the project
is taken by Hollywood
and put under the hands of Michael
Bay
(director among
others of The Island or Pearl Harbor).
Well, I was a bit afraid before watching the final product about what kind of
angle would be used for the adaptation. I suppose, as many other fans, you
always try to preserve the original spirit as much as possible. After watching
it, I think that the title of this article speaks by itself. Michael Bay
has created a film that is totally directed to hail the American way of life,
and the power and sophistication of their weapons and arsenal. This is really a
pity, because the original idea could have been developed into a really much
more wonderful result.

The robots, that should be basically the “main course” of
the film, are poorly depicted. You can hardly make any difference about who is
who, or what are the special features that every robot has. And the extremely
fast rhythm of the action and battles does not help at all to solve the
problem. Michael Bay continues stamping the “video clip
tempo” in his action movies, and the spectator continues praying for an
explanation to understand what is happening on the screen.

{mosimage}
About the human
characters, Shia LaBeouf
looks like a clown all along the film, and it is difficult to concentrate on Megan
Fox
’s acting skills, since every shot where she appears is treated as if
taken from a Playboy sketch. The girl is really hot… and not much more to add.
I don’t know what is about with such a huge polemic about Iranian videogames promoting
actions against western countries, when products so unnecessarily pro-America
like this slap on our face month after month. I have nothing against USA. I am a
citizen of the world and I think that it should be easier if people just would
appreciate what is good from every culture. But I hate to feel betrayed as a
fan. I hate when such a nice original idea as Transformer was is just
turned into a political propaganda movie. I have no other option that just jumping
back in time and use my memory to remember again the good moments sitting on my
sofa with my glass of milk in one hand, and the Transformer's catchy
intro music announcing that another great episode was just going to be
broadcasted! 

The Best

When Optimus Prime cries: Autobots, transform
and roll out!

The couple of times
when the robot leaders really “mean business” and destroy an enemy.

The Worst

The Americanization of the concept that destroys the original spirit of the
movie.

The Detail

When the Autobots first crash to Earth in meteor form, a man with a
video camera exclaims, "This is so much better than Armageddon"; in
allusion to director Michael Bay's
earlier film Armageddon.

The poker deck with Saddam Hussein.

Participate in our Transformers competition and win good prizies. Click here

Categories
Cinema DVD

Hide your drugs in an elephant’s ass

{mosimage}A poor elephant
escaped from a circus and finds itself lost in an alienated landscape in the
middle of nowhere in the mountains of Norway. This could be a perfect
introductory line for a new animation movie of Disney or Pixar… or not? Imagine
that you start to add to the plot features such as that the elephant is a
junkie, has kilograms of cocaine inside his huge ass, and is followed without
compassion by mobsters and even the Lappish mafia on two wheels!

 
 

 

{sidebar id=5}The name of this
eccentric product is Free Jimmy, and was born from the mind of the
Norwegian director Christopher Nielsen, who brings the spirit of his
tacky underground comics to the big screen. With Free Jimmy we are watching to probably, the most non-political correct animation movie of the
history. The characters have no problem at all along the action to use swear
words, have sex or consume drugs. So I suppose that at this stage, there is no
need to warn that this is not the classic animation movie to watch with your
little children, but more like gathering with some friends, drink some beers
and smoke some…cigarettes, enjoying the adventures of the gangs of freaks that
will wander the screen.

 Technically, the animation is excellent, and the irony
and winks to the spectators (the appearance of the Lappish bikers must be especially
appealing to the Finnish audience particularly, and to the Scandinavian ones in
general) reveal the hard work to create a good script. In any case, there is
also time for the sentimental side, especially in the parts where our poor
Jimmy finds the help of the friendly moose during the runaway.

The cast was
joined by Hollywood super star Woody Harrelson
(that is not going through his career’s peak lately) as the voice of Roy Arnie,
the “animal lover” whose dream is to own a circus some day in the future.

This is the first
animation movie totally created in Norway, and shows one more that the
European animation market is not only going through healthy, but also
innovative times. As negative aspects, I have to pinpoint that is not very
long, 86 minutes, and that I could not avoid to have a feeling of pity for poor
Jimmy all over the film. Nielsen has created the closest equivalent to Trainspotting
in the animation scene nowadays, and it is a crazy journey, as addictive as all
the dope that huge Jimmy carries, so do not better miss it!

Categories
Cinema Interviews

The perfect son in law

{mosimage}Mikko Leppilampi looks relaxed and confident
when we enter the studio where his future new project is being shot: 8
Days to Premiere. Like a person who is satisfied with his own life. Nevertheless
he is one of the hottest names in Finland nowadays. Not only for
being considered one of the best young and talented actors, but also for his
obvious charisma for the big masses. Being the host of Eurovision festival has elevated
him into an international status. And apart from all that, he is as handsome as
you can get!


I suppose everybody has been asking you in
the past few days about the experience of hosting Eurovision.

Yes, actually everybody has been asking but
you are the first one I am answering to… because after that I started to shoot
this film 8 Days to Premiere straight away. The final of Eurovision Song
Contest was on Saturday night and on Monday morning at 8 o’clock I was shooting.


So no holidays at all after Eurovision…

No, but it is all right, because this is
like a holiday. Actually I enjoy working at this. It was a very good experience;
the entire week when all the delegations were in Helsinki was a lot of fun, although we were
working very long days, many hours. The audience was changing and I was all the
time in interviews, pictures, etc. It was very tiring but everybody knew that
it was just that week, so we tried to enjoy it.


Were you nervous hosting an event that was
broadcasted live worldwide?

No, I was more kind of excited. When you
have an audience of 15-20 people that you know, you are nervous, but in things
like that, with thousands of people inside the arena and then millions on TV,
you do not even get that. I felt I was just making a TV show and performing for
the audience in the arena as good as possible. After that everything has been
nice. I think I was lucky I went straight away to work. Probably if I had had
one or two weeks off, I had been thinking more about it, or “missing it”.


You started to be really popular in Finland after
appearing in the film Helmiä ja Sikoja, in 2003. How was your life
before that?

I was always doing sports, more than arts. I
would say. I have always been a “physical” person. I was playing ice hockey
almost professionally. I quit when I was 20 because I realized I did not want
to be a player. I spent 2 years in Canada in a boarding school and I
played in school teams. During the years there I realized I wanted to be an
actor.


Did you like it there in Canada?

I loved it. I took part of drama courses and
in plays, and then after I got back and I did military service, supposedly I
was going back to Canada to study cinema production but then I applied in
Finland for the theater academy and then I got it and I stayed. That was pretty
much it. This was my dream and I never thought that it happened, but it did.


Do you feel  that everything was going
very fast? Helmiä ja Sikoja was released only four years ago.

I think my life’s pace has been very fast
all the time. I was going from one hobby to another, kind of “I am going to try
that…and then I am going to try that other thing”. I was skating and
snowboarding also, then playing hockey, playing drums (that was the musical
part of my youth). When I got inside theater school I realized this was really
my thing. Then after that everything has gone pretty fast, but that was what I
was hoping to be like. It is just the way it goes, so it does not feel so bad.
My work is more public than some other work from my theater colleagues, who
work in 3 plays at the same time, but they do not write on newspapers about
them, so people don’t know about them so much.


But you do not have the feeling of being too
busy?

That was I was seeking for. I definitely
want to keep both music and acting for the rest of my life. I have been very
lucky.


Did it have something to do the fact that
your father was a singer too?

Well, we never had the question whether it was
all right to become an artist or not. It was more like nobody was pushing me. I
never felt pressured; it was more that I had to find myself, and realized what
I wanted to do.

{mosimage}
If somebody would offer you to participate
in Eurovision in the future, as the singer representing Finland, would
you accept?

It is very hard for me to comment on that. It
depends on the people who vote about the one who deserves to go there. I am
not even thinking about it now. 


You appeared in Paha Maa and you
appeared in a short  cameo in Valkoinen
Kaupunki
. How is your relation with director Aku Louhimies?

The cameo was made before Paha Maa.
Valkoinen Kaupunki at the beginning was not made to be a movie, it was made to
be a TV series called Irtiottoja. So
it was just a cut from that material the taxi driver’s character. I was just
lucky enough to be in one of the clips they put in the movie. Aku kind of tried
me out, to see if I was good enough for the role in Paha Maa. I felt it
was a bit like a test.


What can people expect from this new
project, 8 Days to Premiere, from director Perttu Leppä?

It is probably the most challenging role
that I have ever done. It involves making 3 most known love scenes in the
theater history, they are from Romeo and Juliet, so to be able to act
like that, in Shakespearian language… it was quite challenging, and then with Laura
Birn is very easy to work, she is very talented. The director writes his
own movies himself, and then they direct them and cast them himself. It is
going to be romantic and funny. When the audience is watching, they won’t be
sure if they are watching a scene from Romeo and Juliet or from 8 Days
to Premiere
.

The plot in 8 Days to Premiere
reminds me a bit of this other production, Shakespeare in Love

Do not tell that to Perttu! He would not
like that comment much…

Categories
Cinema Features

Children of Men

{mosimage}Alfonso
Cuarón
belongs to
the new generation of Mexican directors that keep conquering the Hollywood cinema industry, at the same level than those other two greatest representatives of this new Mexican wave: Guillermo del Toro and

Alejando González Iñárritu.

Iremember watching three years ago his film Y Tu Mama También (2002) at my
place, together  with my two Mexican
flatmates that I had at that time, and I faced that film in the same way that I
was facing days ago Children of Men, just with no particular hope of
finding anything special. In both cases Cuarón´s movies really got me by
surprise. I liked a
lot Y Tu Mama También. I considered that the director had been able to
create a very personal new style of “road movie”. This new film has still many
features of road movie as well, being the feeling in a certain way similar to
years ago. Cuarón achieves one of the freshest science fiction movies of the
last years.

The film is
based on the book The Children of Men by P.D. James, and brings
us into the year 2027, in a violent city of London that reflects the chaos and lost of
hope of all the humankind. Immigration is brutally fought back by a
semi-totalitarian government and meanwhile, the youngest man on earth has died
at the age of 18, and the women are not able to get pregnant anymore. People
live immersed in an existence with no hope, since no more children run in the
parks and the streets, but then a miracle happens when suddenly a new baby is
going to be born in this brave new world.

Clive
Owen
finds a role
just made tailor-sized for him. After his shocking appearance as
“taking-no-shit  hero” in Sin City,
this time the character has more human features, more weaknesses that make them
at the same time closer to the spectator. Julianne Moore and Michael
Caine
have surprisingly small roles, but decisive to catch the audience
into the plot. Caine, same than the good wines, just seem to be better and more
adorable actor with the past of time, and as the old hippie smoker Jasper, he
looks superb.

There is no
space here for a future time imagined full of hyper-intelligent robots or other
overwhelming special effects. The action is very natural all over the film, and
that is one of the features that shock the viewer: its realism. A couple of
scenes like the chase between the motorbike and the car in the woods, or the
birth of Kee's baby in a filthy room will be recorded inside you memory for a
long time.

Cuarón is
able to show that he does not need elves and orcs to create an amazing trip for
his actors. He just need to surrender them by all the miseries of the humankind
(where to start: war, terrorism, egoism, intolerance search of power, racism…)
to make us feel uneasy facing the thought that maybe this imaginary future
could not be so far from a real one in a couple of decades…

Undoubtedly,
one of the nicest surprises of this year.

Children of Men

Director:
Alfonso Cuarón

Cast:  Clive Owen, Julianne Moore, Michael Caine, Claire-Hope Ashitey

Rating: 5 

Categories
Cinema DVD

Fur

{mosimage}Diane Arbus, (born Diane Nemerov), was a photographer married with Allan
Arbus
(and later divorced), that became famous for her personal style of
portraying “freaks”, those people living apart from the normal American
post-second world war society.

Fur: An imaginary portrait of Diane Arbus is
based on the book by Patricia Bosworth, and shows us once more how good
actress Nicole Kidman can be. A character totally made for the Australian red
haired talent, who masters like nobody else in Hollywood the art of releasing sensuality
behind a faked shyness. Together with her, the “recovered” Robert Downey Jr who
is living a second golden era with his appearance in this or other recent
titles like Zodiac.

The action is
centered in a particular stage of Diane’s life, when she starts to open her
eyes to the world and open her body to the forbidden side of sensuality that
always attracted her. Still married, she is giving the first steps into freedom
and emancipation. So for those who are expecting a detailed biography of the
photographer, better look for other sources. The film is centered basically in
the relation between the ambiguous two main roles, Diane and Mr. Sweeney, but Ty
Burrell
, in the role of Diane’s husband, is a perfect third wheel for
conducting the action.

The collection of
freaks show their human side in a film subtly intended to break the borders of
discrimination and alienation in the world. Many will not understand the movie
and will get bored, but for others, me included, director Steven ShainbergSecretary) achieves a different and
entertaining film.
(who already shocked many conservative minds with his previous little essay
about love and sadomasochism)

Categories
Cinema DVD

Exploitation in the grindhouse

{mosimage}

Robert Rodriguez and Quentin Tarantino present a double feature of sex, violence, sleazy characters, zombies, freaks and bizarre plots. Death Proof and Planet Terror now on dvd.

Once again Quentin Tarantino digs deep into American cinema subculture revisiting exploitation films; a genre of cheap production and prurient images. These films broke cinematic taboos, including explicit sex and nudity, explosions and destruction, drug and weird perverse plots. They were most popular in the 70s and were shown in so-called grindhouses, theatres offering a non-stop programme, which consisted of a double feature or double bill, a phenomenon in which theatre managers would exhibit two films for the price of one.

Along with long time friend Robert Rodriguez (Sin City, From Dusk Till Dawn), Tarantino came up with the idea of filming a double feature like the ones grindhouses used to show. The result is Grindhouse, a film consisting of two separate feature film segments: Planet Horror, directed by Rodriguez, and Death Proof, by Tarantino. The first is a zombie tale and the latter, the story of a crazed man, played by Kurt Russell, who murders young women with his “death proof” stunt car.

Like in the traditional double bill, each feature is preceded by fake trailers for other exploitation films and coming attractions. One of those trailers, Werewolf Women of the SS, is directed by Rob Zombie and features Nicolas Cage as Fu Manchu.

The film opened in April in the United States and it got positive reviews, although it performed poorly at the box office. However, for the rest of the world, Grindhouse has been split into two different movies: Death Proof, which premiers on 1 June and Planet Terror, which will arrive a little bit later on 20 July. In the international version, the features will have a different and extended cut. It is also possible that the fake trailers will be different as well. The extended version of Death Proof will be shown for the first time at the Cannes Film Festival.

The producers and Tarantino explained that the movie was cut in two because most non-English speaking countries would not understand the double feature tradition. However, many fans see it as a way of being forced to pay twice for what was originally conceived as a single film.

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Grindhouse: Death Proof
Director: Quentin Tarantino
Cast: Kurt Russell, Rosario Dawson, Vanessa Ferlito, Danny Trejo and Timothy V. Murphy
Premiere: 1 June

Categories
Cinema Features

Cinema bathed by the midnight sunlight

Sodankylä is the lucky place where the Midnight Sun Film Festival is held. The 22nd festival once again presents a great selection of films and filmmakers and is perhaps the best of its kind in the country. Founded in 1986, the well-known Finnish filmmakers Aki and Mika Kaurismäki had an important role in its development and still help the municipality of Sodankylä to make the project possible. And over the years the organizers have definitely been able to create a unique experience for cinema lovers that many have named as the “spirit of Sodankylä”.

The location, so close to nature, is perfect for relaxing and enjoying all the hours of light, far from the stress of other cinema festivals, which are organised in the heart of big cities. The atmosphere is informal and the cinema on offer huge; especially considering that the films are screened almost 24 hours a day during the five days of the festival. If the weather is fine, tens of thousands of visitors will pitch their tents in the festival area to enjoy this mix of exceptional art and nature.

These special features are complemented by the high quality of the programme and the special guests that visit the festival every year. On this occasion, we will have names such as Iranian Abbas Kiarostami; Swiss filmmaker Claude Goretta (famous for films such as The Lacemaker); the Italian veteran director Vittorio De Seta; Canadian Michel Brault; and Giuseppe Bertolucci, "the younger brother" of Bernardo.

So if you were planning to spend some relaxing days in Finnish Lapland, and you are a true lover of good cinema, you must not miss this one!

 

Midnight Film Festival will take place in the village of Sodankylä from the 13-17 June 2007.

 

{mosimage}Abbas Kiarostami

Born in Iran in 1940, he is one of the most important directors in his country. In his films there is always the search for the human touch and observation of the small details of reality. He has received many different international awards such as the Golden Palm in Cannes in 1997.

Selected Films:

Close-Up (1990)

Life, and Nothing More… (1992)

Though the Olive Trees (1994)

The taste of Cherry (1997)

ABC Africa (2001)

 

{mosimage}Claude Goretta

Goretta has been one of the most important Swiss directors during the last few decades and has also worked as a TV producer. He has made most of his feature films in France, and co-directed his first work Nice Time (1957) with Alain Tanner. He was born in Geneva in 1929.

Films:

La dentellière (The Lacemaker, 1977)

La Provinciale (The Provincial, 1980)

Orfeo (1985)

L`Ombre (The Shadow, 1991)

 

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Midnight Sun Film Festival

13 – 17 June

Sodankylä