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Albums Music

P.O.D. – When angels & serpents dance

{mosimage}The Nu-Metal pioneers from San Diego are featuring their seventh studio album. 

One of the highlights of this album is the presence back in the band of Marcos Curiel. The album seems to be working pretty well in the charts, and it is nice to see how P.O.D. continues in good shape through the years. 

Although with some songs retaining the same old rap-metal style, like End of the World, the point is that this is album has a much softer vibe than previous ones. Many ballads and mid-tempo tracks like It can’t rain any day or I’ll be ready. Not necessarily a bad feature, since the songs sound great and with cohesion, but just do not expect so much of the old rage in this new album.  This new album is certainly a good effort for the veteran Christian rock band, very listenable. 

Rating 4/5  

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Albums Music

Dear Superstar – Heartless

{mosimage}Another young hard rock band coming from the United Kingdom is knocking at your door! 

When you take a look at the cover of this debut album by the English guys, 2 ideas come immediately to your mind: this is a rock band with a female singer, or this is a rock band with dirty sounds in the best Motley Crue ´s tradition. The second affirmation is totally true when talking about Dear Superstar. What they offer here is a good collection of songs with a sound “made in Hollywood” that could have been perfectly signed by the cousins of Motley Crue. If you like this “dirty” rock from the 80s, with topics about alcohol, retaliation, rock and of course sex (one track is just titled Hollywood Whore), this is for you.  

The guitar riffs are actually pretty sharp and compose some of the best moments in the album. So basically this Heartless counts with the best and the worst of the American hard rock tradition (although the band is English); if you like the style, you will be glad to discover this, but if you prefer other newer experienced or just remain with the classics of the genre, this will add basically nothing much to your CD collection. Up to you if you want to give them a try! 

Rating 3/5. 

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Concerts Music

Rocking for the children of tomorrow

{mosimage}The Germans Scorpions were visiting Tallinn, the Estonian capital, last week end during their Humanity Tour. After having missed them last summer in Tampere, I was not going to let this opportunity pass. So there I headed, being present not only in the show but also at the press conference 1 day before to bring you the last information from these veteran but spiritually youthful rockers! 

 

T

he appointment for the press conference is at the sixth floor o Swissotel, a luxurious new resort  in the centre of Tallinn. The room is, as I expected, not much crowded, and after half an hour of delay the German band finally appears, wearing sunglasses and responding to the cold attitude of the shy Estonian journalists with good doses of humor. Vocalist Klaus Maine pinpoints how surprise they are about how fast Tallinn is changing, full of new modern buildings, while guitarist Rudolf Schenker makes clear that with their last album the band tries to come back to their roots and essence. These both are undoubtedly the ones leading the show, while the other members of the band keep silence most of the time, with just some opinions of Matthias Jabs sporadically. When an Estonian journalist makes the mistake to ask them which is the most stupid question they have ever been asked, the band answers immediately “This one!!!”.

 

{mosimage}Of course, being Scorpions a band that has written basically the unofficial anthem for the end of cold war: Wind of Change, it is normal that the Estonians ask them about their opinions of political happenings nowadays, and if they are thinking to write a “second” Wind of Change. As Klaus explains “we just reflect the world around us. We played in South America, in Tonga, in Siberia… and then we put all the impressions into songs”.

 

 

They also seem to be pleased to recall a visit to a small village in the middle of Amazonia, 2 hours from the city of Manaos in Brasil “There were like 35 people there, and they played their tribal music for us. Of course they had no idea who we were. Then they asked us to play something for us and we played Wind of Change for them. It was very emotive” said Schenker and Meine.

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Breaking the routine was also a repeated topic during the conference. No wonder then that this tour will have a bit of everything, with concerts played with an orchestra like in Riga and Vilnius, or an acoustic show in Estoril (Portugal) “It is fantastic to play with an orchestra. Also very demanding due to the planning, having two different conductors in those two concerts. It was 1 year ago the last time we played with an orchestra, and we wanted to do it again, but of course we cannot do it very often” answered Klaus. Rudolf Schenker also explained that in Estoril they are expecting some musicians from Brazil to join them and play together, including Sepultura´s  musician Andreas Kisser, who already joined them during some gigs in his native country.

The band also remembered some good moments in the past like their shows decades in Russia at The Peace Festival in Moscow and the re-encounter in Tampere last summer after so many years with Sebastian Bach, who was also one of the stars of that festival in Russia with his band Skid Row. There was no more time for questions, and it seems that they were in a hurry to leave the conference room, so unfortunately no much time for pictures or chatting more with them. It was time to wait for the next day to see their live show, but before leaving Klaus promised that they were ready to rock the foundations of the Estonian capital.

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The concert took place at Saku Arena. A venue almost fully packed, with those people, the “children of tomorrow” turned into the adults of today who were anxious to see the Germans in action. Scorpions are not only much beloved in Russia, but also in the Baltic countries. When they jumped on stage, it was amazing to see their vitality, especially Rudolf Schenker jumping and running from one side to the other (I had him basically 10 centimeters away from me during the first songs, because I was placed in the photographs VIP area, the closest to the stage, and he almost stepped on my fingers…).  The band mixed wisely some of the classics like Bad boys Running Wild, Blackout, Send me an Angel or Holiday with the newest ones, which sometimes received a colder response from the audience, although personally I liked Humanity, a song that sounds very “Scorpions” and fits very well in the setlist. Obviously the most emotive moment of the night was when Schenker started to scratch gently the acoustic guitar for extracting the first riffs of Wind of Change, massively sang by the Estonian audience. Klaus showed that he is still in excellent shape as lead vocalist, and the band put the cherry on top of the cake in the encore with some more classics like Still Loving you or the final explosion of Rock You like a Hurricane.

As Klaus Meine announced in the press conference: “in the end it is about music, to play old and new material to entertain people”. And certainly Scorpions accomplished the mission, stating why they are one of the biggest rock bands in the world.

Photos by Antonio Díaz and Merle Ruubel.

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Albums Music

The sound Ex – Palomino

{mosimage}The Sound Ex is a new and very interesting band hailing from Newcastle in U.K. 

If you like classic rock in the best English tradition, you are probably going to love The sound Ex. Good hard rock and excellent work with the instruments for a band that can remind you at some point Thin Lizzy or even Manic Street Preachers, powerful but measured. 

Breathtaking intros like in the third track Loss or in the introductory Enchantment, and great vocal skills make this album a pretty nice surprise. Palomino is an accessible album that can be certainly well received by a wider audience, but at the same time it shows rock with guts and attitude. All in all, a nice exciting work to follow closely the next steps by the English guys. 

Rating 4/5  

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Albums Music

Underground Attack – Sleazy Dreams

{mosimage}This young Finnish band formed during this year release their first album trying to find their way into the populated Finnish rock scene. 

Underground Attack is an indie rock band from the capital area of Finland that loves good classic guitar riffs in the best American sleazy tradition. Juhis, Piiska, Sasu and Arska are not afraid of crossing the Finnish boundaries, having gained experience playing in countries like Germany or Russia. What you have here is 12 tracks that compose their first album, and the result is… maybe too amateurish. 

The quality of the sound in the CD could be better, and the artwork of the CD exhales the flavor of an amateur work too (although I must confess I have nothing against the pretty lady naked in the back cover). There are some hints of good quality like in the 5th track Broken Dreams and the guitars sound solid all over the album, but the vocal skills are not the best ones you can listen to lately, and some lyrics could be improved, like for example in the boring and predictable Alienation. 

We are always glad to see new young bands trying to progress in the difficult rock business, but although Underground Attacks shows good manners, they still have a long way to improve in the future. 

Rating 2/5.

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Albums Music

Daikini – Salaisuus.

{mosimage}Daikini, aka Lauri Kemppainen and his band offers an original mix of rap and metal in this album. 

I am not specially very fond of rap-metal albums, and before listening to this Salaisuus, I must admit I did not have much expectations. But certainly Daikini has achieved quite a fresh and original sound in a style not so much exploded in Finland. The instruments sound clear and powerful and Lauri´s voice is direct like a good punch to the liver, but not without some charm (it helps if you can understand Finnish language). The combination works pretty well and the 10 tracks turn to be pretty listenable, with some very good tracks like Salaisuus, Tyttö Sinä Tapat Minun Luovuuden or Kaupallinen Itsemurha. 

If you are an old-school metal fan, probably you do even want to take the effort to listen to this one, but if you are the open-minded kind of person who is always hungry to discover new musical experiences, plus you enjoy listening to acid lyrics in Finnish, this album could gladly surprise you. Not a bad effort. 

Rating 3/5

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Albums Music

Anssi 8000 & Maria Stereo – Duel

{mosimage}This duel turns into a duet with the collaboration of these 2 musicians in this new extravaganza for your ears. 

The notes of an organ that resembles those old Casio ones we used when were children fluidly fly away from the CD reproducer, introducing the new album of Anssi 8000 in collaboration with Maria Stereo. The guy native from a small village in Finland called Sahalahti can be catalogued of anything but mainstream. He takes care of vocals, guitar, bass and drums while Maria complements with backing vocals organ or playing cymbals.

Duel is a collection of 12 tracks with good doses of humor and irony in the lyrics, but certainly not aimed at all the publics. If you like experimental pop sounds with a twist, you will love this one, but if you are used to some more kind of mainstream pop-rock, this album will certainly sound weird. A record to be tasted slowly and carefully; probably you will need to listen to it several times to appreciate the good details here and there, but certainly after a while the sound becomes catchy.

Not an album to play at a party with friends, but a good one when you need some introspective moments alone in your room enjoying of tracks like I Feel like Surfing, Bad Moon Set or Sleeves of Jesus. 

Rating 3/5.

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Interviews Music

Electro-pop from the Swedish countryside

{mosimage}Just a few hours before the gig, Johan T. Karlsson chats with journalists and fanswhile having a coffee in Klubi in Tampere. Within a few months, his project Familjen has taken his electronic music from his bedroom to live performances on stages around the world from Iceland to Australia. He still seems truly surprised of his success, even a bit shy about it in a very Scandinavian manner, acting like the kid from the little town going to the big city. And of course, he will not say no to a shot of vodka. "I like Finlandia vodka", Johan says. "That’s what Kent used to drink, so when we toured with them there was always a bottle of Finlandia vodka around". 

 

How do you prepare yourself for the show?

We don’t do anything special, really. What bands use to do, I supposed. We arehaving a party. The main thing is to get in the right mood, just listening to music, drinking and hanging around.

What do you listen to before the show?

Nowadays we are listening to quite a lot of early nineties acid house music.

How do you feel about touring and travelling to different parts of the world?

I am really excited about going to those places. When I was young, my parents did not have much money and we could not afford travelling abroad. Now I finally get to see the world. I don’t really like travelling much, though. You get tired all the time and there is a lot waiting. On the other hand, those are luxury problems. Being in Australia… Iceland… wow, it’s cool!

A fan comes to our table and greets Johan. They have a short conversation in Swedish. “I think the Finnish accent sounds lovely”, he tells me after the fan is gone. 

We were talking about touring, what are your favourite places?

We went to Italy. That was nice. We did some shows in Rome, Bologne, Milano…Beautiful cities, but we didn’t have the time to see much. One and a half hours to see Venice… that’s not much. We jumped into a bus and went around. Soon after that, back to the venue. It is weird. We go all the way, but we don’t have time to see much.

When did you start making music?

I got interested in music thinking about how sounds are created. When I was a kid, I did lots of different kinds of music. I played with samples, drum machines, I helped friends… Later someone would invited me to a project or a band and I would join. Since then I played in different bands and tried different sounds, pop rock, scratch-djing… many different things. But with Familjen Ithink I have found the right form and way to communicate my music. The Familjen project is me. With other bands, you have to struggle and fight for your ideas. No, no… you end up being mad. In Familjen I am the king, I get to decide.

How was the release of the album?

It was a bit unexpected. I had all the songs and a friend of mine that runs a record label in Sweden told me: “I really like the songs. Can I publish them on my label?” I agreed, so we first released an EP and then a full-length album. It went that well. I had no plans at all. People usually come to me and ask me to play. That is really cool, I don’t have to struggle and sell my ideas.

Did you have all the songs of the album ready at that time?

Not all of them. I was writing some of them when the record company decided to release a full length album. They told me: “Ok, we are doing it and we need more songs!” By that time I had done some live gigs, so I had started to understand what works well on the live set. Before that I had just played in my bedroom so most of the songs were instrumental songs and down-tempo. Playing live I realized that I needed some up-tempo songs that had an impact. A good beat, a good bass line. If you get that right, you get a good song.

Did you feel pressure when they ask you for songs?

It was a bit of pressure, but I think I made it. I had some time pressure. I finished the last song the night before we were supposed to master the recording and send it. Probably I need deadlines to make things happen.

Something slightly different about your music is that you sing in your own Swedish dialect

I thought about singing in English, but I chose Swedish in my own accent. I liked the challenge of making it sound good in my own accent. When I moved to Stockholm, sometimes when I was a bar, people would answer me in English. They didn’t understand me. My accent sounds a lot like Danish. I will continue in Swedish. Familjen will always be in Swedish.

The video of Det snurrar is min skalle got very popular and won an award in Sweden. How did it happen?

That’s funny. A guy I did not know at all did the video. He sent me a link to a video for the song. He said he had done this video just because he loved the song. Use it if you like it, he said. I saw it and it was awesome. It was mad. I loved it. That was the day before we were supposed to shoot the actual video for the song. Inmediately I rang the record label and everyone involved and I said we were not shooting the video. We already had it. I think the guy got around 2000 SEK as a reward. People love the video because it is so weird.

Do you have plans for a new album already?

I am working on it. We have been playing a lot in the last eight months and it is hard to get in the mood for writing when you are tired and don’t have much time. But now touring is starting to calm down, so I am getting excited to work on the new album. Hopefully, we will release it in spring. I need new songs because we have played the old songs so many times.

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Albums Music

Maarit – Kun yö saapuu

{mosimage}A bit of blues, jazz and soul in this new cocktail served by the Finnish female singer. 

Maarit offers here a collection of good tracks for the lovers of Iskelmä music. Unfortunately I am not especially fond of the style, but surely this album will find some followers, especially for the Finnish native speakers, because the album is entirely song in Finnish.  

A relaxing atmosphere and the omnipresent feeling of loneliness and melancholy “made in Finland” are features present all over the 12 tracks of the album: songs easy to listen to like in Yö Saapui Pariisiin or Tikkurilan Asemalla. Maybe we could say that this is a record better aimed at a mature audience in their thirties or forties. For younger ones, this can turn to be a bit boring if you are looking for new musical experiences.  

Personally, if you enjoy a nice female Finnish voice, and you prefer to understand the lyrics in English, I still go for other singers like the lovely and skilled Janita. Kun Yö Saapuu is a good album if you want to fall in the arms of Morpheus and enjoy a well deserved siesta after lunch. Otherwise, you do not miss much here. 

Rating 2/5.

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Albums Music

Sonata Arctica – Ecliptica (Remastered 2008 Edition)

{mosimage}Finnish record company Spinefarm reedits the two first albums of the Finnish metal heroes. An excellent opportunity to revisit their beginnings! 

More than a decade ago a young band started to sound powerfully in the Spanish metal radio stations. People were instantly hooked by their quality, nothing to envy to other classic power-metal bands like Gamma Ray or Helloween. And of course I was another one who got blown by those young followers of Stratovarius. Now, after some years, you have the opportunity to enjoy again the first album of Sonata Arctica, the metal headers from Kemi, Finland, with a new artwork and a special bonus track added: Letter to Dana. The rest is Finnish metal history: tracks of super-high quality and speed like the blowing Blank File or the already classics FullMoon or Replica.

If you already had the album when was originally released, maybe you can skip buying this remastered version, if not, this is an unique occasion to pursue it and add to your metal collection a truly modern classic! 

Rating 4/5.

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Albums Music

The Wildhearts – Live in the Studio

{mosimage}Directed by Tim Smith, here you have an unusual live DVD with the English band performing alone in their recording studio. 

Usually when a new live DVD is released, you expect a crowd of fans cheering at the end of every song. In this unusual DVD, that atmosphere is replaced by a more intimate one, with the members of The Wildhearts making black jokes in the best English humor tradition at the end of every track. 

The Wildhearts is a hidden pearl in the worldwide rock scene. Internal problems, the continuous change in their formation and the excessive lack of attention by mainstream media have turned them into a kind of “cult” band with a good bunch of followers in every country, but never breaking the barrier of becoming hugely recognized. What you will find here is just 10 tracks with Ginger leading the steps of the band as usual, and with more acid comments than ever. A musical style difficult to define, drinking from thrash to pop influences. As extra, 2 more videos and the making of Destroy all monsters. No more, no less. The band does not fall in the mistake of trying a therapy in front of the camera and goes to what they know how to do best: to play angrily while sweating and smoking copiously.  

The Wildhearts visited recently Finland playing in Tampere during the Music and Media festival. If you had the chance to feel their power there in Klubi, now you will feel again at home sharing the studio with them! 

Rating 4/5.

 

Related articles:

Interview with Ginger:

http://www.freemagazine.fi/content/view/1002/152/

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Albums Music

Underwater Sleeping Society – The Dead Vegas

{mosimage}The band from Helsinki is aspiring to be the “indie pop band” of Finland. Will they achieve it? 

Indie pop seems to be living a golden age in Finland parallel to the heavy metal craziness. Underwater Sleeping Society, the band led by Okko Nieminen comes into scene with a fresh new CD full of good ideas. Starting from the artwork of the cover and the CD disc itself, that reminds in the design of an old vinyl disc, and continuing with their catchy bittersweet tunes, mixing happiness and sadness like in Saw You at my Funeral, the danceable Hurry or Worry or the introspective and semi-psychedelic Body Blues. A good effort by the Finnish boys that count with the support of one of the strongest record companies in Finland: Backstage Alliance.

USS will be touring quite extensively during the next couple of months in Finland, so you can have an easy chance to see their performance live. For the moment, they leave a good taste with this The Dead Vegas that surely will find a good bunch of fans easily.  

Rating 4/5.

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Albums Music

Los Bastardos Finlandeses – Return of El Diablo

{mosimage}Those bastards are back! Yes amigos, the Finnish rockers with Spanish soul are back with a fucking good new CD!

I must confess I have always felt a special weakness for Los Bastardos Finlandeses, starting from the fact that they write their band´s name in Spanish and continuing with the fact that they perform a direct and blowing rock that sounds even better on live. Here you have their new piece of music, a very complete album with the familiar southern rock taste and lyrics that flirt with Spanish language in almost every song. Los Bastardos do not transmit the typical cold and melancholic feeling of most Finnish bands at all. Their music has a great palette of colors, it sounds warm and friendly, like a good tequila shot. Listen to the raged guitar riffs of Red Eyed Rock ´n´Roller, Houseful of Hooligans or Return of El Diablo and enjoy the broken voice of El Taff Bastardo.

Another strong point of the album is its great at work, that feels a bit dangerous but viciously close and friendly, just as the band itself.The Finnish Bastards have been able to create a rock album that certainly rocks, something not so easy to achieve nowadays. Larga vida a los Bastardos!

Rating 5/5.

 

Related articles:

Interview with Olli "Don Osmo"

http://www.freemagazine.fi/content/view/829/

Categories
Concerts Music

Mariza – the bewitching diva of destiny

{mosimage} Many countries and cultures have their dark side expressed musically that mirrors people’s sorrow and suffering. USA has its blues and old country, Argentina and Finland their tango, minorities such as some Sámi joiking or women keening at funerals. 

 

Portugal has fado – which as Mariza explained at her Helsinki concert (11 October) at Finlandia Hall means destiny. However, one of her songs Meu Fado Meu does not make it clear if it will be happy or sad, good or bad, or perhaps all and more. It was the ideal setting for anyone who has had sad news such as the untimely death of a recent romance (saudade – see below). This was reflected in the sixth number: Beijo de saudade  recalling a lost lover. Off her latest album, it was sung with Tito Paris, a Cape Verdian, and clearly harks from the West African islands' own form of desperation: the morna.  

Small and slim – she looks much taller due to her slender form and full-length black dress and arm stockings – the only colour is supplied by her hair and narrow hoops of ribbon on the garment. 

Straightaway the first few songs are sad, soul-searing and full of excruciating loss – it isn’t necessary to understand Portuguese to get the meaning as they are all delivered with total intensity, passion and utter involvement. She almost pleads with the audience to share her angst, pain and even tears. The song Tasco de Mouraria, recalls her parents’ bar when she was only five years old and the catalyst to become a singer in the eponymous Lisboa district, had teardrops filling her eyes reminiscing a childhood lost that can be only remembered, but never re-lived. Honestly portrayed and conveyed. 

As the dark clouds gather for a series of inevitably bad conclusions, the lyrics are wrung out in loud notes, long piercing soft monotones or a soulful, lilting voice. This is all combined with facial expressions, serpentine hand gestures and, of course, the eyes that glittered, glistened and glowed according to the situation being sung demanded. 

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A good example was Barco Negro which had a haunting percussion-only backed opening lament, which floats the listener down into the depths of the inner self, before suddenly lightening up in the middle, only to finish with another series of frighteningly worrisome notes and ending with a violent stormy crescendo.  

The backing musicians were all in tandem and equally talented, playing wooden guitars, piano and brass trumpet plus a drummer that used his hands as much as a range of sticks. They all plucked, blew and struck without sheet music – except the horizontal hand-held bassman (viola baixo). However, all was revealed by Mariza later that in fact it was where he kept his watch for some reason! She spoke a lot, mainly in English, introduced the musicians several times illustrating their harmonious rapport and gave short explanations of fado, some songs and about her life and philosophy – sometimes witty, often serious. 

But it was not all pure doom and gloom in a melancholic melodic setting. After the instrumental guitarrida (which the audience was taught to say en masse), the remaining songs became lighter in mood, even joyful at times. The last song, a Mariza favourite Primavera returns to the theme of loss and hopelessness, a Gibraltarian afficionada informs.  

Two encores followed: the first featured the Portuguese and six-string guitarists with herself – but unplugged with all three singing, assumedly, a traditional folk song. It proved that despite their stature, the sound system could have been dispensed with. The third, obviously unplanned, encore after a visible weakening on stage to the audience’s entreaties, was back to routine, but with everyone invited to stand up and dance along. 

{mosimage}By the end, most had realized they had been taken down a path where introspective Finns rarely go willingly – unless led by someone who knows what they are doing. Mariza is an artiste who does not hold back one iota, and as such the on-looker is dragged through a gamut of emotions that ends up with a flickering message of hope – perhaps to recapture that amora perdida or its mere memory. It’s a soul-searching emotion-jangling experience for all concerned. Fado is a darkish genre with a now-bright future with the youthful Mariza as its message-bearer for a long time to come. 

Mariza dos Reis Nunes – vocals

Diogo Clemente – classical guitar

Ângelo Freire – Portuguese guitar

Marino de Freitas – Portuguese bass guitar

Hugo Marques – percussion

Simon Wadsworth – piano, trumpet & synthesiser 

CDs: Fado em Mim (2002); Fado Curvo (2003); Transparente (2005) & Terra (2008). DVDs: Live in London (2005) & Concerto em Lisboa 

Fado can mean destiny or fate and derives from 1820s Portugal. It is mournful, but follows a set pattern and full of saudade – pining for something or someone such as a lost love. It plucks at the heart strings and is not for the weak-hearted or strong-willed. There are two forms: the Lisboã and Coimbra – the latter based round the university that had many Brazilian students and their modinhas songs. Fado always has a Portuguese guitar, but the Coimbra style has male singers only dressed traditionally in academic garb (traje académico). The Lisboã districts of Mouraria and Alfama, Bairro Aalto and Madragoa (bairros típicos) still have their casas de fados where the dimly-lit streets and alleys echo to dark strains of emotional suffering.

 

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Albums Music

Dark Filth Fraternity – Breathe Again

{mosimage}With a very polished American rock sound, Finnish DFF are back with a new studio album that exhales good quality. 

DFF is composed by Panu Wilman on the vocals and guitars, Heikki Iso-Sipilä on the guitars and backing vocals, Henri Rasänen on the bass and Riku Wilman on the drums. I already had a good feeling towards this band when I listened some months ago to their single The Peacemaker, a feeling confirmed by this new album Breathe Again.

Dark Filfth Fraternity sounds powerful, with raw guitar riffs very present all over the album from the first track The Peacemaker, and with great vocal skills by Panu Wilman. It reminds me of some good American bands with a taste of “dessert rock”, like Queens of the Stone Age mixed with some funky flavor like Red Hot Chilly Peppers ´old material. 

For the moment DFF is trying to make a name for touring around Finland, but I really hope that the guys can have opportunities abroad to expand their horizons, because they deserve it with such a good album. Shit, I even love the album art cover, simple but classy! 

Rating 4/5.