My renewed strong love for romance Japanese anime (Part 1)

As a middle age man, I would had laugh if last year somebody would have told me that I ‘d be totally hooked to romance anime series. But here I am, discovering new series in my 40s one after another, and totally hooked into them!
I guess a few factors help to that: my interest and love for Japan, its culture and its movies and series in general and also, as many of these series happen during high school years, a sweet memory of probably the best times of my life, where responsibilities were not so big as we thought and we were shaping our personalities while having a blast discovering the world, the people and friends around us, and what was love, shyness and fear of rejection.
I wanted to share with you readers the list of what I have been watching in the last few months with my honest opinions, in case might help you to discover any new unwatched awesome series!!! Here they are, in no particular ranking apart from being listed from the most recent watched first and on.

(Also I have tried to be careful with spoilers, but there are some around, so just please be warned ahead)

MY DRESS UP DARLING

Sono Bisuku Dōru wa Koi o Suru in Japanese, which literally translates to something like “The Bisque Doll Falls in Love”, a series with currently 2 seasons adapted from the manga by Shinichi Fukuda.

The main character of the series is teenager Wakana Gojo, a good shy boy who lives and works with his grandfather sharing his passion for the family business of crafting traditional Japanese Hina Dolls.  Though Gojo is very talented in handicraft, he lacks social skills and experiences in the real world, keeping to himself and not interacting much with fellow students. That is until he meets the co-protagonist Marin Kitagawa, a stunning beautiful, lively and straightforward blonde amateurish model girl who loves Cosplaying (and wearing her school uniform mini skirt really really short….) 

Marin immediately digs into Gojo’s abilities and they create a friendship and partnership, with Gojo helping her to craft the customs for her Cosplay ideas, while romantic feelings between them start to be developed and Gojo starts to experience more things together with her, coming out of his shelf.

What to say about this one?! One of my favorites series already and a surprise as I was not planning to watch it until I saw some recommendations online. Marin ‘s character is absolutely lovable, having a perfect balance of mischievous naughtiness, kindness, straightforward communication but at the same time also a golden heart, shyness and insecurities. Her appearances both when just herself or when cosplaying are captivating, and it does really embody the female sweetness and beauty that would make most of us have fallen totally for her in high school.

The chemistry between main characters is great, and though the romance advances slowly with baby steps, mainly due to Dojo’s inability to read Marin’s clear feelings towards him, as everybody surrounding them absolutely think they are made one for the other, the journey is precious to follow. I like the touches of naughtiness and sexual innuendos (Marin can be straightforward talking about sexual matters and not shy in wearing very daring outfits, it is implied that Gojo marturbates thinking about her, we have a steamed scene in a love hotel where Marin provokes him an erection and the scene does not end up in their first kiss just by the interruption of a phone call… but those touches are very well measured, showing after all that they are still just young teenagers (age around 15) that need to feel comfortable with how things advance. It is lovely to see how they care for each other in their own way, and how they complement each other to grow into better persons, even having different personalities.

The touches of humor are nice, and I also like that the other characters at high school are not mean and they show respect for Gojo as soon as they start interacting with him. The people who surround them in the Cosplay hobby are also nice, and we can see a crush/love interest towards Gojo by another female character, Juju, but it is not deeply explored in the first 2 seasons.

That is maybe the weak point of the series, as the main storyline with the 2 main characters feels amazing, but sometimes I felt like there was just a very shallow exploration of the interactions and feelings with other external secondary characters. With exception of Gojo’s grandfather, a character that anchors very nicely parts of the story and who seems to understand silently what is happening around and enjoys to see how Gojo is maturing into a man seeing and experiencing the world.

So far a 3rd season of the anime has not been confirmed, and that would be a pity, cause following the story of those two is an incredible experience. The manga series finished already all its volumes (it seems that a bit in a rush as the author was having some health issues), and without making big spoilers, I know that they will go into the right direction and I am quite satisfied when I saw the ending arc, so give a chance to the first 2 animated seasons if you have not watched, and if you want more, the complete volumes of the manga series should fulfill you to the fullest

 

CALL OF THE NIGHT

This one I honestly just picked it up a bit randomly from Netflix when I saw it at the home page, and my feelings are a bit mixed about it.

Its title in Japanese is Yofukashi no Uta and is based and serialized from a manga by author Kotoyama.

The plot spins around young high school student Ko Yamori, who adventures into the night unsatisfied with his life in general and with assisting school, and meets alluring female vampire Nazuna Nanakusa.

What should have been just a quick taste of his blood turn into a friendship and strange relation developing between both, as Ko wants to be turned into a vampire and the only way to obtain that is falling in love with Nazuna, which would seem easy except that Ko has no idea what love feelings are and Nazuna is not really the romantic type.

The couple meet at night and then get sorrounded by an interesting cast of secondary characters, some friends from high school and a cast of other female vampires that are often on the verge of killing Ko or becoming their friends and confidents.

A story that mixes teenage love with vampires should sound very interesting, and well, the series is quite enjoyable at moments, specially due to the humor and the multiple layers of Nazuna, who can be wild, strong and hyper sexual, but at the same time is nerdy, funny and inmature. So from the female side, we are covered to have a lovable character, although the part of the story starting so “transactional” with her pretty much craving the tasty blood of Ko is not up to the most romantic set up.

Ko for me does not totally click as main character. I just find him a bit dull and empty, there is never really a satisfactory explanation in season 1 of why he thinks that his life is so empty, and although he grows his personality chapter by chapter, I cannot totally emphatize with him.

Might be that only 1 anime season is not enough to see the development of the characters, and do not get me wrong, there are some very interesting moments there like the fight among Nazuna and a rival vampire, or the sweet kisses that she surprisingly delivers to Ko in a couple of moments, being specially sweet the one at the end of season 1, but so far this is a couple that, different to other series, I do not feel deeply touched with their interactions nor rooting for them to be together. The visuals and art are quite stunning, so if you like anything vampire related, still sure give it a go. It is not bad, but it has not captivated me so far…

THE DANGERS IN MY HEART

I have become an absolute fan of this anime, and with a lot of good reasons. The series, that is actually available in Netflix, has 2 seasons so far and is based on the Japanese manga Boku no Kokoro no Yabai Yatsu also abbreviated as Bokuyaba by author Norio Sakurai

Its plot resembles in quite many ways the main features of the one commented at the start of the article, My Dress Up Girl, in the sense of portraying a socially awkward and isolated main character, Kyotaro Ichikawa, who starts to interact and forge a friendship and romantic relation with popular school beauty and also aspiring model and actress Anna Yamada.

Ichikawa is a really creepy fellow at the start of the show, with a lot of internal self loath and with dark thoughts of physical harm towards the ones around him, including Anna. This creepiness might have put off a lot of potential fans who could not digest the first couple of episodes where characters might seem quite stupid or mad.

However, if you give the series a chance and pass through those first couple of episodes, what you will find is one of the most wonderful rom-com animes ever made so far. Ichikawa shows that behind his lack of confidence, is actually quite a smart, caring and protective guy, and Yamada is just the impersonation of cuteness: she is loving, sensitive, sweet, not (very) narcissistic, full of positive energy and with an insatiable appetite for snacks.

It is a wonderful story between those two lovebirds, and again same as in My Dress Up Darling, we follow their amazing path as they support each other to grow as better young people. But the level of understanding of each other is probably even deeper here, and the attention to details in scenes is amazing. There are so many small cute funny moments thrown here and there, some of them might need a rewatch and you might not realize the care of the creators in building this amazing story, but they are there. I can highlight a few like Yamada not letting the hands go and screaming Ichikawa’s name when introducing him to her agent during a work photoshoot, Yamada holding a small gift that Ichikawa gave her telling the handsome guy hitting on her that she loves another and her hands are full, Yamada fishing for Ichikawa to compliment her as cute, her little jealous moments, Ichikawa growing in confidence screaming that Yamada is only hers or finding the inner strenght to give her an awesome gift in White Day and be able to express how beautiful she looks, Ichikawa’s speech during the graduation ceremony at school where he beats his inner ghosts and shows the great man he could truly become… so many big and small amazing moments of character development.

But here you see more depth also in the relations with the secondary characters and friends with special mention to Ichikawa’s older sister, a character that also grows in our hearts while the show advances and that supports in a very sweet way his little brother, and in a way, after every episode you just end up craving for the next one, like an addiction of emotions you cannot control. Yamada might be one of the cutest, if not the cutest, female character ever portrayed in a romcom, and the emo shy Ichikawa gains the hearts of the viewers taking small but decisive steps to become a better person and be worthy enough to consider himself a love partner for Yamada. It is a great work in his development physical and emotional through the show, where he is able to show that by being able to enjoy life also in the moments that is not with Yamada, he is worthy to enjoy her love too.

I also like that, again similar to My Dress Up Darling, sexual innuendos and dirty jokes are part of the dialogues, as it should be with effervescent teenagers, being realistic but also tasteful without feeling too lewd. A minus in the series, and I think many fans would agree on this, is that we see the story mostly through Ichikawa’s point of view, and would have been lovely to explore also a bit more Yamada’s side of things, which we catch glimpses by her actions and reactions, but we never get the allowance to explore her thoughts from her point of view.

What else can I say? If you have not seen the 2 seasons yet, go for it. I am just hoping that we will be rewarded with more seasons in the anime, while the manga is about to wrap up with a final volume that should be published soon. Let’s hope that these 2 find the happiness they have fought so hard for during every episode!

TORADORA!

One of the most famous anime rom-coms in history, and a very polarizing one for many fans, Toradora! came to my attention after I saw it mentioned restlessly in forums and by anime fans.

Adaptation of the manga by Yuyuko Takemiya, Toradora! narrates the evolving relation of the main character, Ryuji, a good behaved shy guy with obsession for cleaning and with great cooking skills who was abandoned by his father and takes care of his mother, with Taiga Aisaka, a small ball of energy prompted to violent attacks, but with a golden heart inside.

A kind of love entanglement develops with the series, as Ryuji is initially interested in Minori, the best friend of Taiga, a sporty cheerful beautiful girl who seems to be singing to herself all the time, while Taiga seems interested in Yusaku. Though a bit part of the plot is about Taiga and Ryuji trying to help each other to get a relation with their love interests, through the show and through the interactions they have is clearly developed a love relationship between them. Apart from this, there is a third girl, beautiful but narcissistic model Ami, who also joins the school and is interested in Ryuji.

As I said, I understand that many people could develop and kind of love/hate relation with the series. The relation between Taiga and Ryuji is not healthy at many moments and Taiga ‘s outburts of violent and diminishing behaviour could be a turn off. But if you go through that and understand that is a protection facade, the character of Taiga is really sweet, and I find exhilarating her nickname known all over the school as the table top tiger.

The script is awesome in many moments and will leave you some scenes forever in your mind, like Taiga screaming and caring after Ryuji suffers an accident at the pool. I never fully understood nor loved the character of Minori, and although you get here and there details that her personality is not at all shallow and there is an internal debate in her hart, I think that we never get to fully understand her, like if her character might have had much more potential… In fact, the character that I love how develops the most is Ami, who after losing her facade of narcissistic rude bitch, actually grows a lot showing to be the more mature and having a caring and loving hidden side. Probably in my opinion she would be the best suited to be a girlfriend in the real world. Some other subplots and scenes are also amazing, like the fight between Taiga and Sumire, and there are a lot of great touches of humor all over the show.

However, I also understand that the end of the series, although somehow is fresh, surprising and touching, leaves a bittersweet taste to the fans. All the arc of escaping from home feels a bit too forced to me, though it leads to maybe the most beautiful scene in the series with the first kisses between Taiga and Ryuji at the grandparents ‘ place where they spend a night together, a delicate and sweet scene where we also see the sweet and vulnerable side of Taiga. But her sudden disappearance at the end until the final surprising encounter in the classroom… it kind of feels refreshing compared to how many other series wrap up, but at the same time it feels somehow unsatisfying, and we wonder if Taiga is really the right partner you d like to be with, as sometimes feels like interacting with her is walking across a minefield.

I know, after having read online what happens after the series, that the two get a nice happy ending together, but still, as I said, though I did enjoy the show a lot and is a delightful rollercoaster of emotions, and though Taiga ‘s energy can be really captivating, some moments and actions in the show feel a bit off. In any case, it is undeniably one of the best romance anime series ever produced, and although it was broadcasted already quite a few years ago, it has not lost at all its freshness and appeal. A must see if you are into Japanese romance anime or, same like me, you are starting to explore this wonderful universe!

HI SCORE GIRL

Hai Sukoa Gāru in Japanese, the series is based on the manga by Rensuke Oshikiri, and oh boy! For a fan of retrovideogames who lived his pre-teenage years in the popular arcade saloons, this series will always take a special place in my heart.

The story follows a young gamer, Haruo, whose life is pretty much obsessed with videogames both playing with home consoles or at any arcade machine that crosses his path. His life will be transformed when he crosses path with Akira, a silent female classmate (so silent that she never speaks a word all over the 2 seasons of the series) and amazing videogame player, one of the few able to beat Haruo’s ability.

Haruo’s hate for the new challenger will be transforming through the series into a very special and sweet love relation with Akira, with a second female student, Koharu, getting dragged also in the gamer life pursuing her non correspondent love of Haruo.

The series is pretty much amazing, and displays so many anecdotes, historical facts, winks and tricks based on real life from a lot of the most iconic videogames in the 90s that is pretty much impossible not to love it for anyone calling him/herself a gamer. Haruo’s character although at first can be annoying gains the hearts of the viewers as inside him there is a big good naive heart, and it is really amazing how the writers were able to perform so beautiful interactions between them with Akira not muttering a single word. It is even more memorable that in several scenes of the game, the characters are able to express their feelings and the emotions just by how they interact during the games that play together.

The final theme song also by the way got stuck in my head for weeks, a beautiful lullaby that you cannot get rid of. Also, the secondary characters such as Haruo’s mother or Akira’s older sister Makoto are pretty memorable and funny, and round up this beautiful story.

If I can put a weak point, i would just say that I would have truly loved a kiss between them both main characters, though their feelings were clearly expressed in the final airport scene of the series If you like romcom anime, give it a try, though the art and drawing style can feel a bit more childish and not so beautiful like other anime, it is super charming. And if you are a retro video games lover, this series is really a must see!

MY LOVE STORY

I watched it not expecting anything much, just surfing around anything new to kill time a night in Netflix, and My Love Story grew into me immediately. The series counts so far with just 1 season with 24 episodes, being its title in Japanese Ore Monogatari!!; lit. “My Story!!”, created by Kazune Kawahara.

It follows the story of Takeo, a young student with a huge physical frame, hyper talented for any sport activity and with a golden heart, but with no filter in his words and little knowledge of love. He is inseparable of Makoto, his very handsome, shy and book lover friend who seems quite uninterested in girls attention.

Quickly in the series Takeo will help and meet Rinko, a beautiful young student who loves baking cakes and sweets, and with the help of Makoto, Takeo will realize about her love and they will start dating.

Opposite to other series, here there is no suspense about the declarations of feelings and gets resolved pretty early on. So the series is nicely following Takeo and Rinko growing as a couple, as well as Takeo growing as a person and helping others around him all the time. There are a lot of nice details here, like Takeo’s good actions often do not get the credit he deserves, but is lovely to see how Rinko is able to see him through and through while others would get deceptive first impressions due to his physique.

I also love how, although Rinko appears to be like the super sweet innocent anime girl, she actually takes a lot of initiate in meeting Takeo, showing her feelings and also in provoking more physical advances and kisses due to Takeo’s too much innocent heart. And some of the fans might have got nervous towards the end of season 2 when a competitor tries to steal Rinko’s heart. A very nice arc in the way how we see that Takeo would sacrifice anything for Rinko’s happiness, even his relation.

On top of that, I must say that one of the most memorable love actions in the series is not done by the main couple, but by one of Takeo’s friend, Kurihara, who climbs a huge Christmas tree risking his life to grab a decorative start to show to his love interest, Nanako, that he is worthy of her love interests.

A very lovely series, and though Takeo would not be your typical main character in this kind of romcom, he really gains your sympathy with his actions and his huge heart while Rinko is just an overload of cuteness but with the right amount of spicy behavior to cheer things up.

A gem of an anime: Blue Box

I have always loved Japanese anime since my childhood years when series like Dragonball blew my mind and I think all the minds of my friends and school kids around the world, trying to imitate Goku doing the famous kamehameha movement. Mazinger Z, Dodge Danpei, Dragon Quest... so many amazing memories from those years in front of the TV screen.

The anime genre also had some great jewels in sports/romance in those years, I fondly remember Attacker You! or Attack Nro 1 that were nicely mixing love with volleyball sport.

I did not come back to the romance genre in many years, though I have seen in my adulthood many other great anime series like Attack on Titan or The Seven Deadly Sins. I was a bit bored at home wanting to watch something new, so I chose a Japanese series I had no idea what was about: Blue Box.

The series, that is currently available for its 1st season in Netflix, is based on the manga books series Ao no Hako by Kouji Miura, and follows the life of Taiki, a high school Japanese student who loves training and competing in badminton, while having a secret crush on fellow student Chinatsu, the start of the basketball school team. Adding to this, there is Hina, a cute chilhood friend of Taiki, start in the gymnastics team, with a funny straightforward personality and a love for Taiki and starts in secret but she has the nerve to declare to him.

When I watched the first episode, at first I thought, oh gosh this is so slow and lame, just for female teenage watchers, but the show captivated me quickly. The dialogues and situations are very nicely written and developed, slowly but steadily, the main characters are very likeable, the art is beautifully transferred from the book pages to the animation, and apart from the classic themes of love, shyness, misunderstandings and uncomfortable situations of the teenage years, there are also great moral values in the way of overcoming loss, trying to push the limits, working hard every day to give a better version of yourself, and friendship.

The secondary characters sorrounding Taiki’s life, like Hayru, an older player that pushes him to train harder, Kyo, who in the shadows seems to be the first to understand the situations or the funny and I think sometimes underrated Nishida, who has a gold heart even when often blurbs silly comments, are very well balanced. And Chinatsu is lovely from her voice, her actions, and her slowly shift of attention to Taiki. In a way it feels that even if we see the relationship form from the eyes of Taiki, she was already there interested from the first episode, something that Taiki himself does not realize most of the times.

Maybe what hit me hard and deep in this show is the memories that brings of some of the best years in life, when all is new and exciting and the world is full of potential possibilities: being the last one to notice small gestures that your friends notice, dreaming what the girl you like is gonna wear for a date next day, how just holding hands or close physical contact can make your heart race… that beautiful time that will never come back, but that we somehow can live again following Taiki and Chinatsu’s love story.

The show builds up slowly, do not expect here declarations of love from the first episode, but is a visual delight and you really feel like you cannot wait to watch the next one. For the moment Netflix has aired only Season 01, although for what I could see online, there is a Season 02 programmed for this 2026, while the original manga has advanced more in the story. I recommend both the manga books and the series, as the adaptation is fantastic and if you like Japanese anime, sports and a good love/romance evolving, surely you will enjoy this, no matters if you are a young teenager of a man in his mid forties like me. Give it a shot, it is one of the gems recently released for anime fans!

(R&A Film Festival Finland) HIFF’s National Competition awards one with a trip to Thessaloniki

Multiple awards will be handed out among the filmmakers selected for this year’s R&A Shorts: National Competition. The winner of the AGORA prize, which is being handed out for the first time, will win the opportunity to participate in the AGORA Short Film Lab workshop in Thessaloniki in November.

R&A Shorts: National Competition will once again shine a light on exceptional Finnish short film talent as part of September’s Love & Anarchy Film Festival ( 18–28 September). This year the competition, which has been held since 2018, received a record-breaking 188 film submissions. The 29 films that were selected will be presented in 6 screenings, categorised by themes. The Jury and the audience will select their favourite films, which will be rewarded during the awards ceremony at the festival centre in Bio Rex, on Thursday 25 September.

Many incredible awards will be handed out to winners, including a new addition, the AGORA award, sponsored by the Thessaloniki International Film Festival and the Finnish Film Foundation. The winner of the AGORA award will be granted the opportunity to participate in the AGORA Short Film Lab, held at the Thessaloniki Film Festival industry event in November. The AGORA will be awarded to a director who has yet to direct a full-length feature film.

This year’s judges will include writer and activist Maryan Abdulkarim, the contest’s first international judge and Agora representative Angeliki Vergou, as well as Leena Närekangas, executive director of Elävän kuvan keskus ELKE ry, the cultural association that runs Cinema Orion.

The best Finnish short film will receive the R&A Shorts main award, a cash prize (2000€) made possible by the Trade Union for Theatre and Media Finland, Teme. Sponsored by the Finnish Film Foundation, the New Wave award (1500€) will be awarded to a fresh talent whose short film paves the way for new voices in Finnish filmmaking. The award aims to support the career of a promising director and assist in the funding of their next project. The Moving People and Images award (1500€), given out since 2021, will be awarded to a director whose work pays particular attention to inclusivity and diversity. The award is sponsored by the Finnish Film Foundation. Filmmaker Erol Mintaş will act as an advisor to the panel of judges in picking the winner.

The winner of Best Student Film will be awarded accreditation to the 2026 Love & Anarchy Festival and to the industry event Finnish Film Affair, as well as music licensing from Audio Network. Student films are also in competition for other awards. In addition, all films in the National Competition will be competing for the Audience Award, which is a product prize worth 2000€, sponsored by Kinos Rentals.

The winner of the main prize in 2024 was Elina Talvensaari’s documentary How to Please, which later in 2025 won the Jussi award for Best Short Film.

All award-winning films will be screened at Love & Anarchy on Saturday, September 27 in the National Competition: Award Winners screening.

The films in competition will be shown in themed screenings at Love & Anarchy on September 19–23:

Within Memories
The screening showcases five stories about memories and remembering.
Memories Move Like Distant Islands (dir. Saarlotta Virri)
Memorabilia (dir. Roosa Vuokkola)
Akira (dir. Juho Kankaanpää)
Vieras (dir. Arman Zafari)
In My Hand (dir. Marja Helander, Liselotte Wajstedt)

Other Dimensions
Journey through the uncanny valley.
Astro TV (dir. Magdaleena Jakkila)
The Grapes of War (dir. Malakias)
IURIMA – A Tale of Three Fishermen (dir. PV Lehtinen)
Katastrofielokuvien loppukohtauksia (dir. Tellervo Kalleinen & Oliver Kochta-Kalleinen)
Tempest of My Eyes (dir. Elina Oikari)

Geography of Life
Cartographers of change – people in spaces and situations.
Confessions of Undecided Women (dir. Milja Härkönen)
Ocean Blvd (dir. Jade Kallio)
Juhlat (dir. Roope Lainevuo)
Break Room (dir. Laura Böök)

Side by Side
Relationships, people, nature.
Try Me <3 (dir. Susani Mahadura)
Dollhouse Elephant (dir. Jenny Jokela)
Lovetanssit (dir. Sara Maaria Peltonen)
Farewell to Snow – Snowplay (dir. Sanni Priha)
Pastori ja ruma joulukuusi (dir. Maarit Lalli)

Oh Humanity
A look at the entire spectrum of humanity.
Underdog (dir. Marjo Levlin)
Speeding, of course (dir. Anni Sairio, Joonatan Turkki)
Miss Paradise Beach (dir. Virva Kunttu, Vuokko Kunttu)
Invasive Species (dir. Risto-Pekka Blom)
My Name Is Hope (dir. Sherwan Haji)(

Chosen) Families
Families that love, hate, and hurt.
ÁHKUIN (dir. Radio-JusSunná / Sunna Nousuniemi & Guhtur Niillas Rita Duomis / Tuomas Kumpulainen)
A Night That Took Everything (dir. Nida Mehboob)
Drawn in Water (dir. Heta Jokinen)
Pantyhose (dir. Fabian Munsterhjelm)
The Lightning Rod (dir. Helmi Donner)

For more information visit: https://hiff.fi/en/

The End of the F***ing World – a hidden gem in Netflix

I have a totally subjective opinion and it is that in the last decade, the overall quality of TV shows is much better than the overall quality of movies. Bigger budget, better casting, nice scripts (if you can except the woke topics that flood many shows) and a consumption rythm that probably fits better the modern society, when people might not have the time, energy or focus for a 2 hour film, but will easily swallow a 25-30 minutes episode before hitting the sack.

I am finding very difficult in the last years to enjoy movies in Netflix, basically cause most of the good ones in its catalogue I already watched in the past, though there is always a nice new one here and there, but with TV shows, I ended up gladly surprised with the quality of 2 that I watched recently. One is Resident Alien, to which I will have to dedicate a separated post. The other is The end of the Fucking World.

The show has 2 seasons so far available in Netflix, and I hope that stays like that. It follows the adventures and misadventures of James and Alyssa, who start in the first season being 17 years old and on the second season they will mature a bit more to reach 21.

They are not your typical teenagers, and the series is not your typical politically correct series either. It is dark, strange at many moments, cruel but also funny and charming. Both James and Alyssa have serious psychological problems and traumas, and you will feel loving one of the characters in one scene and hating the same character 5 minutes later.

The first season is structured as a kind of “teenage Bonnie and Clyde run away on a road trip” and although the characters communicate weirdly (James ‘ favorite answer is Okay), they talk and act inapropiately and their moral compass turns 360 degrees with no polar star to show them the right way, after a few episodes you feel connected to them.

Great blame on this are the great interpretations by the 2 main actors, Jessica Barden as Alyssa is a jewel, and if you are male you cannot less than feel that she could be the kind of girl you would fall in love in high school just to make your life absolutely miserable. James is played Alex Lawther, whom you may recognize from an episode in Black Mirror, and although his role tends to be more passive and can get eclipsed by Alyssa’s energy, he is the perfect complement to the chemistry of the couple all over the show.

In season 02, and we try not to make spoilers, James’ character indeed seems to have matured, while Alyssa seems to be the one that took a bigger emotional toll from all the incidents that they go through in S01. I personally preferred the first season for being something more refreshing to watch, and probably for having more witty dialogues, but still season 02 is quite a nice epilogue and a wrap up for the adventures that the young couple suffers, and the ending at the last episode, although is not your typical romantic ending, feels in a way perfect, heart-touching and satisfying.

Without the need to have a huge budget, striking special effects or a very famous cast, I deeply enjoyed the show and I consider it one of the best I have watched in recent years. Besides, what it has all over its episodes is a superb and amazing soundtrack, kudos to the responsible person to select the songs, which makes up for a fantastic Spotify playlist once you have finished watching the first two seasons of the show.

If you are looking for a new series to watch, and you want something refreshingly different to most of the shows out there, give this one a chance. Dark, witty, sometimes funny but overall very magnetic!

Perfect Days: the best movie of the last decade?

You know the drill, Sunday evening at home, feeling lazy and overwhelmed with the idea that Monday is around the corner. You choose some movie that have never heard of before in Netflix and that happened to be “Perfect Days” by director Wim Wenders.

After watching it, I cannot stop talking about it. The movie is just wonderful, depicting the “monotonous” life of a mature public toilets cleaner in Tokyo, Hirayama (Kōji Yakusho, who is also superb in the Japanese series Rikuoh which I also strongly recommend).

Nothing much seems to happen in the life of Hirayama, who puts a great effort in the simple tasks of his everyday life, but at the same time a lot of happens even when he speaks very little through the movie. There are unsolved layers there about his past and his relation with his family, but in any case the movie does not focus on past dramas or non reciprocated love or any other tragedy, it just flows with the thrill of enjoying the little good things in life like the early morning coffee from the vending machine, the good music from some old cassette, or the beautiful reflection of the lights in between the trees in a park.

In a period of time where society is struggling with a lack of satisfaction, a continuous search for the next dopamine shot and when people always want to have more and more, this movie is refreshing. Not only for the beautiful depiction of Tokyo, an amazing city that can also alienate people easily, but reminding us that sometimes the joy of life is in the small details that make us smile everyday.

Perfect Days might not be the cup of tea for every viewer, and probably there will be many that can feel bored with it after 20 minutes, but if you enjoy a slow pace quality movie that is degustated like an onion, layer after layer, you will find this film amazing. So far, the best movie I have watched in a very long time.

Revisiting a hidden gem cinema classic: The Bear

The Bear, released in 1988 by famous French director Jean Jacques-Annaud is a movie that not so many of the younger generations have heard about, even when was relatively famous title in the 80s when released.

For many, the movie is considered one of the best “animal” movies ever shot in cinema history, following the story of a bear cub that gets orphaned, losing the bear mother in a tragic accident at the beginning of the film, and then ending following and pairing up with a huge alpha Grizzly bear male while they are tracked and hunted by some human hunters in astonishing beautiful forest and mountain landscapes.

But I think the movie is just much more than an “animals” movie, even when is starred by animals.

First is already to raise the hat to the director and the crowd to create such a beautiful film when is well known that movies starring animals and children are the most difficult to shoot and control. The landscapes and movie pictures are beautiful and outstanding, some of the most beautiful nature shots you will ever see on film, and the little cub is just totally cute and adorable all over the movie.

But if you forget for a second that the movie displays mainly bears and it has not much dialog, apart from the scenes when humans communicate, the movie is really an amazing tale where you have everything you would have dreamed in a classic drama starred by only humans: you have tragedy, you have humor (the scene when the cub eats some magic mushrooms and hallucinates with grotesque frogs is hilarious), it has sex encounters, it has revenge and it has redemption.

On top of that, it also has 2 of the best cinema scenes ever filmed that will be forged into your memory forever: the epic scene when the huge grizzly bear confronts one of the hunters and lets him go, and the scene when such a hunter stops his colleague from shooting, one that has made more than 1 tear fall from my eyes.

The Bear is a sublime cinema opera, and it is just amazing that with so little dialogue was able to accomplish so much. A masterpiece, and one that I cannot stop encouraging you to discover if you never watched it, or revisit it again.

Movie Review: Gladiator II

Taking opportunity that I have an excellent cinema theater 15 minutes walking from my place, with affordable prices and always empty seats (sadly people hardly go to the movies anymore) I spontaneously decided 1 hour before the show started to buy a ticket for Gladiator II, the must awaited return for director Ridley Scott to the blockbuster from year 2000.

As many other people, I love the original Gladiator movie. From the amazing initial sequence of the battle, its cinematography, the outstading and powerful performance of Russell Crowe, the dialogues, the unforgettable duels in the arena… so many moments to be remembered in cinema history.

So Gladiator II had a very high bar to reach if wanted to be close to the quality of its sequel. Did it succeed? Well…sadly no.

Let’s start with the positives, as not everything is negative here: the initial naval attack battle has some outstanding photography and it really kicks to a promising start of the movie, and Pedro Pascal‘s performance as Marcus Acacius is pretty strong (as almost everything this actor does in the last years). And I was also happy to see Lior Raz, an actor that I really love from the series “Fauda” casted pretty nicely as Viggo, the ruthless trainer of the slave gladiators.

Also some winks to the original movie here and there will cast you a smile.That’s about it about the good.

For the non so good part, the script and history feels like put together in a night of heavy drugs involved, same as most of the battles scenes in the arena and Coliseum (crazy monkeys, rhinos that act like trained warhorses, sharks with a higher IQ than most of your co-workers invading a flooded Coliseum (yes, the Romans did naval battles in the arenas, but I never hears of a highly superior intelligent race of sharks inhabiting there…). It just feels ridiculous most of the times, instead of epic, and the cuts between the scenes feel sometimes like an intern was the one putting the cuts together.

About the rest of the cast, Paul Mescal as Lucius does just not feel right to the role, he is not charismatic, powerful or likable, even when you try to. Even Denzel Washington, one of my favorite actors in Hollywood, feels hateful in his histrionic performance of Macrinus.

So, if you are really a hardcore Gladiator fan, well, you can give it a shot and be disappointed. If not, better skip this one. The 250 million of production cost were really not well used here.

Rating: 1.5/5

Movie review: We Live in Time

Sometimes I still cherish the small pleasure when I have a free evening to spontaneously buy a ticket for the nearest cinema theatre to enjoy a newly released film.

Last week, that urge brought me to see “We Live in Time“, the new romantic drama movie starring Andrew Garfield and Florence Pugh, and I spent quite an entertaining 1:45 minutes going through the up and downs in the relation of Almut and Tobias.

Firstly, I have to see that the non linear timeline of events can make the movie a bit difficult to follow at first until you get used to it. The movie jumps back and forth in the timeline of the couple, before they met, when they met, through the adversities, parenthood, arguments, etc. It does not harm the overall picture of the movie, but it is true that sometimes it is harder for the spectator to empathize, or you can purely guess how is gonna be the outcome in the future of a discussion (for example having a child or not) when it was already previously shown that they have a daughter.

The acting of both Garfield and Pugh is very good and you can feel that they have quite a nice chemistry in the film. Truly Garfield can come up sometimes like too nice on the edge of silly, and Pugh’s rebellious side can come up sometimes like a bit hateful, but all in all we are not perfect humans in a not perfect world, and the relation dynamic is plausible. I got myself inmersed both in moments when a tear was escaping my eyes or when you have a good laugh to some bizarre comical situation that they encounter.

One feels that even the 1:45 length is not enough and would have loved if the movie would explore deeper in some branches like the relation of Tobias with his father, Almut with her daughter, her passion for cooking, Tobias’s divorce, etc but all in all, the movie is entertaining, it will touch the hearts of the spectators and the acting is solid, so I would totally recommend it to give it a worthy try!

Rating: 4/5

HIFF Gathers the Largest Film Festival Audience Since the Pandemic

The 36th Helsinki International Film Festival – Love & Anarchy finished on September 24th on a high note with the closing gala screening of Celine Song‘s PAST LIVES. Finland’s biggest film festival had over 51 000 visitors, which is its post-COVID record. The 37th Helsinki International Film Festival will be organised on September 19th – 29th 2024.

Helsinki International Film Festival finished with a bang with the sold out Closing Gala screening of PAST LIVES. The festival screenings and events gathered in more than 51 000 visitors in total, which is the largest audience for any Finnish film festival since the pandemic. The biggest hit of the festival was the U.S. indie maverick Kelly Reichardt‘s newest film SHOWING UP. Other big hits included British comedy SCRAPPER, Estonian kung fu comedy THE INVISIBLE FIGHT, Bollywood meets martial arts mash-up POLITE SOCIETY and transgressive thriller FEMME. The international gala films THE ZONE OF INTEREST, POOR THINGS, MONSTER and PAST LIVES were all sold out.

Among the most sought-after screenings were THE LAST BUS with the legendary British actor Timothy Spall in attendance, the two Finnish gala films Teemu Nikki‘s DEATH IS A PROBLEM OF THE LIVING and Katja Gauriloff‘s JE’VIDA, the French gourmet film THE TASTE OF THINGS, Takeshi Kitano‘s samurai epic KUBI and Pedro Almodóvar short films.

HIFF had the honour of hosting a slate of filmmaker guests including Catherine Corsini (HOMECOMING), Gunnar Vikene (WAR SAILOR), Anna Neye and Frederikke Aspöck (EMPIRE), Anna Hints (SMOKE SAUNA SISTERHOOD), Lea Glob (APOLONIA, APOLONIA), Rainer Sarnet (THE INVISIBLE FIGHT) and Jonas Rothlaender (THE POWER OF LOVE).

The R&A Shorts National Competition’s main award winner was Elisabeth Marjanovic Cronvall‘s Lizard Brain. Other award winners were Karoliina Gröndahl‘s Every Tom, Dick and Urpo (Uusi aalto Award), Iiti Yli-Harja‘s Blush – An Extraordinary Voyage (Moving People and Images Award), Arman Zafari‘s Prelude (Best Student Film) and Tuukka Kovasiipi‘s Jouko (honourable mention). The Audience Award went to Fabian Munsterhjelm‘s Thank You in Your Language.

The HIFF industry sidebar Finnish Film Affair brought more than 500 film industry professionals to Helsinki. Winning projects pitched at the event were Miia Tervo‘s The Missile (Best Fiction), the Norwegian Lovable (Best Nordic Project) and Showtime in Helsinki (Best Documentary).

This year’s audience vote organised by the National Audiovisual Institute and the HIFF was won by 20,000 SPECIES OF BEES, which will be screened as Kino Regina’s film of the month in November.

The 37th Helsinki International Film Festival – Love & Anarchy will be organised on September 19th to 29th 2024. Before that, a selection of the year’s best movies can be seen at the R&A Spring Break festival.

HIFF presents the best films of the year including a Cannes stirrer and the new Almodóvar

The Helsinki International Film Festival – Love & Anarchy has announced its programme. The Cannes Grand Prix-winning concentration camp drama THE ZONE OF INTEREST is presented as the Masters Gala film. The freshest film smorgasbord in the country also has Pedro Almodóvar’s new shorts as well as heaps of winners and audience favourites from the world’s major film festivals. Filmmaker guests of the festival include the director Catherine Corsini and the documentarist Lea Glob. The 36th edition of HIFF takes place on September 14–24, 2023.

HIFF adds another gala to its roster. THE ZONE OF INTEREST that caused quite a stir and won the Grand Prix at Cannes is screened at the new Masters Gala. As previously announced, the festival’s other gala films are the Opening Film MONSTER (dir. Hirokazu Kore-eda), the Love & Anarchy Gala film POOR THINGS (dir. Yorgos Lanthimos), the Human Rights Gala film JE’VIDA (dir. Katja Gauriloff), the Finnish Gala film DEATH IS A PROBLEM FOR THE LIVING (dir. Teemu Nikki), and the Closing Film PAST LIVES (dir. Celine Song).

The Zone of Interest by the British director Jonathan Glazer (e.g. Under the Skin, Season FF 2015) provides a scathing portrayal of everyday evil and fascism via the family life of Rudolf Höss, the commander of the Auschwitz concentration camp. The German star Sandra Hüller (Toni Erdmann, 2016) gives a striking performance as the family matriarch. Based on a novel by Martin Amis who passed away in May, The Zone of Interest is brought to cinemas by SF Studios early 2024.

The R&A Shorts programme is complemented by two newest short-form works by Pedro Almodóvar. Seen in Cannes this year, STRANGE WAY OF LIFE featuring Hollywood stars Ethan Hawke and Pedro Pascal as gunslingers and former lovers is a queer western that bears the unmistakable touch of its director. It is screened in tandem with the intense lockdown short THE HUMAN VOICE (2021) starring Tilda Swinton.

Cinematic manna rains from film heaven with 141 feature films. The most coveted new outings include SHOWING UP by the U.S. indie maven Kelly Reichardt, the Senegalese-French director Ramata-Toulaye Sy’s BANEL & ADAMA which was the only debut effort in this year’s Cannes competition and the Turkish auteur Nuri Bilge Ceylan’s ABOUT DRY GRASSES that earned Merve Dizdar the Best Actress Award at Cannes. Among the international festival hits are the Bollywood-meets-martial-arts genre-blending POLITE SOCIETY, the Orthodox monk kung-fu slugfest THE INVISIBLE FIGHT helmed by the HIFF’s favourite Estonian director Rainer Sarnet, and the rockumentary KISS THE FUTURE about the attempts of U2 to raise worldwide awareness of the horrors of wartime Sarajevo.

The entire HIFF programme can now be found on the festival’s website. Sales of festival passes have also begun. Single ticket sales will start a week from now on Thursday, September 7.

Top guests come from around Europe

HIFF welcomes among its main guests the French director Catherine Corsini, whose latest film HOMECOMING made waves in the Cannes competition. The Danish documentarist Lea Glob brings to Helsinki her work APOLONIA, APOLONIA for which she followed the contemporary artist Apolonia Sokol’s life for 13 years. Filmmakers behind several contenders for the Nordic Council Film Prize are also visiting. For more information about the filmmakers arriving in Helsinki, please consult the HIFF guest press release.

Kaurismäki in English and intimate choreography

The HIFF programme features an exceptionally wide array of best new Finnish films. The cream of the crop is naturally Aki Kaurismäki’s FALLEN LEAVES that was recently voted the Best Film of the Year by the International Federation of Film Critics. The festival provides the non-Finnish-speaking audience with a possibility to see this gentle tragicomedy with English subtitles.

Other Finnish highlights of the programme are Selma Vilhunen’s FOUR LITTLE ADULTS, Tia Kouvo’s FAMILY TIME, Kaisa El Ramly’s debut feature film GETAWAYS & DREAMS, and the world premiere of the sensual German-Finnish co-production POWER OF LOVE starring Saara Kotkaniemi and Nicola Perot. To coincide with the film’s screening, the festival organizes a panel discussion about the work of intimacy coordinators at the HIFF festival centre in Bio Rex Lasipalatsi. This year’s festival also features Saturday morning coffee sessions with filmmakers.

The Finnish Film Affair brings a James Bond casting director to Finland

The 12th edition of the Finnish Film Affair (FFA), a HIFF event aimed at industry professionals, brings the international film industry experts to Helsinki on September 20–22. 31 Nordic films and TV shows in production or in development are pitched at the event. New projects include works by Miia TervoJenni ToivoniemiTonislav Hristov and last year’s R&A Shorts National Competition winner Mari Mantela, as well as the upcoming children’s film Itty Bitty Princess.

This year, FFA’s popular Nordic Flair training programme focuses on actors. The 20 Nordic actors selected for the programme get to participate in self-tape and CV training under the direction of international top professionals. The CV’s of the casting directors who arrive in Finland include i.a. the James Bond film Skyfall and the TV hit show Exit.

The three-day Finnish Film Affair attracts guests from the Venice and Tribeca Film Festivals, from the Sheffield DocFest, and from the Variety and Screen trade magazines.

The 15 Greatest Movie Car Chases

From James Bond to Fast and Furious, there are many iconic car chases that have made our hearts race throughout the years. But which one claims first place on the podium of popularity? Curious to find out, Uswitch.com/car-insurance delved into the numbers to discover which on-screen car chase is our favourite.

By evaluating a variety of factors such as the number of YouTube views, likes and dislikes, and IMDb ratings, they created a fan index score that determined which are the most memorable car chase scenes committed to film.

The key findings include:

  • The Dark Knight Rises (2012) is our favourite car chase, scoring 9.06 out of a possible 10
  • Another car chase from the Batman franchise claims second place, The Dark Knight (2008)
  • Drive (2011) makes the top three, followed by Baby Driver (2017) in fourth place
  • Captain AmericaMad Max and Bullitt are amongst the films with our favourite car chase scenes
  • Jack Reacher (2012) rounds out the list coming in at 15h place with a score of 6.23 out of a possible 10

THE RESULTS

 MovieYouTube video viewsIMDb film rating YouTube like/dislike Ratio FINAL SCORE (out of 10)
1Batman: The Dark Knight Rises (2012)8.499.259.439.06
2Batman: The Dark Knight (2008)6.239.818.688.24
3Drive (2011)6.427.929.627.99
4Baby Driver (2017)9.816.237.747.93
5Captain America: The Winter Soldier (2014)8.876.987.927.92
6Mad Max: Fury Road (2015)9.068.874.917.61
7The Blues Brothers (1980)5.668.38.37.42
8Terminator 2: Judgment Day (1991)9.629.621.897.04
9The Raid 2 (2014)6.048.685.286.67
10Parabellum (2019) 4.915.099.816.60
11The Bourne Identity (2002)5.098.36.236.54
12Smokey and the Bandit (1977)7.552.839.066.48
13Bullitt (1968)6.985.097.176.41
14Raiders of the Lost Ark (1981)3.029.256.426.23
15Jack Reacher (2012)6.62.839.256.23

Batman’s thrilling first appearance in The Dark Knight Rises (2012) is our favorite car chase, scoring9.06 out of a possible 10. Iconic for the triumphant return of Batman (Christian Bale) from the darkness, the scene raises our pulse with the chase that involves the police, Batman, and of course the villain Bane (played by Tom Hardy). Views on YouTube have amassed 13 million to date and resulted in a score of 9.43 out of a possible 10 on the platform’s like to dislike ratio.

Another car chase from the Batman franchise races into second place, this time involving the superhero and the legendary Heath Ledger’s Joker behind the wheels in The Dark Knight (2008). The scene, which starts with Batman’s Tumbler seamlessly transforming into the Batcycle before riding off after The Joker, scored an overall rating of 8.24 out of a possible 10.

The opening scene of Drive (2011) makes the top three, rating 7.99 out of a possible 10. The adrenaline in this particular car chase is caused not by the typical loud explosions and tyre screeching, but by the soothing and quiet way that the Mystery Driver (Ryan Gosling) flees from the cops on a Chevrolet Impala. Comments on the YouTube video include “Every police chase should be like this” and “most realistic getaway driver scenario”, contributing to the like to dislike ratio score of 9.62 out of a possible 10, the second highest after Parabellum (2019).

The curtain raiser scene on Baby Driver (2017) comes in fourth with 7.93 out of a possible 10. The young getaway driver, played by Ansel Elgort, sings along to “Bellbottoms” by Jon Spencer whilst simultaneously being chased by numerous cop cars. This slick moment of cinematic history has earned over 67 million views on YouTube, the most of all scenes analyzed in the study.

>> YouTube videos of all the car chase scenes included in this study, as well as the total 52 scenes analysed can be found here.

HIFF – Love & Anarchy brings Spike Lee to Finland

The 31st Helsinki International Film Festival – Love & Anarchy is organised from September 20th to 30th, 2018. Spike Lee, a true trailblazer of American and more specifically African-American cinema, is the festival’s honorary guest. Other main guests include legendary director of German cinema Margarethe von Trotta, Australian cult director Stephan Elliott and German-French-Iranian filmmaker Emily Atef. The collaboration between HIFF and Yle will continue this year in the form of French cinema.

Love & Anarchy is honoured to bring highly accomplished filmmakers to Helsinki this year. HIFF’s honorary guest is the Academy Award winning American director Spike Lee, who will be holding a masterclass at the festival. HIFF will screen Lee’s hugely popular new film BLACKKKLANSMAN in addition to DO THE RIGHT THING (1989), the biggest hit of the second edition of the festival. Spike Lee’s visit is organised in collaboration with the U.S. Embassy in Finland and BlacKkKlansman actor Jasper Pääkkönen.

The Grand Old Lady of German cinema Margarethe von Trotta will be attending the festival. Besides Werner Herzog and Wim Wenders, she is one of the most important directors of New German Cinema. Von Trotta will bring to Helsinki her new documentary SEARCHING FOR INGMAR BERGMAN, in which a number of filmmakers discuss the Swedish maestro’s influence on their own work. Von Trotta’s visit is organised in collaboration with the Hanaholmen cultural centre.

Stephan Elliott, whose colourful comedy THE ADVENTURES OF PRISCILLA, QUEEN OF THE DESERT was one of the hits of HIFF 1994, will be joining us all the way from Australia. The director, whose work has brought LGBTQ+ themes into mainstream cinema, will be introducing his new film SWINGING SAFARI. In addition, Priscilla will be shown as a special drag screening as part of the new Love & Anarchy Trailblazers section.

Director Emily Atef brings her film 3 DAYS IN QUIBERON from Berlin to Helsinki. The film, which won most German Film Awards at the Lola-Gala in April, is a recreation of the legendary film actress Romy Schneider‘s iconic interview.

At the end of the festival, the R&A Shorts sidebar will welcome the performance art group LaBeouf, Rönkkö & Turner, which includes Hollywood star Shia LaBeouf. The festival presents the trio’s new film #TAKEMEANYWHERE. The visit is organised in collaboration with the Finnish Institute in London.

Movie Review: Monument Men

Although I have read some other critics that do not leave in a very good place this movie, I must admit that I liked Monument Men. If you expect the typical war action movie, maybe this is not your cup of tea. Monument Men is certainly a war movie, but narrated from a different angle. This is not about the soldier on the front line doing heroic acts to take enemy positions. This is more about the life of guys that incidentally found themselves having to do a job in the middle of the Second World War. The job is no more and no less than trying to save as much precious works of art as possible rescuing them and discovering them from the hidden places where the Nazi had stored them. But you could extrapolate the same idea to the thousand of men, truck drivers, engineers, doctors, etc that found themselves having to struggle with lost bullets while doing their jobs in circumstances that years before nobody would have imagined.

Monument Men

I am also quite a fan of history of art, so it is beautiful to see how also saving the essence of what makes us creative humans matters. The movie is far from flawless, that is true, the narrative is not always well connected, the relation between Matt Damon and Cate Blanchett lacks of chemistry and the main role by George Clooney is eaten alive when sorrounded by some of the best actors in Hollywood in secondary roles, name them John Goodman, Jean Dujardin, Bob Balaban and overall Bill Murray who as usual just has such a strong presence on screen that literally steals every scene he is in.

An enjoyable movie that shows that sometimes small things matters when you fight for a bigger cause.

Rating: 7.5 out of 10

Interview with actor Faran Tahir

Although a veteran actor who has played many roles in theater, TV series and movies such as Star Trek and Iron Man, this year seems to be so far the year of Faran Tahir. Not only appearing currently in the blockbuster “Elysium”, but soon in October we will see him sharing the screen with Schwarzenegger and Stallone while trying to escape from jail in “Escape Plan”. FREE! Magazine brings you an exclusive interview with Faran all the way from Hollywood where he tells us very juicy facts about his career, projects and movie partners.

Currently the spectators can see you in the cinema theaters around the world in the film Elysium. What can they expect about the movie and about your particular role as the president of Elysium?

I think the movie has all the thrills and imagination that a great science fiction movie should deliver but it also has some very current and serious themes under all of that. Themes like elitism, classism, immigration, medical care, integration. I am hoping that the audiences will enjoy the action but hopefully it will also start a dialogue in their head and with others about all these issues. My character is trying to walk a very nuanced line, as politicians do, to resolve a complex and sensitive crisis.

Faran Tahir

How was working with director Neill Blomkamp? It must have been also challenging for him to coordinate a production way much bigger than his previous hit District 9…

Neill is a brilliant director. Although, it was a much bigger production but he was more than capable of handling it.

In Elysium, some of the topics treated are quite hot in our current real world: Immigration, separation of social classes… Do people in Hollywood get aware of these issues?

Yes, I think people in all walks of life are aware of these issues. This movie is proof that these issues are in the forefront of every ones minds.

If I am not mistaken, your family was already into the movie industry in India and Pakistan. So were you pretty much ‘drinking’ from their influence to become an actor since childhood? In what way your family shaped your wishes for the future to act?

My family has been in the arts and entertainment actively for three generations. When you have been this immersed in a field your approach is realistic. You have seen the creativity, heartaches, success and failures. You need to prepare yourself for all of that. The dialogues with my family were about all of that. How best to prepare for all eventualities and not lose you core and center in the process..

You have a broad experience in theater, TV series and in cinema movies. So what are the main differences from your point of view when you have worked in these 3 areas as actor?

Although the emotional connection to character and script remain the same, the technique needs to be adjusted. There are some stories that are best told in front of a live audience while others need the enormity of the silver screen and some might need the luxury of unfolding over weeks, months, years that television provides. One has to respect the medium that one is working in and the kind of story one is telling.

Although you have done many different roles, certainly it seems that you are often casted as the “villain” kind of guy in the movies. Is it something that you enjoy, or is there a point where you say to your agent “Oh nooo, not another role as the “bad guy”!!!?

Actually, in the past four years I have made about 20 appearances on film and TV and only 5 were ‘villain’ characters. Bad guys do stick in peoples minds more. They are fun to play if you play them honestly. If you can make them human. I do make sure that if I playing too much of the same that I find variety. For instance, this year I have three movies releasing. I play the president in ELYSIUM, a prisoner in ESCAPE PLAN and a father who lost a son in a shopping mall explosion in TORN.

Faran Tahir

Having already had a long experience in Hollywood, do you remember what was your favorite actor to work with? Any interesting anecdotes to share?

I have thoroughly enjoyed working with everyone. I have been blessed to have had the good fortune of working with so many talented people. Jeff Bridges and I in IRON MAN had a very funny night shooting. We had a particularly long day. We had been working for 16 hrs straight. We were shooting a scene at 2 am and we just could not walk and talk at the same time. At one point, we just got the giggles like little kids.

Soon in October you will appear again in another hot title, Escape Plan, partnering with no less than Stallone and Schwarzenegger! Were you a fan of their action movies? I suppose you cannot ask for better company when is about throwing punches on the big screen…

What boy is not a fan of action movies? Stallone and Schwarzenegger are icons of that genre. It was great working with them and I think the movie has turned out to be amazing.

What are your hobbies and passions in your free time when you are not acting?

Running, cycling, good food, traveling, and day dreaming.

For the rest of the mortals on earth whose only connection to Hollywood is to go to the closest cinema theater… please tell us, what is in your opinion the best and the worst of being an actor in these super productions that will be seen by million of people around the globe?

The best and the worst is the same. You put a part of you in a character and share it with world. it is the best when people appreciate it and the worst when they don’t.

Anything you want to add for our readers?

Don’t let go of your dreams.

Movie review: Jeff, who Lives at Home

I had no previous reference about this movie when I received the DVD. I had not seen the tráiler, and I prejudge after the first minutes that it would be just another shallow comedy about a 30 years old guy smoking pot all day while living at her mother`s place.

I have had already several dissappointments recently in the comedy genre, like for example with TED (I still do not understand why people find it so funny), so it was refreshing to get surprised by the subtle great sense of humor that Jeff and his adventures while doing errands around the city together with his brother display.

The Guard

The chemistry between both main actors, Jason Segel and Ed Helms (you will recognize him from The Hangover movies) is outstanding, and there is also added to that a nice subplot with the always delightful Susan Sarandon at her best.

The dialogues are witty and the movie is entertaining without being too pretentious. Do not try to find philosophical answers and instead just enjoy Jeff´s relaxed attitude towards life.

Rating: 4 out of 5

Jeff, who Lives at Home – Trailer