The End of the F***ing World – a hidden gem in Netflix

I have a totally subjective opinion and it is that in the last decade, the overall quality of TV shows is much better than the overall quality of movies. Bigger budget, better casting, nice scripts (if you can except the woke topics that flood many shows) and a consumption rythm that probably fits better the modern society, when people might not have the time, energy or focus for a 2 hour film, but will easily swallow a 25-30 minutes episode before hitting the sack.

I am finding very difficult in the last years to enjoy movies in Netflix, basically cause most of the good ones in its catalogue I already watched in the past, though there is always a nice new one here and there, but with TV shows, I ended up gladly surprised with the quality of 2 that I watched recently. One is Resident Alien, to which I will have to dedicate a separated post. The other is The end of the Fucking World.

The show has 2 seasons so far available in Netflix, and I hope that stays like that. It follows the adventures and misadventures of James and Alyssa, who start in the first season being 17 years old and on the second season they will mature a bit more to reach 21.

They are not your typical teenagers, and the series is not your typical politically correct series either. It is dark, strange at many moments, cruel but also funny and charming. Both James and Alyssa have serious psychological problems and traumas, and you will feel loving one of the characters in one scene and hating the same character 5 minutes later.

The first season is structured as a kind of “teenage Bonnie and Clyde run away on a road trip” and although the characters communicate weirdly (James ‘ favorite answer is Okay), they talk and act inapropiately and their moral compass turns 360 degrees with no polar star to show them the right way, after a few episodes you feel connected to them.

Great blame on this are the great interpretations by the 2 main actors, Jessica Barden as Alyssa is a jewel, and if you are male you cannot less than feel that she could be the kind of girl you would fall in love in high school just to make your life absolutely miserable. James is played Alex Lawther, whom you may recognize from an episode in Black Mirror, and although his role tends to be more passive and can get eclipsed by Alyssa’s energy, he is the perfect complement to the chemistry of the couple all over the show.

In season 02, and we try not to make spoilers, James’ character indeed seems to have matured, while Alyssa seems to be the one that took a bigger emotional toll from all the incidents that they go through in S01. I personally preferred the first season for being something more refreshing to watch, and probably for having more witty dialogues, but still season 02 is quite a nice epilogue and a wrap up for the adventures that the young couple suffers, and the ending at the last episode, although is not your typical romantic ending, feels in a way perfect, heart-touching and satisfying.

Without the need to have a huge budget, striking special effects or a very famous cast, I deeply enjoyed the show and I consider it one of the best I have watched in recent years. Besides, what it has all over its episodes is a superb and amazing soundtrack, kudos to the responsible person to select the songs, which makes up for a fantastic Spotify playlist once you have finished watching the first two seasons of the show.

If you are looking for a new series to watch, and you want something refreshingly different to most of the shows out there, give this one a chance. Dark, witty, sometimes funny but overall very magnetic!

Perfect Days: the best movie of the last decade?

You know the drill, Sunday evening at home, feeling lazy and overwhelmed with the idea that Monday is around the corner. You choose some movie that have never heard of before in Netflix and that happened to be “Perfect Days” by director Wim Wenders.

After watching it, I cannot stop talking about it. The movie is just wonderful, depicting the “monotonous” life of a mature public toilets cleaner in Tokyo, Hirayama (Kōji Yakusho, who is also superb in the Japanese series Rikuoh which I also strongly recommend).

Nothing much seems to happen in the life of Hirayama, who puts a great effort in the simple tasks of his everyday life, but at the same time a lot of happens even when he speaks very little through the movie. There are unsolved layers there about his past and his relation with his family, but in any case the movie does not focus on past dramas or non reciprocated love or any other tragedy, it just flows with the thrill of enjoying the little good things in life like the early morning coffee from the vending machine, the good music from some old cassette, or the beautiful reflection of the lights in between the trees in a park.

In a period of time where society is struggling with a lack of satisfaction, a continuous search for the next dopamine shot and when people always want to have more and more, this movie is refreshing. Not only for the beautiful depiction of Tokyo, an amazing city that can also alienate people easily, but reminding us that sometimes the joy of life is in the small details that make us smile everyday.

Perfect Days might not be the cup of tea for every viewer, and probably there will be many that can feel bored with it after 20 minutes, but if you enjoy a slow pace quality movie that is degustated like an onion, layer after layer, you will find this film amazing. So far, the best movie I have watched in a very long time.

Revisiting a hidden gem cinema classic: The Bear

The Bear, released in 1988 by famous French director Jean Jacques-Annaud is a movie that not so many of the younger generations have heard about, even when was relatively famous title in the 80s when released.

For many, the movie is considered one of the best “animal” movies ever shot in cinema history, following the story of a bear cub that gets orphaned, losing the bear mother in a tragic accident at the beginning of the film, and then ending following and pairing up with a huge alpha Grizzly bear male while they are tracked and hunted by some human hunters in astonishing beautiful forest and mountain landscapes.

But I think the movie is just much more than an “animals” movie, even when is starred by animals.

First is already to raise the hat to the director and the crowd to create such a beautiful film when is well known that movies starring animals and children are the most difficult to shoot and control. The landscapes and movie pictures are beautiful and outstanding, some of the most beautiful nature shots you will ever see on film, and the little cub is just totally cute and adorable all over the movie.

But if you forget for a second that the movie displays mainly bears and it has not much dialog, apart from the scenes when humans communicate, the movie is really an amazing tale where you have everything you would have dreamed in a classic drama starred by only humans: you have tragedy, you have humor (the scene when the cub eats some magic mushrooms and hallucinates with grotesque frogs is hilarious), it has sex encounters, it has revenge and it has redemption.

On top of that, it also has 2 of the best cinema scenes ever filmed that will be forged into your memory forever: the epic scene when the huge grizzly bear confronts one of the hunters and lets him go, and the scene when such a hunter stops his colleague from shooting, one that has made more than 1 tear fall from my eyes.

The Bear is a sublime cinema opera, and it is just amazing that with so little dialogue was able to accomplish so much. A masterpiece, and one that I cannot stop encouraging you to discover if you never watched it, or revisit it again.

Movie Review: Gladiator II

Taking opportunity that I have an excellent cinema theater 15 minutes walking from my place, with affordable prices and always empty seats (sadly people hardly go to the movies anymore) I spontaneously decided 1 hour before the show started to buy a ticket for Gladiator II, the must awaited return for director Ridley Scott to the blockbuster from year 2000.

As many other people, I love the original Gladiator movie. From the amazing initial sequence of the battle, its cinematography, the outstading and powerful performance of Russell Crowe, the dialogues, the unforgettable duels in the arena… so many moments to be remembered in cinema history.

So Gladiator II had a very high bar to reach if wanted to be close to the quality of its sequel. Did it succeed? Well…sadly no.

Let’s start with the positives, as not everything is negative here: the initial naval attack battle has some outstanding photography and it really kicks to a promising start of the movie, and Pedro Pascal‘s performance as Marcus Acacius is pretty strong (as almost everything this actor does in the last years). And I was also happy to see Lior Raz, an actor that I really love from the series “Fauda” casted pretty nicely as Viggo, the ruthless trainer of the slave gladiators.

Also some winks to the original movie here and there will cast you a smile.That’s about it about the good.

For the non so good part, the script and history feels like put together in a night of heavy drugs involved, same as most of the battles scenes in the arena and Coliseum (crazy monkeys, rhinos that act like trained warhorses, sharks with a higher IQ than most of your co-workers invading a flooded Coliseum (yes, the Romans did naval battles in the arenas, but I never hears of a highly superior intelligent race of sharks inhabiting there…). It just feels ridiculous most of the times, instead of epic, and the cuts between the scenes feel sometimes like an intern was the one putting the cuts together.

About the rest of the cast, Paul Mescal as Lucius does just not feel right to the role, he is not charismatic, powerful or likable, even when you try to. Even Denzel Washington, one of my favorite actors in Hollywood, feels hateful in his histrionic performance of Macrinus.

So, if you are really a hardcore Gladiator fan, well, you can give it a shot and be disappointed. If not, better skip this one. The 250 million of production cost were really not well used here.

Rating: 1.5/5

Movie review: We Live in Time

Sometimes I still cherish the small pleasure when I have a free evening to spontaneously buy a ticket for the nearest cinema theatre to enjoy a newly released film.

Last week, that urge brought me to see “We Live in Time“, the new romantic drama movie starring Andrew Garfield and Florence Pugh, and I spent quite an entertaining 1:45 minutes going through the up and downs in the relation of Almut and Tobias.

Firstly, I have to see that the non linear timeline of events can make the movie a bit difficult to follow at first until you get used to it. The movie jumps back and forth in the timeline of the couple, before they met, when they met, through the adversities, parenthood, arguments, etc. It does not harm the overall picture of the movie, but it is true that sometimes it is harder for the spectator to empathize, or you can purely guess how is gonna be the outcome in the future of a discussion (for example having a child or not) when it was already previously shown that they have a daughter.

The acting of both Garfield and Pugh is very good and you can feel that they have quite a nice chemistry in the film. Truly Garfield can come up sometimes like too nice on the edge of silly, and Pugh’s rebellious side can come up sometimes like a bit hateful, but all in all we are not perfect humans in a not perfect world, and the relation dynamic is plausible. I got myself inmersed both in moments when a tear was escaping my eyes or when you have a good laugh to some bizarre comical situation that they encounter.

One feels that even the 1:45 length is not enough and would have loved if the movie would explore deeper in some branches like the relation of Tobias with his father, Almut with her daughter, her passion for cooking, Tobias’s divorce, etc but all in all, the movie is entertaining, it will touch the hearts of the spectators and the acting is solid, so I would totally recommend it to give it a worthy try!

Rating: 4/5

Movie Review: Gladiator II

HIFF Gathers the Largest Film Festival Audience Since the Pandemic

The 36th Helsinki International Film Festival – Love & Anarchy finished on September 24th on a high note with the closing gala screening of Celine Song‘s PAST LIVES. Finland’s biggest film festival had over 51 000 visitors, which is its post-COVID record. The 37th Helsinki International Film Festival will be organised on September 19th – 29th 2024.

Helsinki International Film Festival finished with a bang with the sold out Closing Gala screening of PAST LIVES. The festival screenings and events gathered in more than 51 000 visitors in total, which is the largest audience for any Finnish film festival since the pandemic. The biggest hit of the festival was the U.S. indie maverick Kelly Reichardt‘s newest film SHOWING UP. Other big hits included British comedy SCRAPPER, Estonian kung fu comedy THE INVISIBLE FIGHT, Bollywood meets martial arts mash-up POLITE SOCIETY and transgressive thriller FEMME. The international gala films THE ZONE OF INTEREST, POOR THINGS, MONSTER and PAST LIVES were all sold out.

Among the most sought-after screenings were THE LAST BUS with the legendary British actor Timothy Spall in attendance, the two Finnish gala films Teemu Nikki‘s DEATH IS A PROBLEM OF THE LIVING and Katja Gauriloff‘s JE’VIDA, the French gourmet film THE TASTE OF THINGS, Takeshi Kitano‘s samurai epic KUBI and Pedro Almodóvar short films.

HIFF had the honour of hosting a slate of filmmaker guests including Catherine Corsini (HOMECOMING), Gunnar Vikene (WAR SAILOR), Anna Neye and Frederikke Aspöck (EMPIRE), Anna Hints (SMOKE SAUNA SISTERHOOD), Lea Glob (APOLONIA, APOLONIA), Rainer Sarnet (THE INVISIBLE FIGHT) and Jonas Rothlaender (THE POWER OF LOVE).

The R&A Shorts National Competition’s main award winner was Elisabeth Marjanovic Cronvall‘s Lizard Brain. Other award winners were Karoliina Gröndahl‘s Every Tom, Dick and Urpo (Uusi aalto Award), Iiti Yli-Harja‘s Blush – An Extraordinary Voyage (Moving People and Images Award), Arman Zafari‘s Prelude (Best Student Film) and Tuukka Kovasiipi‘s Jouko (honourable mention). The Audience Award went to Fabian Munsterhjelm‘s Thank You in Your Language.

The HIFF industry sidebar Finnish Film Affair brought more than 500 film industry professionals to Helsinki. Winning projects pitched at the event were Miia Tervo‘s The Missile (Best Fiction), the Norwegian Lovable (Best Nordic Project) and Showtime in Helsinki (Best Documentary).

This year’s audience vote organised by the National Audiovisual Institute and the HIFF was won by 20,000 SPECIES OF BEES, which will be screened as Kino Regina’s film of the month in November.

The 37th Helsinki International Film Festival – Love & Anarchy will be organised on September 19th to 29th 2024. Before that, a selection of the year’s best movies can be seen at the R&A Spring Break festival.

HIFF presents the best films of the year including a Cannes stirrer and the new Almodóvar

The Helsinki International Film Festival – Love & Anarchy has announced its programme. The Cannes Grand Prix-winning concentration camp drama THE ZONE OF INTEREST is presented as the Masters Gala film. The freshest film smorgasbord in the country also has Pedro Almodóvar’s new shorts as well as heaps of winners and audience favourites from the world’s major film festivals. Filmmaker guests of the festival include the director Catherine Corsini and the documentarist Lea Glob. The 36th edition of HIFF takes place on September 14–24, 2023.

HIFF adds another gala to its roster. THE ZONE OF INTEREST that caused quite a stir and won the Grand Prix at Cannes is screened at the new Masters Gala. As previously announced, the festival’s other gala films are the Opening Film MONSTER (dir. Hirokazu Kore-eda), the Love & Anarchy Gala film POOR THINGS (dir. Yorgos Lanthimos), the Human Rights Gala film JE’VIDA (dir. Katja Gauriloff), the Finnish Gala film DEATH IS A PROBLEM FOR THE LIVING (dir. Teemu Nikki), and the Closing Film PAST LIVES (dir. Celine Song).

The Zone of Interest by the British director Jonathan Glazer (e.g. Under the Skin, Season FF 2015) provides a scathing portrayal of everyday evil and fascism via the family life of Rudolf Höss, the commander of the Auschwitz concentration camp. The German star Sandra Hüller (Toni Erdmann, 2016) gives a striking performance as the family matriarch. Based on a novel by Martin Amis who passed away in May, The Zone of Interest is brought to cinemas by SF Studios early 2024.

The R&A Shorts programme is complemented by two newest short-form works by Pedro Almodóvar. Seen in Cannes this year, STRANGE WAY OF LIFE featuring Hollywood stars Ethan Hawke and Pedro Pascal as gunslingers and former lovers is a queer western that bears the unmistakable touch of its director. It is screened in tandem with the intense lockdown short THE HUMAN VOICE (2021) starring Tilda Swinton.

Cinematic manna rains from film heaven with 141 feature films. The most coveted new outings include SHOWING UP by the U.S. indie maven Kelly Reichardt, the Senegalese-French director Ramata-Toulaye Sy’s BANEL & ADAMA which was the only debut effort in this year’s Cannes competition and the Turkish auteur Nuri Bilge Ceylan’s ABOUT DRY GRASSES that earned Merve Dizdar the Best Actress Award at Cannes. Among the international festival hits are the Bollywood-meets-martial-arts genre-blending POLITE SOCIETY, the Orthodox monk kung-fu slugfest THE INVISIBLE FIGHT helmed by the HIFF’s favourite Estonian director Rainer Sarnet, and the rockumentary KISS THE FUTURE about the attempts of U2 to raise worldwide awareness of the horrors of wartime Sarajevo.

The entire HIFF programme can now be found on the festival’s website. Sales of festival passes have also begun. Single ticket sales will start a week from now on Thursday, September 7.

Top guests come from around Europe

HIFF welcomes among its main guests the French director Catherine Corsini, whose latest film HOMECOMING made waves in the Cannes competition. The Danish documentarist Lea Glob brings to Helsinki her work APOLONIA, APOLONIA for which she followed the contemporary artist Apolonia Sokol’s life for 13 years. Filmmakers behind several contenders for the Nordic Council Film Prize are also visiting. For more information about the filmmakers arriving in Helsinki, please consult the HIFF guest press release.

Kaurismäki in English and intimate choreography

The HIFF programme features an exceptionally wide array of best new Finnish films. The cream of the crop is naturally Aki Kaurismäki’s FALLEN LEAVES that was recently voted the Best Film of the Year by the International Federation of Film Critics. The festival provides the non-Finnish-speaking audience with a possibility to see this gentle tragicomedy with English subtitles.

Other Finnish highlights of the programme are Selma Vilhunen’s FOUR LITTLE ADULTS, Tia Kouvo’s FAMILY TIME, Kaisa El Ramly’s debut feature film GETAWAYS & DREAMS, and the world premiere of the sensual German-Finnish co-production POWER OF LOVE starring Saara Kotkaniemi and Nicola Perot. To coincide with the film’s screening, the festival organizes a panel discussion about the work of intimacy coordinators at the HIFF festival centre in Bio Rex Lasipalatsi. This year’s festival also features Saturday morning coffee sessions with filmmakers.

The Finnish Film Affair brings a James Bond casting director to Finland

The 12th edition of the Finnish Film Affair (FFA), a HIFF event aimed at industry professionals, brings the international film industry experts to Helsinki on September 20–22. 31 Nordic films and TV shows in production or in development are pitched at the event. New projects include works by Miia Tervo, Jenni Toivoniemi, Tonislav Hristov and last year’s R&A Shorts National Competition winner Mari Mantela, as well as the upcoming children’s film Itty Bitty Princess.

This year, FFA’s popular Nordic Flair training programme focuses on actors. The 20 Nordic actors selected for the programme get to participate in self-tape and CV training under the direction of international top professionals. The CV’s of the casting directors who arrive in Finland include i.a. the James Bond film Skyfall and the TV hit show Exit.

The three-day Finnish Film Affair attracts guests from the Venice and Tribeca Film Festivals, from the Sheffield DocFest, and from the Variety and Screen trade magazines.

The 15 Greatest Movie Car Chases

From James Bond to Fast and Furious, there are many iconic car chases that have made our hearts race throughout the years. But which one claims first place on the podium of popularity? Curious to find out, Uswitch.com/car-insurance delved into the numbers to discover which on-screen car chase is our favourite.

By evaluating a variety of factors such as the number of YouTube views, likes and dislikes, and IMDb ratings, they created a fan index score that determined which are the most memorable car chase scenes committed to film.

The key findings include:

  • The Dark Knight Rises (2012) is our favourite car chase, scoring 9.06 out of a possible 10
  • Another car chase from the Batman franchise claims second place, The Dark Knight (2008)
  • Drive (2011) makes the top three, followed by Baby Driver (2017) in fourth place
  • Captain America, Mad Max and Bullitt are amongst the films with our favourite car chase scenes
  • Jack Reacher (2012) rounds out the list coming in at 15h place with a score of 6.23 out of a possible 10

THE RESULTS

 MovieYouTube video viewsIMDb film rating YouTube like/dislike Ratio FINAL SCORE (out of 10)
1Batman: The Dark Knight Rises (2012)8.499.259.439.06
2Batman: The Dark Knight (2008)6.239.818.688.24
3Drive (2011)6.427.929.627.99
4Baby Driver (2017)9.816.237.747.93
5Captain America: The Winter Soldier (2014)8.876.987.927.92
6Mad Max: Fury Road (2015)9.068.874.917.61
7The Blues Brothers (1980)5.668.38.37.42
8Terminator 2: Judgment Day (1991)9.629.621.897.04
9The Raid 2 (2014)6.048.685.286.67
10Parabellum (2019) 4.915.099.816.60
11The Bourne Identity (2002)5.098.36.236.54
12Smokey and the Bandit (1977)7.552.839.066.48
13Bullitt (1968)6.985.097.176.41
14Raiders of the Lost Ark (1981)3.029.256.426.23
15Jack Reacher (2012)6.62.839.256.23

Batman’s thrilling first appearance in The Dark Knight Rises (2012) is our favorite car chase, scoring9.06 out of a possible 10. Iconic for the triumphant return of Batman (Christian Bale) from the darkness, the scene raises our pulse with the chase that involves the police, Batman, and of course the villain Bane (played by Tom Hardy). Views on YouTube have amassed 13 million to date and resulted in a score of 9.43 out of a possible 10 on the platform’s like to dislike ratio.

Another car chase from the Batman franchise races into second place, this time involving the superhero and the legendary Heath Ledger’s Joker behind the wheels in The Dark Knight (2008). The scene, which starts with Batman’s Tumbler seamlessly transforming into the Batcycle before riding off after The Joker, scored an overall rating of 8.24 out of a possible 10.

The opening scene of Drive (2011) makes the top three, rating 7.99 out of a possible 10. The adrenaline in this particular car chase is caused not by the typical loud explosions and tyre screeching, but by the soothing and quiet way that the Mystery Driver (Ryan Gosling) flees from the cops on a Chevrolet Impala. Comments on the YouTube video include “Every police chase should be like this” and “most realistic getaway driver scenario”, contributing to the like to dislike ratio score of 9.62 out of a possible 10, the second highest after Parabellum (2019).

The curtain raiser scene on Baby Driver (2017) comes in fourth with 7.93 out of a possible 10. The young getaway driver, played by Ansel Elgort, sings along to “Bellbottoms” by Jon Spencer whilst simultaneously being chased by numerous cop cars. This slick moment of cinematic history has earned over 67 million views on YouTube, the most of all scenes analyzed in the study.

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>> YouTube videos of all the car chase scenes included in this study, as well as the total 52 scenes analysed can be found here.

HIFF – Love & Anarchy brings Spike Lee to Finland

The 31st Helsinki International Film Festival – Love & Anarchy is organised from September 20th to 30th, 2018. Spike Lee, a true trailblazer of American and more specifically African-American cinema, is the festival’s honorary guest. Other main guests include legendary director of German cinema Margarethe von Trotta, Australian cult director Stephan Elliott and German-French-Iranian filmmaker Emily Atef. The collaboration between HIFF and Yle will continue this year in the form of French cinema.

Love & Anarchy is honoured to bring highly accomplished filmmakers to Helsinki this year. HIFF’s honorary guest is the Academy Award winning American director Spike Lee, who will be holding a masterclass at the festival. HIFF will screen Lee’s hugely popular new film BLACKKKLANSMAN in addition to DO THE RIGHT THING (1989), the biggest hit of the second edition of the festival. Spike Lee’s visit is organised in collaboration with the U.S. Embassy in Finland and BlacKkKlansman actor Jasper Pääkkönen.

The Grand Old Lady of German cinema Margarethe von Trotta will be attending the festival. Besides Werner Herzog and Wim Wenders, she is one of the most important directors of New German Cinema. Von Trotta will bring to Helsinki her new documentary SEARCHING FOR INGMAR BERGMAN, in which a number of filmmakers discuss the Swedish maestro’s influence on their own work. Von Trotta’s visit is organised in collaboration with the Hanaholmen cultural centre.

Stephan Elliott, whose colourful comedy THE ADVENTURES OF PRISCILLA, QUEEN OF THE DESERT was one of the hits of HIFF 1994, will be joining us all the way from Australia. The director, whose work has brought LGBTQ+ themes into mainstream cinema, will be introducing his new film SWINGING SAFARI. In addition, Priscilla will be shown as a special drag screening as part of the new Love & Anarchy Trailblazers section.

Director Emily Atef brings her film 3 DAYS IN QUIBERON from Berlin to Helsinki. The film, which won most German Film Awards at the Lola-Gala in April, is a recreation of the legendary film actress Romy Schneider‘s iconic interview.

At the end of the festival, the R&A Shorts sidebar will welcome the performance art group LaBeouf, Rönkkö & Turner, which includes Hollywood star Shia LaBeouf. The festival presents the trio’s new film #TAKEMEANYWHERE. The visit is organised in collaboration with the Finnish Institute in London.

Movie Review: Monument Men

Although I have read some other critics that do not leave in a very good place this movie, I must admit that I liked Monument Men. If you expect the typical war action movie, maybe this is not your cup of tea. Monument Men is certainly a war movie, but narrated from a different angle. This is not about the soldier on the front line doing heroic acts to take enemy positions. This is more about the life of guys that incidentally found themselves having to do a job in the middle of the Second World War. The job is no more and no less than trying to save as much precious works of art as possible rescuing them and discovering them from the hidden places where the Nazi had stored them. But you could extrapolate the same idea to the thousand of men, truck drivers, engineers, doctors, etc that found themselves having to struggle with lost bullets while doing their jobs in circumstances that years before nobody would have imagined.

Monument Men

I am also quite a fan of history of art, so it is beautiful to see how also saving the essence of what makes us creative humans matters. The movie is far from flawless, that is true, the narrative is not always well connected, the relation between Matt Damon and Cate Blanchett lacks of chemistry and the main role by George Clooney is eaten alive when sorrounded by some of the best actors in Hollywood in secondary roles, name them John Goodman, Jean Dujardin, Bob Balaban and overall Bill Murray who as usual just has such a strong presence on screen that literally steals every scene he is in.

An enjoyable movie that shows that sometimes small things matters when you fight for a bigger cause.

Rating: 7.5 out of 10

Interview with actor Faran Tahir

Although a veteran actor who has played many roles in theater, TV series and movies such as Star Trek and Iron Man, this year seems to be so far the year of Faran Tahir. Not only appearing currently in the blockbuster “Elysium”, but soon in October we will see him sharing the screen with Schwarzenegger and Stallone while trying to escape from jail in “Escape Plan”. FREE! Magazine brings you an exclusive interview with Faran all the way from Hollywood where he tells us very juicy facts about his career, projects and movie partners.

Currently the spectators can see you in the cinema theaters around the world in the film Elysium. What can they expect about the movie and about your particular role as the president of Elysium?

I think the movie has all the thrills and imagination that a great science fiction movie should deliver but it also has some very current and serious themes under all of that. Themes like elitism, classism, immigration, medical care, integration. I am hoping that the audiences will enjoy the action but hopefully it will also start a dialogue in their head and with others about all these issues. My character is trying to walk a very nuanced line, as politicians do, to resolve a complex and sensitive crisis.

Faran Tahir

How was working with director Neill Blomkamp? It must have been also challenging for him to coordinate a production way much bigger than his previous hit District 9…

Neill is a brilliant director. Although, it was a much bigger production but he was more than capable of handling it.

In Elysium, some of the topics treated are quite hot in our current real world: Immigration, separation of social classes… Do people in Hollywood get aware of these issues?

Yes, I think people in all walks of life are aware of these issues. This movie is proof that these issues are in the forefront of every ones minds.

If I am not mistaken, your family was already into the movie industry in India and Pakistan. So were you pretty much ‘drinking’ from their influence to become an actor since childhood? In what way your family shaped your wishes for the future to act?

My family has been in the arts and entertainment actively for three generations. When you have been this immersed in a field your approach is realistic. You have seen the creativity, heartaches, success and failures. You need to prepare yourself for all of that. The dialogues with my family were about all of that. How best to prepare for all eventualities and not lose you core and center in the process..

You have a broad experience in theater, TV series and in cinema movies. So what are the main differences from your point of view when you have worked in these 3 areas as actor?

Although the emotional connection to character and script remain the same, the technique needs to be adjusted. There are some stories that are best told in front of a live audience while others need the enormity of the silver screen and some might need the luxury of unfolding over weeks, months, years that television provides. One has to respect the medium that one is working in and the kind of story one is telling.

Although you have done many different roles, certainly it seems that you are often casted as the “villain” kind of guy in the movies. Is it something that you enjoy, or is there a point where you say to your agent “Oh nooo, not another role as the “bad guy”!!!?

Actually, in the past four years I have made about 20 appearances on film and TV and only 5 were ‘villain’ characters. Bad guys do stick in peoples minds more. They are fun to play if you play them honestly. If you can make them human. I do make sure that if I playing too much of the same that I find variety. For instance, this year I have three movies releasing. I play the president in ELYSIUM, a prisoner in ESCAPE PLAN and a father who lost a son in a shopping mall explosion in TORN.

Faran Tahir

Having already had a long experience in Hollywood, do you remember what was your favorite actor to work with? Any interesting anecdotes to share?

I have thoroughly enjoyed working with everyone. I have been blessed to have had the good fortune of working with so many talented people. Jeff Bridges and I in IRON MAN had a very funny night shooting. We had a particularly long day. We had been working for 16 hrs straight. We were shooting a scene at 2 am and we just could not walk and talk at the same time. At one point, we just got the giggles like little kids.

Soon in October you will appear again in another hot title, Escape Plan, partnering with no less than Stallone and Schwarzenegger! Were you a fan of their action movies? I suppose you cannot ask for better company when is about throwing punches on the big screen…

What boy is not a fan of action movies? Stallone and Schwarzenegger are icons of that genre. It was great working with them and I think the movie has turned out to be amazing.

What are your hobbies and passions in your free time when you are not acting?

Running, cycling, good food, traveling, and day dreaming.

For the rest of the mortals on earth whose only connection to Hollywood is to go to the closest cinema theater… please tell us, what is in your opinion the best and the worst of being an actor in these super productions that will be seen by million of people around the globe?

The best and the worst is the same. You put a part of you in a character and share it with world. it is the best when people appreciate it and the worst when they don’t.

Anything you want to add for our readers?

Don’t let go of your dreams.

Movie review: Jeff, who Lives at Home

I had no previous reference about this movie when I received the DVD. I had not seen the tráiler, and I prejudge after the first minutes that it would be just another shallow comedy about a 30 years old guy smoking pot all day while living at her mother`s place.

I have had already several dissappointments recently in the comedy genre, like for example with TED (I still do not understand why people find it so funny), so it was refreshing to get surprised by the subtle great sense of humor that Jeff and his adventures while doing errands around the city together with his brother display.

The Guard

The chemistry between both main actors, Jason Segel and Ed Helms (you will recognize him from The Hangover movies) is outstanding, and there is also added to that a nice subplot with the always delightful Susan Sarandon at her best.

The dialogues are witty and the movie is entertaining without being too pretentious. Do not try to find philosophical answers and instead just enjoy Jeff´s relaxed attitude towards life.

Rating: 4 out of 5

Jeff, who Lives at Home – Trailer

Helsinki Film Festival – A festival for all tastes.

If you have seen endless queues of people waiting patiently outside Lasipalatsi in the centre of Helsinki, do not be surprised. The annual Helsinki Film Festival (Rakkautta & Anarkiaa) is here one more year, and although there are not huge big international stars visiting this remote part of the globe (Richard Gere, George Clooney and alike people seem to prefer these days to visit San Sebastian´s festival in the north of Spain), the inhabitants of Helsinki love their festival.

Rakkautta ja Anarkiaa

An opportunity to enjoy good cinema for 10 days, with an eclectic selection that varies from mainstream Hollywood movies, winks to neighboring countries like Estonia, a focus on some of the best features coming from southern European countries like Spain or France, the passion for Asia and anime or the rescue of previous classics features in other editions of the festival to be re-visited at Orion theatre.

As stated before, this is not a mega glamorous festival, but maybe that is its biggest charm. Even for being held in the capital of Finland, it still has a sense of family. The staff that organize the festival are very friendly and eager to help you, the cinema theatres are pretty geographically close ones from the others around the city centre, so it is very easy to move around, the prices are affordable and they even give away free condoms in the information point located in Lasipalatsi (after all the name of the festival is Love & Anarchy…), so what else can you ask?

Well, added to all that, the list of guests is pretty interesting with some highlights like Icelandic director Hafsteinn Gunnar Siguroson, the Serbian actor Goran Jevtic or the French director Jacques Audiard.

FREE Magazine´s 5 tips to enjoy during the festival:

Killer Joe

Killer Joe (Director William Friedkin)

Many critics can say that Juno Temple is the shining star of this movie, but I disagree, could not fall less than captivated by the strong performance given by Matthew McConaughey in what is undoubtedly one of the best roles of his career. As the professional killer Joe, Matthew transforms into that kind of likeable villain that you are not sure if you should hate or imitate. His character exudes charm and confidence, the same qualities that the family living in a caravan in Texas with whom he interacts lacks of. A great movie with amazing dialogues and a couple of great twists.

http://hiff.fi/en/elokuvat/killer-joe/

Unit 7

Unit 7 (Director Alberto Rodriguez)

If Alberto Rodriguez already gladly surprised me some years ago with his previous movie 7 Virgins, here he does no less than reaffirming that he is one of the best Spanish directors nowadays. He totally masters in recreating the atmosphere of the poor neighborhoods of Sevilla at the beginning of the 90s. A story based on true fact by policemen that are not a perfect example of morals and villains who are sucked into the spiral of drugs. An exercise that proves once more than the border that separates the good and the bad people is thin. Very solid performances by main characters Antonio de la Torre and Mario Casas (who shows that apart from being a target for teenage Spanish girls who fall in love with his looks, he is also a good actor).

In my opinion, one of the strongest Spanish movies not just of the year, but probably of the last decade, able to mix drama with the unavoidable sarcastic sense of humor that runs all over the cities of Andalucía.

http://hiff.fi/en/elokuvat/unit-7-en/

Good Vibrations

Good Vibrations (Directors Lisa Barros D`Sa, Glenn Leyburn).

Belfast in the 1970s was not exactly the place where hippies and happy love would flourish under every corner, but Terri Hooley was able to open a record store in the heart of the most dangerous area in the whole Ireland and give a push to the native punk scene in an allegation of love for music and peace. Good Vibrations is a simple but wonderful movie that shows how determination can overcome problems, although there is always a personal price to pay when you put all your efforts in what you love the most. Richard Dormer gives a great performance as Hooley himself while the movie counts with great secondary actors like my all time favorite Dylan Moran (many will recognize him from the series Black Books) or Liam Cunningham (Davos in Game of Thrones).

http://hiff.fi/en/elokuvat/good-vibrations-en/

Whore´s Glory

Whore ‘s Glory (Director Michael Glawogger)

For nearly 2 hours, director Glawogger transports us all over prostitution scene in three locations around the world, in Bangkok, Thailand, Faridpur, Bangladesh and Reynosa, Mexico.

Prostitutes, clients and pimps talk honestly in front of the camera about the business of prostitution. Without wanting to position himself, Glawogger lets the camera do the talk and leaves the spectator extracting their own conclusions, but here and there, there are a lot of brushes of sad stories, with prostitutes that seem defeated by the weight of life and clients that regard them as a piece of meat to bring happiness for a couple of hours to their monotonous existences and marriages.

I personally found heartbreaking when very young prostitutes, clearly underage, are able to give powerful monologues of how life is hard and full of pain but they try to light their worries with a bit of laughter here and there. Touching movie, where clients and sex professionals seem to be linked by a chain of deep sadness that even an orgasm achieved after some money changing hands cannot make disappear.

http://hiff.fi/en/elokuvat/whores-glory-en/

Rust and Bone

Rust and Bone (Director Jacques Audiard)

French director Jacques Audiard, who will be also present in Helsinki as special guest, features a strong and emotive story of love between an orca trainer by always delightful actress Marion Cotillard and a lowlife boxer, Mathias Schoenaerts, which takes the pulse of current French cinema in a product with a lot of resemblances with the typical Hollywood story of characters haunted by bad luck trying to find a glimpse of hope through love. The movie will be the closing one for the current Helsinki Festival, putting the cherry on top of the cake to 10 days of great emotions in the big screen. A must see!

http://hiff.fi/en/elokuvat/rust-and-bone/

Movie review: The Guard

Through all the cinema history we have seen all kind of unconventional policemen, many of them with Irish roots doing their job in America (remember as an example the unforgettable Sean Connery in The Untouchables). But not so many of these Irish characters are actually portrayed while working in their native Ireland.

The Guard

In that beautiful country is where director John Michael McDonagh sets up the action with a superb Brendan Gleeson as main character and soul of the movie. Don Cheadle teams up with him as the uptight FBI agent whose mission is to arrest a gang of dangerous Irish drug dealers, but it is undoubtedly Gleeson who gives some of the best moments in the film, with some exhilarating scenes like the dialogues with the IRA member when he goes to pick back the guns or one of the criminals who is waiting for him at his home to finish him.

More than the average easy jokes with a tandem of white-black policemen, here what you find is a witty and subtle sense of humor, a very Irish way of making fun of themselves while at the same time standing proud of their country, language and traditions. Maybe it is not the mainstream entertainment that many spectators are looking for, and I would also criticize that a powerful actor like Mark Strong is pretty much wasted in his secondary role when it would have been delicious to see him with a few more minutes on screen, but all in all, The Guard is an intelligent movie and with quite funny moments when you scratch on the surface.

Rating 4 out of 5.

The Guard – Trailer

Movie Review – Norwegian Wood

I had read some years ago the original book by Japanese writer Haruki Murakami Tokio Blues (Norwegian Wood), and being a fan of Japanese movies, I was curious to see the adaption to cinema, carried away by director Anh Hung Tran.

But I must say that same than when I read Murakami´s books, that I find neither boring nor a masterpiece, I had the same feeling after watching the movie. Actually I personally reccommend other Japanese author, whose surname is also the same, Ryu Murakami, as I have enjoyed his style much more. Murakami is poetic and nice to read, but sometimes I find him a bit tedious. Just like this movie.

Norwegian Wood

Of course it is not easy to adapt a book to the big screen, in very rare occassions the story ends in a success. Here with Norwegian Wood there have been some positive and negative sides. Photography is splendid, lyric, beautiful… The main character of Watanabe, portrayed by actor Kenichi Matsuyama, is also to my understanding very well achieved. At least he is able to represent all what is about to be a lost young Japanese student whose feelings are a mess, the dilemma between love and lust, between been faithful and acting crazy, between been social or lonely… All is there masterfully portrayed.

However, I think the film fails in portraying the female characters that sorround Watanabe. At some point, we miss the background story about their sadness, depressions and problems. They appear on scene like if magically impulsed to fullfill their loneliness by using Watanabe as a sexual partner. Too much poetic slow photography and too little development of the secondary characters. Maybe only Nagasawa, the cynic partner of Watanabe and unscrupulous womanizer, is the one that looks plausible to his role, since being shallow is the core of his character.

Not a bad movie all in all, but I must confess it turned to be a bit too long at the end; I do not enjoy the feeling when I start looking at the watch to see when a movie is finally going to end. A more solid screenplay strenghtening the female characters would have improved the final result dramatically.

Rating 3/5

Norwegian Wood – Trailer