Henry Rollins

No big
plans. Producers asked me if I was interested and then we found a tv station
interested in the program. After the first season, they asked me do you want to
continue and I said yeah, so we did another season that just finished in the
US.

 

It wasn’t
even my idea. I never thought about doing a tv show, but I like doing different
things. It keeps me awake. Now it takes quite a long time of my year and it
needs detailed planning. It is not easy. To make good interviews to people it
burns a lot of calories.

 

List of
guests

I pick the
guests. I’m interested in a lot of people, so my wanted list is huge. We call
them and most of them say no for various reasons: “I’m not interested. Henry
Rollins? I hate that guy! We are busy, we live on Mars, we cannot make it”.

Someone you
really want

Tons of
them. Bob Dylan, Al Gore, Keith Richards, David Lynch, Martin Scorsese, Brain
De Palma… There are a lot of interesting people in the world, doing great
things from art to reporting. For example, there is a lot of investigative
reporters, like Greg Palast and Christian Miller. I’m interested in all kinds
of people.

Live
performance of bands

There’s a
couple of bands I didn’t pick. Since it’s not my money, I don’t get to make all
the choice, so there are some bands that stick out for their MTVness. Nice
people, anyway. They showed up, they played well, but I have none of their
records. The rest of the bands I either know them and love them or I have
toured and played with them. I’m fan of them, I play their songs on my radio
show. In the seasons we just finished we had Iggy Pop and The Stooges, Peachs,
Manu Chao, who made his first American TV appearance ever. He’s huge all around
the world, but not in America. He’s a wonderful guy, very humble. He came to
play at the Coachella festival and all the tv stations invited him, but he say
no to all of them and yes to us. Why? I don’t know. We were lucky. The Good,
The Bad and The Queen played also. That was a highlight for me. I walked into
to the studio, turn around the corner and there’s Paul Simmons, the bass player
of The Clash. I was wow!! Also Fela Kuti and Tony Allen… I was, yeah! I love
this job.

Conan
O’Brien is very popular here.

I think
he’s good. It’s a very normal kind of interview show. They interview pretty
famous people about being famous and pretty. I think Conan is very talented and
funny. He used to write for The Simpsons. He’s very funny guy, but it’s not the
kind of TV show I watch. I don’t care about an interview with half of the cast
of Friends. I fall asleep. I don’t care.

Events in
Europe.

Somewhat…
but quite honestly and I’m not trying to devalue what goes on in Europe. I
think that America could learn a couple of things from Europe, but I’m very
concerned about the current Administration in the US. I primarily focus on and
research on the daily catastrophe in Iraq. I try to understand our relations
with Iran and Syria and what the president is doing to destroy our
Constitution. Right now Europe is not a priority for me because I’m watching my
own country going up in flames.

Tour for
the troops

Yes, I did
it. I disagree with the policy, but I don’t disagree with the troops. They go
where they are told. My argument is not with the soldiers is with the
Administration, with Dick Chaney, Donald Runsfeld. It’s not with the soldier,
he’s only 22. He’d rather be home. I’ve been in Afghanistan, Iraq, Kuwait,
Qatar, South Korea, and few others. I go far for these people.

Different
disciplines

Writing is
very hard for me. It’s the most time consuming. The talking shows are also very
difficult. There’s no script. It requires lots of concentration on stage. It’s
all difficult, just different levels of intensity and concentration that you
have to give. When you are writing, you have to make it clear. When you are
editing, you are trying to make it better, you have to be aware of the words.
When you are on stage, you need a lot of preparation. When I interview people,
I do a lot of back checking on the interviewee, so I know what I’m talking
about and I don’t disrespect that person. All it’s a lot of work. Nothing is
that fun for me. I don’t understand fun. I’m a very nervous person. I get
stress out very easily, very much for a long period of time. I don’t sleep very
well. I’m always thinking something needs to be done. I’m a little crazy all
the time.

Industry

The
business aspect is way more unpleasant. I have my own publishing company to
publish my books, my records. I have a two-person staff. The insights of the
business can be very disturbing. For instance, the distributor of my books just
went out of business, with a lot of my inventory in his warehouse which was now
seized by the government. I cannot get my property and the guy even owns me
50.000 dollars. Guess what? I will never see anything. What is difficult is the
artist who has to become the business man. I have to be the boss and the artist
guy. It’s different to make that separation. I don’t bring the art into the
business meeting and I don’t bring the business into the art.

Solitary
man

I live
alone. I don’t have any family. I don’t have any kids. I don’t hate people, but
I’m very busy. I write a lot and that takes a lot of my time. Nobody is going
to make it for you. I also travel a lot to places where having someone next to
you could be a liability, like parts of Africa. I don’t want a woman traveling
with me. It’s not that women are not strong and cannot defend themselves, but
in Morocco I don’t want to turn my back when the woman is not look out, because
she can get in danger. Also when I come back from a two-month tour, I don’t
want anyone waiting for me. I don’t want to have to call someone and ask what’s
that with the tone of your voice… I don’t want to have that conversation. Also,
I’m a pretty crazy man and I have seen many awful things and those things have
had a very substantial impact on me. A friend had his heads blown off next to
me. I cleaned his brains so his mother didn’t have to see it. I’ve seen some
things that your shouldn’t seen.

Most
dangerous.

The Black
Flag experience was physically dangerous. I still have a lot of scars from that
period. I got punch. You got stitched up. You heal. I hit back. I broke a lot
of people’s noses. Never women, only men. But I’ve beaten the hell out of a lot
of guys. Pretty substantially. No regrets. But I think it’s more dangereous
what I do now in the present climate. To say what I’m saying about whom I’m
saying it. I think you can suffer.

Something
for the future

I cannot
think of anything specific that I haven’t done. Perhaps catch up with some
reading or get a full night of sleep.

You like
reading a lot.

Yeah, I
cannot read as much as I want, but I think you should always have a book going,
you should be reading something.

The perfect son in law

{mosimage}Mikko Leppilampi looks relaxed and confident
when we enter the studio where his future new project is being shot: 8
Days to Premiere. Like a person who is satisfied with his own life. Nevertheless
he is one of the hottest names in Finland nowadays. Not only for
being considered one of the best young and talented actors, but also for his
obvious charisma for the big masses. Being the host of Eurovision festival has elevated
him into an international status. And apart from all that, he is as handsome as
you can get!


I suppose everybody has been asking you in
the past few days about the experience of hosting Eurovision.

Yes, actually everybody has been asking but
you are the first one I am answering to… because after that I started to shoot
this film 8 Days to Premiere straight away. The final of Eurovision Song
Contest was on Saturday night and on Monday morning at 8 o’clock I was shooting.


So no holidays at all after Eurovision…

No, but it is all right, because this is
like a holiday. Actually I enjoy working at this. It was a very good experience;
the entire week when all the delegations were in Helsinki was a lot of fun, although we were
working very long days, many hours. The audience was changing and I was all the
time in interviews, pictures, etc. It was very tiring but everybody knew that
it was just that week, so we tried to enjoy it.


Were you nervous hosting an event that was
broadcasted live worldwide?

No, I was more kind of excited. When you
have an audience of 15-20 people that you know, you are nervous, but in things
like that, with thousands of people inside the arena and then millions on TV,
you do not even get that. I felt I was just making a TV show and performing for
the audience in the arena as good as possible. After that everything has been
nice. I think I was lucky I went straight away to work. Probably if I had had
one or two weeks off, I had been thinking more about it, or “missing it”.


You started to be really popular in Finland after
appearing in the film Helmiä ja Sikoja, in 2003. How was your life
before that?

I was always doing sports, more than arts. I
would say. I have always been a “physical” person. I was playing ice hockey
almost professionally. I quit when I was 20 because I realized I did not want
to be a player. I spent 2 years in Canada in a boarding school and I
played in school teams. During the years there I realized I wanted to be an
actor.


Did you like it there in Canada?

I loved it. I took part of drama courses and
in plays, and then after I got back and I did military service, supposedly I
was going back to Canada to study cinema production but then I applied in
Finland for the theater academy and then I got it and I stayed. That was pretty
much it. This was my dream and I never thought that it happened, but it did.


Do you feel  that everything was going
very fast? Helmiä ja Sikoja was released only four years ago.

I think my life’s pace has been very fast
all the time. I was going from one hobby to another, kind of “I am going to try
that…and then I am going to try that other thing”. I was skating and
snowboarding also, then playing hockey, playing drums (that was the musical
part of my youth). When I got inside theater school I realized this was really
my thing. Then after that everything has gone pretty fast, but that was what I
was hoping to be like. It is just the way it goes, so it does not feel so bad.
My work is more public than some other work from my theater colleagues, who
work in 3 plays at the same time, but they do not write on newspapers about
them, so people don’t know about them so much.


But you do not have the feeling of being too
busy?

That was I was seeking for. I definitely
want to keep both music and acting for the rest of my life. I have been very
lucky.


Did it have something to do the fact that
your father was a singer too?

Well, we never had the question whether it was
all right to become an artist or not. It was more like nobody was pushing me. I
never felt pressured; it was more that I had to find myself, and realized what
I wanted to do.

{mosimage}
If somebody would offer you to participate
in Eurovision in the future, as the singer representing Finland, would
you accept?

It is very hard for me to comment on that. It
depends on the people who vote about the one who deserves to go there. I am
not even thinking about it now. 


You appeared in Paha Maa and you
appeared in a short  cameo in Valkoinen
Kaupunki
. How is your relation with director Aku Louhimies?

The cameo was made before Paha Maa.
Valkoinen Kaupunki at the beginning was not made to be a movie, it was made to
be a TV series called Irtiottoja. So
it was just a cut from that material the taxi driver’s character. I was just
lucky enough to be in one of the clips they put in the movie. Aku kind of tried
me out, to see if I was good enough for the role in Paha Maa. I felt it
was a bit like a test.


What can people expect from this new
project, 8 Days to Premiere, from director Perttu Leppä?

It is probably the most challenging role
that I have ever done. It involves making 3 most known love scenes in the
theater history, they are from Romeo and Juliet, so to be able to act
like that, in Shakespearian language… it was quite challenging, and then with Laura
Birn is very easy to work, she is very talented. The director writes his
own movies himself, and then they direct them and cast them himself. It is
going to be romantic and funny. When the audience is watching, they won’t be
sure if they are watching a scene from Romeo and Juliet or from 8 Days
to Premiere
.

The plot in 8 Days to Premiere
reminds me a bit of this other production, Shakespeare in Love

Do not tell that to Perttu! He would not
like that comment much…

Animal ups and downs

{mosimage}
Zoos are controversial: most like to see wild animals from far-away
places close up, some think they exploit innocent creatures for profit in
unnatural surroundings. Here's a look at Helsinki City's operation.

Helsinki Zoo is quite small, but it has
an eclectic collection and is widely known for its successful breeding policy.
Founded in 1889, (when the classic cages were less animal-friendly as you can
see) it is now hoping to embark on a €150m 15-year programme that will make it
"a centre for nature education in Helsinki" states Director Seppo Turunen.

The new plan envisages an expansion of ‘cold-blooded' representation,
as a third of the 6,000 amphibian threatened species are. "There's no way to
save them in the wild because of a fungal disease, which can be controlled in
laboratory conditions," says Turunen, "Zoos will take responsibility for
keeping hundreds from extinction worldwide, Europe has selected 10, mainly from
the Mediterranean and Alps."

That is all in the future, things are
happening now – and in zoos that means day and night, often unseen. 2007 has
seen another impressive crop of newborns enter the world – and some are still
due. Currently 160 species reside though the total is unknown due to insect
populations.

Proud mothers are weaning Wolverine triplets, Asian Lion twins, a
Przewalski's Horse foal, Amur Leopard cubs, a Markhor kid, Mashmi Takin calf, a
spindly Goitred Gazelle (all rare), and a Rocky Mountain Goat kid. Keepers are
fingers-crossed for Snow Leopards and Dwarf Mongooses, which are due anytime
and may have made the news when you read this.

But breeding isn't one zoo, like everything else it's coordinated and
organized by computer. Korkeasaari is in many associations
where animal transfers are arranged among members – all of which are vetted by
specialist auditors to keep unworthy menageries out.

One is EAZA (European Association of Zoos and Aquaria) and Birds and Reptiles Curator Kirsi Pynnönen-Oudman
explains, "I know I don't need to breed Ural owls as there's no need. It's easy
with birds to take the eggs away and replace them with dummies."

Otherwise the female will keep laying. This is not so cruel: many eggs
are unfertilised as with this year's Bearded Vulture egg. Last year's chick
caused a zoological stir as it was Helsinki's first and uncommon generally.
It's now in a central European zoo.

When there's an organised breeding programme for a rare/threatened
animal, an ISIS (International Information Species System) SPARKS (Single Population Analysis and Record Keeping System) studbook is created with a world or European
coordinator.

{mosimage}
Helsinki Zoo has the studbook for Snow Leopards, Wolverines, Markhors
and Forest Reindeer. The coordinator arranges placements in zoos where
males/females are needed and when to breed: all to improve gene pools.

"We had a Hyacinth Macaw chick in 2005 and we'd love to send him away,
but the coordinator said there's too many males and could we keep it for
another 6 months. It may then go to the Canary Islands to a large outside
facility there," reveals Kirsi.

There's a problem with over-active ones too  "The King Island Wallabies are doing too
well, I have 9 joeys and I must find new homes for them!" smiles Kirsi.

Sometimes the only way to stop them doing what comes naturally is to
resort to human methods e.g. separation. The Brown Bear cubs are 18-months old
and still need their mother, so the male is separated from his family next
door.

The opposite of course happens. The European Mink, rare in the wild, is
notorious – because the female is so aggressive. In 20 years, Helsinki Zoo has
never bred them, but now a solution is ‘at hand' from Tallinn which has 10
years experience with these furry little fighters.

"She's only receptive to the male for 2-3 days when on heat, otherwise
she can kill him. And this can only be known by taking swabs daily," explains
Kirsi.

Their Chilean Flamingos are too few (16) to encourage the mating
display which is central to their breeding. One chick hatched 10 years ago, but
now mirrors in the den are trying to trick them into thinking they are more.

And Mother Nature has a mind of her own. A South American rodent, a
female Aguti, gave birth one day after flying in from Amsterdam. "Naturally she
wouldn't have travelled if it had been known she was pregnant," comments Kirsi.

And a junior snake keeper asked her senior colleague how many Tree
Vipers there were as she saw two in its terrarium. This snake had not seen a
male for 5 years, but snakes can retain sperm for when the conditions for
motherhood are right.

Weather affects them too with some rainforest species breeding when it
pours, thinking the wet season is starting. Hot conditions develop parasites
that attack newborn Northern animals with fatal results sometimes.

Why is Korkeasaari so successful? "It's easier to leave them alone,
maintain them as they are in the wild and not introduce unviable traits," sums
up Seppo.

Hand rearing is frowned on but a new programme for Ruffs will remove
all the chicks this year when they have hatched for 5 days. "They are difficult
zoo breeders and the first few days are critical. This will serve as a model
for all waders so we'll know how to breed the whole group," informs Kirsi.

Korkeasaari also serves as animal rescue centre for southern Finland
and will soon return the last 3 (of 5) seal pups found on beaches. Not to
mention squirrels, hares and lots of birds saved annually. Five Mexican
Axolotls (of 100) caught by a smuggler at Amsterdam Airport are also housed in
the aquarium section.

Helsinki Zoo has problems finding experienced keepers – but not people
wanting to be one: 1600 applied for 7 summer positions. With well over 500,000
visitors annually at €5/adult and €3/child*, it's one of the cheapest
anywhere – as part of Helsinki's policy of equality opportunity for anyone to
be able to see domestic and foreign fauna. 

*London Zoo £14.50, children €11

Melbourne Zoo AUS$22/11

Stockholm Zoo SKr90/40

Photos by Markku Bussman / Helsinki Zoo 

Olympics in a Finnish way

{mosimage}Finland is passionate about sports. In 1952, Helsinki hosted the Olympics and the city has organized the World Championships in Athletics twice. The country is also famous for its rally and formula one drivers, and of course, for its proud ice hockey team. But every year, during the summer, some other sports are more important. You might not have heard of them, but as you can imagine, these competitions imply the real Finnish spirit: mobile phones and sauna.

 

Mobile Phone Throwing World Championships

The mobile phones to throw are provided and you can even choose the best model for you. There is an area where you have to stay and the phone must land within the marked throwing sector. The official jury of the competition will accept or disqualify the throw. The jury’s decisions cannot be protested. Touch call! Good news is that there will be no doping tests, although all the contests have to behave their selves. The categories are Junior, Freestyle, Original and Team Original. For the Original category there is competition on 27th August. Winners from the national championships will be automatically in the finals.

25. August 2007 in Savonlinna.

www.savonlinnafestivals.com


Sauna World Championship

{mosimage} Sauna was invented in Finland and all the Finns have been sitting in there for all of their lives. In addition to Finns there are lot of thick skin people around the word and they are ready to take the challenge. The entrance fee for competitors is 50 euros and doctor certificate is needed. Even when Finns often drink few beers in or after sauna, alcohol and drugs are absolutely forbidden. Competitor has to sit and posture must be erect the whole time. Temperature is about 110ºC, in every 30 seconds half a litre of water will be thrown on the stove. The last person in the sauna is the winner. The rules are simple; if you can't stand the heat – get out of the sauna!

3. – 4. August 2007 in Heinola

www.saunaheinola.com

 
Boot Throwing World Championship

Obviously Finns love throwing things. In boot throwing the brand of the equipment is essential: only four brands are allowed, including the classic Kontio boot from Nokia. The throwing style and the grip of the boot are free, but the leg of the boot must be straight when the boot is in the air. The throw is accepted if the boot falls in the marked area in time (in 30 seconds). This is the sport for everyone: from kids at age 10 to seniors up to 75 years can participate and for those taking this competition seriously, there is 2-day world championship with the finals. At least one thrower from every nation gets to the final.

17. – 19. August.2007, Harjavalta

www.saappaanheitto.com

Swamp Soccer

{mosimage} Swamp soccer has been the most famous summer event in Hyrynsalmi ever since 1998. The competition has been World Championships since 2000 and it is more and more popular each year and have made international headlines and involved thousands of soccer fans.

Some of the rules are obvious, like playing without a uniform top is not allowed. But there are rules differing from regular soccer. Because it is harder to play on a swamp than on a grass playing time is all together 20 minutes. The number of players per team on the field is 1 + 5. Each team must have at least 4 players on the field.

There are recreational, women's, mixed and business series teams. You will not be alone in the swamp: in addition to mosquitoes there are hundreds of Finnish and foreign teams with their supporters. 

12.-15. July 2007, Hyrynsalmi

www.suopotkupallo.fi

 

Air Guitar World Championship

The Air Guitar World Championship was developed half by a joke at music video festival in Oulu in 1996. Ever since the competition has been success! The once so absurd idea has become into an international media event that attracts a wide international league of contestants and audience. This contest really rocks; it is hold in 17 different countries, all the way from New Zealand back to Finland. Air Guitar is all about surrendering to the music without having an actual instrument. Anyone can taste rock stardom by playing the Air Guitar. It is easy to get involved: just go to the website, register, tune your guitar!

Keep on Rockin' in the Free World! 

5. – 7. September 2007 in Oulu

www.airguitarworldchampionships.com 

Wife Carrying Competition

The Wife Carrying Competition is held in Sonkajärvi’s and it has deep roots in the local history. In the late 1800’s there was a strong robber, who use to steal girls and carry them. Back then, it was not unusual to steal women from the neighbouring villages.

Nowadays wife carrying is a good sport and lot of fun. There are several styles and ways to carry the wife, but be careful and don’t drop her or otherwise you will loose points! The Greatness of the prize depends on the fact how great the wife is: the winner will receive the equivalent of the wife’s weight in beer and he also gets a statue with wife carrying motif. That is something to aim at, right? In addition to the strong and quick Finnish couples the competitors come from several other countries even as far away as from Australia and Japan.

7. July 2007, Sonkajärvi

www.sonkajärvi.fi

Barbecue competition 

Finns love to barbecue and because the Nordic summer is short, they do it as much as they can. In August there is a barbecue competition held in the centre of Helsinki. There has been at least two months time to practise. Anyone can get involved and the fee is 20 euros. Everything is provided: the grill, food and even the hat. You can bring your own secret barbecue sauces and oils, if you like. The winner will be the one, who has the best style, who is the most creative and fastest. And the prize is brand new grill, fame and glory! This is the most delicious competition of all! Ready, steady, grill!

4. August 2007, Helsinki

www.atria.fi

More information about these competitions on the book:
Funny Finnish Pursuits
by R. Etelämäki, B. Maximus, A. Kmulainen.

Trendy beats of change

{mosimage}Gocoo are a group
of seven female and four taiko drummers from Tokyo who manage to be super
trendy in a wide variety of music circles. Breaking with deeply rooted
traditions, they use taikos (Japanese drums) and other traditional acoustic
instruments to create a modern, free-spirited taiko music sound full of primal
beats and complex poly-rhythms, often accompanied by Japanese didgeridoo
virtuoso Goro

Very atypical
for a taiko group, Gocoo debuted at a techno festival, Rainbow 2000. They
reached cult status in the club scene of Tokyo, while at the same time gaining
respect in more traditional taiko music circles. They have since performed at a
wide range of events and venues, from major open air rock festivals like Fuji
Rock to rave parties, from Tokyo's cult clubs to the National Japanese Theatre,
and from big blues & roots events to traditional taiko festivals.

Gocoo
became
known internationally after they met and worked with British trance
trio Juno Reactor and were featured on the soundtracks of two Matrix
films. They performed in Europe for the first time in 2003, each year returning
for a more extensive tour, this year taking their exciting, energetic drum (and
light) show for the first time to Finland.

Kaoly Asano is the lead
drummer and founding member of Gocoo. She is by now one of Japan's most famous female
taiko drummers and also runs her own taiko school in Tokyo. Before kicking off their
European tour in Helsinki on July the 11th and 12th, she
was kind enough to give an interview to FREE! Magazine from Japan.

Many
people here in Finland are familiar with more traditional taiko music in the
style of for example Ondekoza. Your style is quite different, and you have even
played at rock festivals and techno events. Your music is sometimes even
referred to as 'trance-taiko' or 'techno-taiko'. Can you tell us a bit more
about the difference between more traditional taiko music and your taiko style?

The
style of groups like Kodo or Ondekoza, which seems to be more
traditional, is not so old. In fact it was created between 1950 and 1970. These
groups transformed taiko performances held at traditional festivals into a
formal stage art performance with theatrical elements. Gocoo's style however overcomes formal boundaries which leads to a more
natural music performance. As for trance, I would like to say, that there were
times when festivals and trance were the same. So I have the feeling that
playing trance music with the taiko is just natural. I admire the beauty of
stage art performances, but I have the feeling that there are limitations and
restrictions. For example, the performers often do not show emotions while
playing the taiko. Gocoo's performances are much more
emotional. We freely bring any rhythms into play that groups considered to be
traditional would probably not use. 

"By using the softness of
the female body, we found our own taiko style" – Kaoly Asano, Gocoo

Besides the fact that your taiko music is quite
unique and crosses several different musical boundaries, traditionally, taiko
drums used to be a men's thing. Gocoo is made up of seven female and four male
drummers, with you personally clearly playing a
'leading role' in the group. During the ten years of Gocoo's existence, what effect do you think your success has
had on traditional views in Japan? Has there been a change in general attitudes
towards women playing taiko drums?

In terms of 
the relation between women and taiko in our group and the influence on
traditional views in Japan, Gocoo created a completely new and original female
drumming style that did not exist before. In other words, by using the softness of the female body, we found our own
taiko style. The traditional relation between the taiko and women was
limited for example to women dancing to the sound of the taiko. Later women
used to be limited to play the taiko either in an extremely feminine, elegant
way or in the same way as men, masculine and brave. Not only at my taiko school
Tawoo, but all over Japan the number of women playing the taiko is increasing
rapidly. I believe that today the concept of the taiko being a man's thing doesn't exist anymore. Gocoo has contributed its share in the fact that different ways of female taiko play are getting
more and more accepted. 

You have performed with the legendary Kodo
taiko ensemble. What was that like?

We performed with two members of Kodo, Ryutaro
Kaneko
and Tusbasa Hori. Since I have the feeling that both of them
belong to the "innovative wing" of Kodo, I think our session was quite different from how a performance
with all members of Kodo would have been. I have the feeling that if we mixed
Kodo's traditional style and Gocoo's style, spent more time together, created songs or shows together and
inspired each other in this way, there would have been very interesting
results. I very much would like to work together with them again.

You already mentioned your own taiko school,
Tawoo Taiko Dojo in Tokyo. What do you hope to achieve with the school?

Tawoo is a place where everyone, no matter how
old, male or female, can learn to play the taiko. The door is always open for
anybody, anytime. I want Tawoo to be a place where all of us can meet and
experience our own real strength (energy, ability, loveliness, health,
possibility, straightforwardness as a whole) through the taiko.

Is the main focus in the teachings at the
school also on less traditional, more free-spirited taiko music like that of
Gocoo?

At Tawoo as well as with Gocoo I focus on an
unconventional drumming style. By allowing my students to play the taiko freely
and move their bodies freely, the restrictions which they have absorbed while growing
up begin to dissolve. In this way a mental liberation takes place, and their
real self appears. The amazing thing about the taiko is that we are able to
meet our self by playing it. And this leads us to face other people. We are
able to establish a deep communication with our self and with each other.

Do you have many female students?

70% to 80% of my students at Tawoo are female.

"We were able to meet
Juno Reactor because of a strong thunderstorm" – Kaoly Asano

In 2002 and 2003 you co-operated with Juno
Reactor, with whom you worked on the single Hotaka and later on
their CD Zwara EP. You also recorded the tunes "Tea
House" and "Tetsujin" with them for the soundtracks of The
Matrix Reloaded
and The Matrix Revolutions. How did the collaborations with
Juno Reactor come about?

We met Juno Reactor at the Hotaka-sai
festival in August 2001 where both of us were performing. Juno Reactor were
watching our show that day. A few days later they asked us to take part in a
recording session. We then spent three days recording at lake Yamanakako, close
to mount Fuji. A few songs were created with the recording material. One of
them is "Tea House" which was later used for Matrix Reloaded.
Actually, if Gocoo had performed at the Hotaka-sai festival as scheduled, it
would have been very unlikely that we had met Juno Reactor. Their show was
scheduled for the next day. But due to a strong
thunderstorm at the evening of our show, our performance was postponed to the
next day and we were able to meet Juno Reactor. To show that there is a
connection between our acquaintance and the Hotaka-Sai festival, Juno Reactor
named one of their pieces "Hotaka".

{mosimage}Do you have any future plans with Juno Reactor
or any other well-known artists?

We don't have any particular plans
right now, but we would love to work with them again one day. And not only to
record some tracks, but also to perform on stage with them. I liked Juno
Reactor's music before and we are fond of their productions
and arrangements. Gocoo's tunes, that were used for
songs like Hotaka, Zwara or Tea House, are
also very popular at our concerts. This year in October, we will work together
with Richard Yuen, a famous musician and music producer in Shanghai. In
Shanghai we are going to work together with Chinese musicians.

Your music also features on the soundtrack of
the popular role-play computer game Gothic 3. Are you yourself a game
enthusiast?

I personally almost never play computer games.
But besides Gothic 3, Gocoo's music is also featured in
other computer games sold in Japan, such as Sengoku Basara. Usually the
soundtrack of computer games is also computer generated. So I am very happy
that some producers find it interesting to include the sound of real music
instruments into their games.

Can fans expect more collaborations from Gocoo
with well-known game manufacturers?

If we have a chance, we would love to work
together with other game manufacturers again in the future. 

"Taiko music can be
enjoyed just in the same way as rock or pop music" – Kaoly Asano

Since 2003 you have been on tour in Europe
every year. This year, for the first time, you will also perform in Finland.
What has performing in Europe been like for you?

In
Japan there are sometimes prejudices about taiko music. The taiko is often seen
as an instrument for traditional events, not suitable for popular music.
Although this prejudice recently became weaker, the idea emerged that only
taiko as a stage art is something that can be appreciated. 

I believe that taiko music can
be enjoyed just in the same way as rock or pop music. In Europe our audience
easily senses this and enjoys our music. The taiko is for sure a traditional
Japanese instrument. However its purpose is not only to keep traditions alive,
but to create good, modern music. To perform in Europe is a very exciting
experience for us.

Have you ever visited Finland privately?

Unfortunately not. This will be the first time.
Friends who have visited your country told me that Finland is a wonderful
place. I am very much looking forward to visiting it.


Gocoo


Wednesday 11.7, 7.30 pm

Thursday 12.7, 7.30 pm

Savoy Theatre, Kasarmikatu 46-48, Helsinki

Tickets: 38/35 e

Gocoo – Official website for Europe

Children of Men

{mosimage}Alfonso
Cuarón
belongs to
the new generation of Mexican directors that keep conquering the Hollywood cinema industry, at the same level than those other two greatest representatives of this new Mexican wave: Guillermo del Toro and

Alejando González Iñárritu.

Iremember watching three years ago his film Y Tu Mama También (2002) at my
place, together  with my two Mexican
flatmates that I had at that time, and I faced that film in the same way that I
was facing days ago Children of Men, just with no particular hope of
finding anything special. In both cases Cuarón´s movies really got me by
surprise. I liked a
lot Y Tu Mama También. I considered that the director had been able to
create a very personal new style of “road movie”. This new film has still many
features of road movie as well, being the feeling in a certain way similar to
years ago. Cuarón achieves one of the freshest science fiction movies of the
last years.

The film is
based on the book The Children of Men by P.D. James, and brings
us into the year 2027, in a violent city of London that reflects the chaos and lost of
hope of all the humankind. Immigration is brutally fought back by a
semi-totalitarian government and meanwhile, the youngest man on earth has died
at the age of 18, and the women are not able to get pregnant anymore. People
live immersed in an existence with no hope, since no more children run in the
parks and the streets, but then a miracle happens when suddenly a new baby is
going to be born in this brave new world.

Clive
Owen
finds a role
just made tailor-sized for him. After his shocking appearance as
“taking-no-shit  hero” in Sin City,
this time the character has more human features, more weaknesses that make them
at the same time closer to the spectator. Julianne Moore and Michael
Caine
have surprisingly small roles, but decisive to catch the audience
into the plot. Caine, same than the good wines, just seem to be better and more
adorable actor with the past of time, and as the old hippie smoker Jasper, he
looks superb.

There is no
space here for a future time imagined full of hyper-intelligent robots or other
overwhelming special effects. The action is very natural all over the film, and
that is one of the features that shock the viewer: its realism. A couple of
scenes like the chase between the motorbike and the car in the woods, or the
birth of Kee's baby in a filthy room will be recorded inside you memory for a
long time.

Cuarón is
able to show that he does not need elves and orcs to create an amazing trip for
his actors. He just need to surrender them by all the miseries of the humankind
(where to start: war, terrorism, egoism, intolerance search of power, racism…)
to make us feel uneasy facing the thought that maybe this imaginary future
could not be so far from a real one in a couple of decades…

Undoubtedly,
one of the nicest surprises of this year.

Children of Men

Director:
Alfonso Cuarón

Cast:  Clive Owen, Julianne Moore, Michael Caine, Claire-Hope Ashitey

Rating: 5 

Bitch Alert

{mosimage}I really had to ask. What was the name again? Talking music over coffee on a grumpy
afternoon of the apologetic Finnish spring, the name was dropped like a coin on
the kitchen tile. Silence crept in. I show you – came the answer. Somebody
slipped the CD into the player, and on came sweeping, towering waves of sound,
and riding them the raspy, angry, vivid voice of a girl, irresistibly
commanding everybody's attention. "I wanna see your skeleton," she
snarled, "and I can feel your bones!" This is how I first met Bitch Alert.


T
he second meeting is slightly less spiritual
and certainly not so loud, but much more relaxed and, compared to what I'd
expected, reassuringly real. On the other end of the telephone line is Heinie
Immonen
, lead singer and songwriter for the band.

"I'm sorry about my English, it must be
fuckin' rusty by now," she rushes to say, confirming two stereotypes at
once: the one about Finns apologising for their impeccable English, and the one
about the flippant attitude of rock musicians. Suddenly the choice of the band
name doesn't sound so strange anymore.

"In fact, originally we were called
simply Bitch, but when we signed to Poko Records, the label made us
change the name for copyright reasons. An '80s hard rock band was called the
same," Heinie explains. Reasonable, one could say, but, then, why
"Bitch" in the first place?

"At the time we thought that was just the
coolest name ever. That was the only reason. Sure, it's not a name your grandma
would like, but… luckily, at least my grandma doesn't speak English. And
after all, we were 15 or 16 at the time the band was founded. But we never
regretted the choice."

The "we" refers to the original
line-up of Bitch Alert (née Bitch), that is Heinie on guitars and
vocals, and friends Maria and Maritta, playing, respectively, the
bass and the drums. The trio got together in 1997. However, Maria soon chose to
leave the band, and it is with new bass player Kimmo that the band
finally got signed in 2000. (Just to avoid confusion, for those who are not
familiar with Finnish first names: yes, Kimmo is a guy.) Following the debut LP Pay for orgasm, the band has since then released four
albums, the latest of which is last year's I can feel your bones.



{mosimage}Riot grrrls

"We're not decidedly feminists,"
Heinie says, when I ask about the lyrics and the attitude. "We don't write
songs under a manifesto, and we don't consider ourselves political in any way.
On the other hand, most of our songs are very personal, and the person whose
view they are written from happens to be a young woman, so in this sense, you
can still say we are feminists. But I think the music is more important than
the lyrics anyway. Ideally, each of our songs would only have one line, one
sentence as lyrics."

The title of Bitch Alert's second album
(…rriot!) suggests a link to the riot grrrll movement –
the loose spiritual attitude at the meeting point of punk and feminism, started
almost two decades ago by bands like Bikini Kill and Bratmobile
–, and Heinie confirms.

"Bitch Alert is about girls – and of
course, boys – being themselves, having fun and being free to do whatever they
want, no matter how they are expected or told to behave by others," she
sums up.

2002's ...rriot! was
released in the UK too. Although it received some unexpected and positive
critical attention (notably from the Kerrang! magazine), and the 28-stop
promotional UK tour was considered a success, it didn't bring international
breakthrough for the band. Subsequent records haven't been released outside
Finland, either.

"We'd love to tour England again. Or the
US, or other countries of Europe. Being on tour is what we love the most. But I
just hate the business side of it; going on tour abroad is so expensive!"

And tight budgets are indeed quite a concern
for the band, whose three members all have day jobs to support their passion.

"Unless you're HIM or Rasmus,
or a similarly big act, in Finland you can't make a living solely with
music," Heinie comments.

Incidentally, this might have just changed. Just
as this issue of FREE! Magazine hits the streets, Bitch Alert are on
their way back from Los Angeles, after playing a showcase to "drunken
record company executives" at the Musexpo 2007 event, and with any bit of
luck, this has been an important step in going to "the next level,"
whatever that might turn out to be.

What is sure, on the other hand, that 10 years
on, the once-teen-band of Bitch Alert is as alive and kicking as it can be.

"Our last record was probably the
darkest, heaviest one so far, full of desperation. But if you listen close, you
can feel there is a light at the end of the tunnel, and there is always a
sparkle in the eyes. It's like the band. Although we got a bit bored with
touring Finland over and over again, we're still having a whole lot of fun
playing," she affirms.

This, in practice, means a couple of more
months of gathering inspiration, and a new tour in the autumn. And until then?

"I don't know, I've never been too good
at wise concluding remarks. Just have a nice fuckin' spring time!"

The music
Comparing Bitch Alert to '90s grunge-rock
sweethearts Hole is inevitable, and admittedly, the comparison describes
aptly the mix of fuzzy rock, grunge, pop and punk that is Bitch Alert. In fact,
there is little in there that you haven't heard before, if you're a fan of
Courtney Love, Nirvana, the Smashing Pumpkins or, even, Muse.
And still, as is often the case, the end result sounds fresh and invigorating,
partly because of the catchy riffs and grooves, and, perhaps more importantly,
because of the rich and powerful vocals, frail and whispering in one second and
breaking into uninhibited shouting in the next instant. (Heinie's singing could
remind you of PJ Harvey as well as Juliette Lewis, and sometimes
even the monotonous, aggressive snarl of Liam Gallagher.) Bitch Alert,
then, is not the band if you're looking for sophisticated subtlety or craftily
used samples, it's merely catchy and truthful – like emo would be, without the
fakery.
"If you never heard of Bitch Alert
before, and want to take the easy way, listen to the …rriot! album,"
recommends Heinie. "If you want to listen to our punk side, you should go
for Songs for your wedding EP. If you're more into indie rock, Kill
your darlings
would suit you best."

And if you'd like to know where Bitch Alert
could go next, give a listen to I can feel your bones. Or just visit the
band's myspace-site (www.myspace.com/bitchalert),
and decide for yourself if all their albums are merely a waste of plastic.
After all, independent choice is exactly what they are all about.

They sound like: Courtney Love finally got inspired!

Essential listening: The album I Can Feel Your Bones

The latest: spring break and showcase set in LA. Expect a return to stage in the autumn.

Cartoon tracks


{mosimage}Comic artist and illustrator Marko Turunen (b. 1973) recently
received the much appreciated Puupäähattu Prize handed by The Finnish Comic
Society. His latest album
Lihat puntarissa (Meats On the Scale)
combines ordinary with extraordinary, animal figures with domestic violence and
alcoholism, all served in fiercely bright colours and flavoured with black
humour. “My mother has told me that life is suffering and so it is meant to
be”, Turunen states appropriately, “but I refuse to see life merely as a
painful journey”.

Turunen continues by describing
life as an absurd theatre play, which is the way it appears in his comics as
well. The characters include a small but sadistic bunny who kills and practises
wild sexual relationships, a dog who is attracted to a squirrel and a jealous
giraffe who drinks too much and hits his wife. The topics are sometimes
difficult and even cruel, but mostly the cartoons only depict what is happening
inside our homes all the time.

However, the carefully added humour,
in addition to the sympathetic animal characters, together make the atmosphere
occasionally lighter and reader friendlier. For Turunen this is a conscious
effect, but he denies ever trying to please the masses.

“My continuing guideline is to
make pure comic, in which the graphics and the text complement each other”, he
states. “A completely functional result is more important than the question
whether anyone is able to enjoy it in the end.”

Indeed, for Turunen his art is also
very personal. He includes a great deal of real life events into his comics.

{mosimage}
“In a way, the books function as
note tags on life. I also wish for the books to appear as historical documents
and to portray the period”, he concludes.

The documentary nature is visible
in Turunen's elaborate usage of actual place names, buildings and labels. These
he records through photography, since he feels bothered by the attention that
public drawing awakens.

Whether Turunen enjoys the
attention or not, his work has become widely appreciated, even outside Finland.
Some of his comics have been translated into English, French, German and
Italian. Turunen however seems to enjoy the independent underground status of
Finnish comic scene. Together with Annemari
Hietanen he runs a small publishing company Daada Books.

The name Daada comes from a radio
programme, in which a little boy called and complained that his mother was
making him wear a daada-shirt. When asked what this meant, he replied by
explaining that a daada-shirt was way too small and ugly. The story gives a
very modest impression of Turunen and his work, but even small characters and
ugly topics can have a massive impact.

Trivia

{mosimage}

Can you identify these three
tracks of very common Finnish animals? Here is what Marko Turunen came up with
(the correct answers can be found at the bottom of this page):

1. jättiläiskarvatasku (giant fur
pocket)

Eats potatoes and wood. A
familiar sight around piles of firewood, sheds and potato cellars. Not
dangerous for people.

2. putkipiru (plumb devil)

Eats human beings. Enjoys large
population centres. Lives in sewers and plumbs.

3. lehtokääpiö (grove midget)

Rests during summers and eats
hibernating bears during winter time.

Correct answers: 1. field mouse
2. squirrel 3. hare

Us and them

{mosimage}
Once every three years something exciting
happens in Jyväskylä – LUMO the International Photography Triennial comes to
town. This year celebrates the 7th LUMO event with the theme of ‘us’ and like the previous six, promises
everything one should expect of an internationally renowned triennial.

The theme of ‘us’ has attracted photographers whose work challenges notions of
communality and identity. The exhibition has been designed to test the
boundaries of cultural preconceptions and socio-political phenomena. This year
photographers are arriving from four different continents to dismantle and
magnify stereotypes of the exotic, pioneer mythologies, forgotten recent
history and the concealed present.

Images and subject matter are both unsettling
and controversial. Particularly in the works of South African artist Pieter
Hugo
, where in the series Looking Aside
(2005) we are faced with images such as that of Londiwe Wendy Mkhize. Discomfort arises when the
seemingly ‘white’-skinned girl is recognised for her features as a native South
African. From the perspective of a Northern European it seems difficult to
grasp that the skin colour that is generally accepted and desired in the
Western world is quite literally a disease for those outside the European
genetic paradigm.

Likewise, fellow South African artist Mikhael Subotzky
has produced images which expose what life is like inside and after prison. For
the series Die Vier Hoeke (2005) Subotzky visited Pollsmoor Prison, Nelson Mandela’s former
lock-up, to reveal conditions in which numerous native South African prisoners
are literally piled into single cells. The cells consist of several bunk beds
on which the lucky ones have a chance to sleep. The not-so-lucky ones are
forced to sleep back-to-back on the cold cement floor.

In the works of Cairo-based Lara Baladi cultural-hybridity
is expressed through blends of religious iconography, nature photographs and
pop culture relics. The brightly coloured panoramic montage of Justice for the Mother (2007) draws many associations to the Beatles’ Sgt Pepper album
cover, and not surprisingly the Beatles’ Lone Hearts Club Band has been placed
in this mythological paradise underneath a giant rhinoceros.

The cultural infiltration of communism is subtly
reflected in the works of Cuban photographers José A. Figueroa and Alejandro González. In
the series The Cuban Sixties Figueroa attempts to capture
the rebellious undercurrent of youth who craved for individuality in the face
of mass conformity, and in the series the City
of Havana (2005), González captures quiet reminders of Cuba’s past
political unrest. Lenin
Park is revisited with
its monuments, abandoned equipment and old army trucks that picnicking families
and grazing cows seem oblivious to.

Finally, in addition to Charlotte
Haslund-Christensen
’s questioning of authenticity through re-capturing poses of
Danish explorers in Natives: The Danes (2006), Young Finnish Artists of the Year
2007, Jaana and Tiina Penttinen capture the dynamics of family and friend
relations in the confines of cultural protocol in their series Hyvät Tavat (Good
Manners, 2006).

Other featured photographers include Dale
Yudelman
(South Africa), Raúl Cordero (Cuba)
and Rana ElNemr (Egypt).
LUMO ’07 ‘us’ runs June 9th
– September 30th, at Gallery Harmonia Jyväskylä.

July’s jewels

July is a beautiful time of the year and
would be a strong contender if I had to choose a favourite month, although
December's not bad either. However, this year July is packed full of special
personal events that have made it one of the most anticipated Julys of recent
memory and is set to give the remaining months self-esteem issues that will
result in countless visits to the Seasonal Shrink.

The very first day of July marks the fifth anniversary
of moving to Finland in order to begin a new life away from the hustle and
bustle of the UK. In fact after five years I have yet to see any hustle, let
alone bustle, in Helsinki, so I can safely proclaim, "Mission
accomplished, so far." Personal landmarks, such as these, encourage the evaluation
of life and the progress of lifestyle decisions, but if you think I am going to
bare my soul to you guys and girls then think again you emotional vultures.

Okay, I'll throw you a bone. Upon my
arrival in Finland I was asked by my wife's family if I wanted a name day
because I continually complained that everybody had one, except yours truly. The
name 'Esa' was closest to mine and was celebrated on July 6th, a Finnish flag
day, so everybody pencilled it into their diaries, but the so-called luck of
the seventh month decided to bestow its fortunes upon somebody else: my
daughter.

July 6th 2005 was the day my daughter made
her debut into this world and now my name day has been relegated behind her
birthday and Eino Leino Day, which really isn't poetic justice. After two years
of being ignored I have returned to the cynical opinion that name days are a
waste of money and are merely invented by card companies and florists. Call me
bitter, call me petty, but I really don't care, although I will convince my
daughter in later years that the flags are flying just for her.

July is month number seven, a lucky number
and, thereby, a lucky month to some, as I mentioned earlier. This year the
month is particularly auspicious due to an avalanche of sevens, with July 7th
2007 inspiring our imaginations far more than the horror associated with last
year's June 6th 2006 (666). 7/7/07 is also special to me because it is the day
my little brother has chosen to tie the knot with his fiancée and requested a
Best Man speech from me. Nerves, second thoughts and sickness will be on my
mind, but then again I can't worry about the feelings of my brother's fiancée
all day.

A family wedding, my daughter's second
birthday, an ignored name day, five years away from England, an aunt's 50th
birthday, my wife's uncle and his wife both turn 80, plus a good number of
barbeques with the prerequisite burgers, sausages and ribs washed down with a
few ice-cold bottles of lager, are all pencilled in my July 2007 diary… the
aroma of grass is also welcome.

Acting out and about

I can’t lie
to save my life but sometimes I do get tempted to use my acting abilities
outside the stage, often in most dubious circumstances. Like once when I was
chilling out in a London park with a friend. I saw these twins enter through
the iron gates and the urge to act came upon me. They wore identical dark suits
that had seen better days, and, as proper English gentlemen should, sported oak
walking sticks. The choice of the colour purple for both their hair and their
socks suggested an eccentricity I’m hopelessly weak for. With rhythmical steps
they headed towards a park bench and sat down.

I was
mesmerised. I had no other option but to talk to them. I grabbed my friend’s
camera and walked up to them. I put on my most innocent face and rolled my r’s a bit to create the air of a
foreigner not used to the social code of the British Isles. I told them I was a
photography student from Finland making a project about twins and I asked if I
could take a photo of them. Without hesitation they posed for me in a way that
immediately betrayed a background in show business.

An hour
later when kissing the twins goodbye I had heard stories from the set of Wizard
of Oz and from singing for the troops in the World War II. They showed me the
steps of the musicals they’d performed in and reminisced about the good old
days with Lawrence Olivier. Before hugging me the very last time they told me
I’d make a lovely actress but advised me to stay well clear of the show
business. ‘It’s a rotten business, it is.’, they said in perfect harmony.

I did feel
guilty for my deceit. But then again we all enjoyed the little encounter and no
one was harmed during the scene. I think these delightful gentlemen had
pleasure posing for the photographer played by me and I have the photos to
prove that I once acted with these kings of show business, even if the stage
was grass fringe.

Stylish Stockholm

Only hop, skip and a boat ride away from old Helsinki is the capital of Sweden and the home of 1,7 million of hip and trendy people. Stockholm is easy to get to, but hard to forget. Who wouldn’t fall in love with the beautiful old part of the city and the creative and contemporary cosmopolitan atmosphere of Stockholm?

Sweden and Finland have love and hate relationship. It is because of our long history together and apart, but nowadays it is all about competing in everything, for example in music and ice hockey. Some of you may remember that we just bit Sweden  in both sports this year! We
Finns have to admit though that there are lot of great Swedish things; like Absolut Vodka, ABBA and Pippi Longstocking.

Stockholm

The weather in Stockholm is same we have in Helsinki, but sometimes just a hint warmer. After all it is to south from here! When visiting the city in winter, it is a cool and trendy, but cold city to hang out. That is why I recommend you to go right now, when the air is warm and nights are light.

Bridges and boutiques of Stockholm

The whole area of  Stockholm is build on 14
islands and the city itself on 7 islands, so almost everywhere you go you will be surrounded by water. The most spectacular part of the city is the Old Town with its old and beautiful buildings. The Royal family lives there as well.

For obvious reason there are lot of bridges and if you take a walk instead of taxi from the ferry to the city central you will discover some of these beautiful waterways. Especially walk in the old town, called Gamla Stan, is worth of doing. What the heck, you may even see the king and his family, if you stalk long enough on the corner of the Royal Palace. If you get tired of shopping or chasing the princesses of Sweden, you can relax in one of the many parks of the city.

Stockholm is very vivid and cosmopolitan city, mostly because more than 15% of its population are
immigrants or other expatriates. There are lot of cosy cafes, restaurants with all kind of menus and bouncy night clubs, like Café Opera that has been the exclusive party central of Stockholm
for 25 years now. But it is one to mention, there are lot of other great clubs in the city and many of them don’t close until 5.

Swedes know design and fashion. For some reason they always look good and show up wearing the right clothes in every occasion. So, when in Sweden, do as the Swedes do! Best shopping street in Stockholm is drottninggatan. But there are more places to buy your little piece of Sweden than the crowded shopping street and malls. Pop in one of those boutiques in the narrow alleys of the old city or in Östermalm, the art and antique district. The prices are pretty much the same as in Finland.
It hasn’t been longer than a decade, when we Finnish Fashionistas use to make trips to Stockholm
just to buy clothes and accessories. But today we can go there and just enjoy the atmosphere instead of purchasing everything we see, because we finally have H&M and Nilson in Finland too.

Attractive attractions

Those who cannot get enough of culture should check out the House of Culture, Kulturhuset in Swedish, where the galleries, stages, shops and restaurants keep you satisfied for hours! Also Vasamuseet and Moderna Museet are worth of seeing. One of the things not to miss, if you walk in the old city, is the Stockholm’s Cathedral.

If you are more into sports and activities than old culture, you may want to see Globen, the sport and entertainment arena, which has a unique shape: it’s a massive ball! You also may want to go to Eriksdalsbadet which is Stockholm’s largest aquatic Centre with a 50-metre pool, adventure bats, spa and gym. The outdoor pool is open during summer.

If you stay for longer and with kids, you may want to do a day trip to the zoo, called Kolmården. The zoo is one of Sweden’s most popular tourist destinations and only 90 minutes south of Stockholm. I was there when I was a kid and believe me: that’s a great adventure for little ones!

The love boats

Even
when you can fly to Stockholm in an hour, I suggest you to take the over night ferry to get there. It is
experience of its own. You can have massage or facial, have a nice dinner and drink colourful cocktails on the deck while watching the sunset. These ships are known internationally as love boats. So who knows, you may even meet the Mr. Right or if not, there are plenty of Mr. Right Nows on board! If it happens
that you drink too many GTs, “The It Drink” in Nordic, you really should try your best and get up early and go to the deck to see the most beautiful summer view of the archipelago of Sweden. The countless islands look amazing in the morning light.

If you are planning to take the ferry I strongly recommend you to stay in Stockholm few days in between, because the partying is usually so severe that you maybe thankful to have one day to recover from it and then have enough time and energy to discover the city. Too many people don’t even leave the boat on
their trip and that is a pity, because they miss out a lot! By the way: you can
also get off on the Åland on your way to Stockholm.

Stockholm

Åland Islands belong to Finland, but people living on them speak Swedish and that would be soft descending to the Swedish world and great way to see something new.

After all of these years that I have been exploring Stockholm,
I still don’t know what it is that makes it so much more glamorous than Helsinki. Maybe it is the certain self-confidence and style Swedes have? Or maybe it is just because the grass always seems to be greener on the other side?

STOCKHOLM


For
more information

www.visit-stockholm.com


www.visitsweden.com


Ferries
to Stockholm

www.vikingline.fi

www.tallinksilja.com

A
cabin for 4 people starting from 110e


Hotels
http://www.stockholmhotell.net/


Flights
from Helsinki
starting from 110e

www.finnair.fi

www.sas.fi

www.kilroy.fi


Metro map

http://www.urbanrail.net/index.html

(Just
click Stockholm.
Here you can find metro maps in every city on the globe!)

Summer of music

{mosimage}
I look back in time and remember my summer times in Spain.
Temperatures of 40 degrees, ventilators trying to suffocate the baking hot, the
excursions to the beach (not to the beach in Madrid…obviously…so I mean really
long excursions driving many hours…), the ice creams melting 10 seconds after
you bought them… Now here in Finland
you never know what the new day will bring. Will it be warm? Should I wear
shorts or should I take a pullover with me?. And honestly, who the fuck cares?

Summer is here, and you have an amazing offer of concerts in small and big
venues for all kind of tastes. And if you do not want to stay all the time in
Finland, take a break = take a boat, and visit some of our Baltic countries
such as Estonia or Latvia; Tallinn and Riga are developing their own amazing
scene for concerts step by step, and more and more bands are visiting there.
Last year I was lucky enough to see Depeche Mode and Metallica in
Tallinn, and
this year my beloved Aerosmith will have the chance to taste a bit of
Vana Tallinn to mix with Finlandia vodka during their European tour… So if you
are not dead, you are not broke, and there are still tickets available, what
are you waiting to choose your summer concerts and festivals before it is too
late? Aerosmith

During last weeks, I have started to have my own share of action. FREE!
Magazine heavy metal fan section (meaning… me) was in Sauna Open Air
listening to Dave Mustaine and friends. Megadeth gave a great concert
and it was an excellent end for the first day of festival. It was also very
nice to see the good health that Sonata Arctica keeps showing on live
gigs. We had the interview with them a few weeks ago, and they really can
connect with big audiences. No wonder why they are one of the biggest Finnish
bands at the moment, their new album Unia sounds powerful and with very nice melodies.
At the end of the festival I reached my maximum state of happinnes for two
reasons: I sneaked off some food from the backstage area, and I saw Heaven
and Hell
. Dio looks like falling into pieces, but the power of his
voice remains the same. In any case, too short concert, I must say, they did
not even play until the electricity had to be cut off. Less than 2 hours of
concert… it could have been better, it could have been worse…

Last week I also had the chance to assist to Genesis concert at the
Olympic Stadium. I have never been a great fan (in a way I should feel relieved
not to be such a big fan as Bateman's character in American Psycho), but
I truly enjoyed the show. Phil Collins is a great frontman and knows how
to entertaint the audience, and I also really liked the the design of the
stage, simulating a kind of futuristic city of machines expelling smoke all
over the audience.

And this week end more and more… Tuska festival is coming…   (a friend of mine from Spain keeps reminding
me that Tuska sounds like a dog´s name… 
What do you think, guys? Then Roskilde
in Denmark…
and then I will have to run away to New Zealand to pick up strawberries
to recover from such an intensive summer!

Fur

{mosimage}Diane Arbus, (born Diane Nemerov), was a photographer married with Allan
Arbus
(and later divorced), that became famous for her personal style of
portraying “freaks”, those people living apart from the normal American
post-second world war society.

Fur: An imaginary portrait of Diane Arbus is
based on the book by Patricia Bosworth, and shows us once more how good
actress Nicole Kidman can be. A character totally made for the Australian red
haired talent, who masters like nobody else in Hollywood the art of releasing sensuality
behind a faked shyness. Together with her, the “recovered” Robert Downey Jr who
is living a second golden era with his appearance in this or other recent
titles like Zodiac.

The action is
centered in a particular stage of Diane’s life, when she starts to open her
eyes to the world and open her body to the forbidden side of sensuality that
always attracted her. Still married, she is giving the first steps into freedom
and emancipation. So for those who are expecting a detailed biography of the
photographer, better look for other sources. The film is centered basically in
the relation between the ambiguous two main roles, Diane and Mr. Sweeney, but Ty
Burrell
, in the role of Diane’s husband, is a perfect third wheel for
conducting the action.

The collection of
freaks show their human side in a film subtly intended to break the borders of
discrimination and alienation in the world. Many will not understand the movie
and will get bored, but for others, me included, director Steven ShainbergSecretary) achieves a different and
entertaining film.
(who already shocked many conservative minds with his previous little essay
about love and sadomasochism)